ENGLISH
Owner’s Manual
SAFETY INFORMATION
EXPLANATION OF GRAPHICAL SYMBOLS
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
PRECAUTIONS
Read the Operating Instructions carefully and completely before operating the unit. Be sure to keep the Operating Instructions for future reference. All warnings and cautions in the Operating Instructions and on the unit should be strictly followed, as well as the safety suggestions below.
INSTALLATION
1Water and Moisture - Do not use this unit near water, such as near a bathtub, washbowl, swimming pool, or the like.
2Heat - Do not use this unit near sources of heat, including heating vents, stoves, or other appliances that generate heat. It also should not be placed in temperatures less than 5°C (41°F) or greater then 35°C (95°F).
3Mounting surface - Place the unit on a flat, even surface.
4Ventilation - The unit should be situated with adequate space around it so that proper ventilation is assured. allow 10 cm (4 in.) clearance from the rear and the top of the unit, and 5 cm (2 in.) from each side. - Do not place on a bed, rug, or similar surface that may block the ventilation openings. - Do not install the unit in a bookcase cabinet, or airtight rack where ventilation may be impeded.
5Objects and liquid entry - Take care that objects or liquids do not get inside the unit through the ventilation openings.
6Carts and stands - When placed or mounted on a stand or cart, the unit should be moved with care. Quick
stops, excessive force, and uneven surfaces may cause the unit and cart to overturn or fall.
7 Wall or ceiling mounting - The unit should not be mounted on a wall or ceiling, unless specified in the Operating Instructions.
WARNING! TO REDUCE THE RISK OF FIRE OR ELECTRONIC SHOCK, DO NOT
EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE
This product is manufactured to comply with the radio interference requirements of EEC DIRECTIVE 92/31/EC and 93/68/EEC
2
SAFETY INFORMATION
ELECTRIC POWER
1Power Sources - Connect this unit only to power sources specified in the Operating Instructions, and as marked on the unit.
2Polarization - As a safety feature, some units are equipped with polarized AC power plugs which can only be inserted one way into a power outlet. If it is difficult or impossible to insert the AC power plug into an outlet, turn the plug over and try again. If it still does not easily insert into the outlet, please call a qualified service technician to service or replace the outlet. To avoid defeating the safety feature of the polarized plug, do not force it into a power outlet.
3AC power cord - When disconnecting the AC power cord, pull it out by the AC power plug. Do not pull the cord itself.
•Never handle the AC power plug with wet hands, as this could result in fire or shock.
•Power cords should be routed to avoid being severely bent, pinched, or walked upon. Pay particular attention to the cord from the unit to the power socket.
•Avoid overloading AC outlets and extension cords beyond their capacity, as this could result in fire or shock.
4Extension cord - To help prevent electric shock, do not use a polarized AC power plug with an extension cord, receptacle, or other outlet unless the polarized plug can be completely inserted to prevent exposure of the blades of the plug.
5When not in use - Unplug the AC power cord from the AC outlet if the unit will not be used for several months or more. When the cord is plugged in, a small amount of current continues to flow to the unit, even when the power is turned off.
CAUTION
Modifications or adjustments to this product, which are not expressly approved by the manufacturer, may void the user’s right or authority to operate this product.
MAINTENANCE
Clean the unit only as recommended in the Operating Instructions.
DAMAGE REQUIRING SERVICE
Have the unit serviced by a qualified service technician if
•The AC power plug has been damaged.
•Foreign objects or liquid have gotten inside the unit.
•The unit has been exposed to rain or water - The unit does not seem to operate normally.
•The unit exhibits a marked change in performance.
•The unit has been dropped, or the cabinet has been damaged
DO NOT ATTEMPT TO SERVICE THE UNIT YOURSELF
OWNER’S RECORD
For your convenience, record the model number and serial number (you will find them on the rear of your set) in the space provided below. Please refer to them when you contact your dealer in case of difficulty.
Model No. :
Serial No. :
ENGLISH
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TABLE OF CONTENTS
TABLE OF CONTENTS
Safety Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-3
Getting the Most from the NAD T 752 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Unpacking and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
What’s in the Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Save the packaging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Choosing a Location . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
About the T 752 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
E.A.R.S., Matrix, and Digital Surround . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Ease of Use . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Integration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Upgradability . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
About the HTR 2 System Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Quickstart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Play a DVD Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
9 |
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-11
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12-13
Attention! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
12 |
Setting up the T 752 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Getting Started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Dealing With Hum and Noise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
About the On-Screen Displays (OSD) and Front-Panel Readout . . . . . . . . . . . . . . . . . . . . . . 15
Displaying the OSD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
15 |
Navigating the OSD and Making Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
15 |
Input Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
15 |
Input Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
15 |
Speaker Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
16 |
Speaker Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
16 |
Listening Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
16 |
Channel-Balance (Test) Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Using an SPL Meter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Setting Channel Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Speaker Distance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Setting Speaker Distance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Creating and Using Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Creating Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Recalling Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Using the T 752 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Selecting Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Adjusting the Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Muting the Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Listening to Radio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
About Antennas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Selecting the Radio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Tuning Stations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Setting Radio Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Selecting Radio Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Choosing the FM Mute/ Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
About RDS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
About the T 752’s Listening Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Displaying the Signal Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Selecting Listening Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Adjusting Listening Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Adjusting Channel Levels “On the Fly” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
To Adjust Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Adjusting the Tone Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
22 |
Using the HTR 2 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Controlling the T 752 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Learning Codes From Other Remotes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Punch-Through . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Copy a Command From Another Key . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Macro Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Recording Macros . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Executing Macros . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Key-Illumination Timeout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Factory Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Delete Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Loading Code-Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Summary of HTR 2 Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Trigger Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Assigning the Trigger Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
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GETTING THE MOST FROM THE NAD T 752
Thank you for choosing NAD.
The T 752 A/V Surround Sound Receiver is a technologically advanced and highly capable product — yet we have invested great effort in making it simple and easy to use. The T 752 delivers a range of genuinely useful options for surround sound and stereo listening alike, using powerful digital signal processing and superbly accurate digital-audio circuitry. However, we have also been careful to ensure that the receiver is as musically transparent and spatially accurate as possible, incorporating much of what we’ve learned from a quarter-century’s experience designing audio and home-theater components. As with all our products, NAD’s “Music First” design philosophy guided the T 752’s design, such that it can confidently promise you both state-of-the-art surround home-theater and audiophile-quality music listening for years to come.
We encourage you to take a few minutes now to read right through this manual. Investing a little time here at the outset might save you a good deal of time later, and is by far the best way to ensure that you make the most of your investment in the NAD T 752, and get the most from this powerful and flexible hometheater component.
One more thing: We urge you to register your T 752 ownership on the NAD Worldwide Web site:
< http://NADelectronics.com/w/Registration.html >
For warranty information contact your local distributor.
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UNPACKING AND SETUP
WHAT’S IN THE BOX
Packed with your T 752 receiver you will find:
•An AM loop antenna
•A FM ribbon-wire antenna with balun
•A removable AC cable (if you wish, any IEC-standard AC cable of suitable wattage may be substituted).
•The HTR 2 remote control with 4 (four) AAA batteries.
•This owner’s manual.
Save the packaging
Please save the box and all of the packaging in which your T 752 arrived. Should you move or otherwise need to transport your receiver, this is by far the safest container in which to do so. We’ve seen too many otherwise perfect components damaged in transit for lack of a proper shipping carton, so please: Save that box!
CHOOSING A LOCATION
Choose a location that is well ventilated (with at least several inches to both sides and behind), and that will provide a clear line of sight, within 25 feet/8 meters, between the receiver’s front panel and your primary listening/viewing position—this will ensure reliable infrared remote control communications. The T 752 generates a modest amount of heat, but nothing that should trouble adjacent components. It is perfectly possible to stack the T 752 atop other components, but the reverse usually should be avoided. Nonetheless, it is generally preferable that the T 752 stand alone. It is especially important that sufficient ventilation be provided; if you are contemplating locating the T 752 within a cabinet or other furniture, consult your NAD audio/video specialist for advice on providing adequate airflow.
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ABOUT THE T 752
Though the T 752 is among the most technically sophisticated A/V receivers, we worked hard to make it one of the most musically transparent home-theater components available as well; this is what we mean by NAD’s “Music First” design philosophy. Here are just a few examples:
•The T 752 uses NAD’s proprietary Power Drive™ amplifier technology for all channels to preserve accurate, linear reproduction regardless of the loudspeaker. This uniquely efficient power-supply topology provides the real-world benefits of high dynamic power that remains uncompromised by lowimpedance speakers. The result is dynamic, detailed, “un-receiver-like” sound in stereo and multichannel modes alike. NAD’s exclusive Soft Clipping™ circuitry further enhances sound quality and dynamic potential.
•High-performance components used throughout the receiver’s analog audio circuits maximize quality from all sources, including multichannel analog sources such as DVD-Audio and SACD.
•Preamp output (all channels) and main-amp input jacks (for front channels) make potential expansion as flexible as possible.
•Gold-surfaced connectors are employed throughout to ensure maximum signal integrity.
E.A.R.S., MATRIX AND DIGITAL SURROUND
A key element of the T 752’s unique musical aptitude is NAD’s proprietary Enhanced Ambience Recovery System (EARS). In sharp contrast to many “ambience-synthesis” music-surround modes, EARS exploits the T 752’s substantial DSP power to route the ambient content that is “encrypted” in virtually all naturalacoustic recordings to the appropriate main, center and surround speakers, without resorting to artificially generated reflections or regeneration. EARS’ natural ambience yields a subtle but exceptionally effective surround mode that naturally enhances the spatial presentation in a fashion suitable for serious music listening. The T 752 also incorporates a second proprietary surround mode, Matrix 7.1. This creates a full 6.1/7.1-channel environment from stereo and surround-encoded recordings, oftentimes with extraordinarily good results. Dolby ProLogic II Music and DTS Neo:6 Music modes can also create enjoyable experience from 2-channel sources.
On the digital side, the T 752 combines extraordinarily high-speed DSP processing employing one of the most advanced high-speed DSP “engines” available, with fully 24-bit, 96 kHz-sampling-capable D/A converters for all channels. A single, high-precision master clock synchronizes all digital circuits to eliminate the timing errors (“jitter”) that otherwise compromise sonics. The result is legitimately state-of-the-art surround decoding from Dolby Digital and DTS sources, and 6.1/7.1-channel reproduction, with genuinely superior sound quality in all modes.
EASE OF USE
Despite the effort NAD has invested in the T 752 receiver’s sonic performance, we expended no less in making it powerfully easy to use. Its design is uniquely simple for so sophisticated a component, and the HTR 2 universal remote control is equally understandable, as are the T 752’s own front-panel and on-screen displays. Its simple yet powerful system of “presets” permits you to fine-tune your listening setup for different conditions, sources, or listeners, and to recall these multiple parameters with a single keypress.
INTEGRATION
The T 752 receiver offers extensive, flexible system-integration options through its configurable DC trigger outputs and input, and its standard-protocol IR communications links.
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ABOUT THE T 752
UPGRADABILITY
The T 752 receiver permits flexible system growth via individually accessible pre-out and main-in jacks for all three front channels, enabling external amplifiers to be used for any of these while still maintaining utility of the receiver’s on-board power-amplifier channels for additional channels, remote-room links, or any other suitable purpose. Of course, the T 752’s Surround Back channel outputs let a system grow from 5.1 to 6.1 or 7./1 channels, simply by adding a 1- or 2-channel external amplifier. See “Rear Panel (Audio Pre-Out),” below.
ABOUT THE HTR 2 SYSTEM REMOTE CONTROL
Packed with your T 752 is the NAD HTR 2 remote control, a full-system remote especially designed to be easy to use and easy to understand. Be sure to read the section “Using the HTR 2 Remote Control,” below, to familiarize yourself with the remote’s layout and operations before proceeding to setup your receiver.
Chances are, you will want to use your HTR 2 as your primary way to command your entire A-V system. The HTR 2 can be employed to operate additional NAD or other-brand components such as a DVD/CD player, television, satellite/HDTV tuner, VCR, or virtually anything else that operates via standard infrared remote control.
8
QUICKSTART
In case you simply cannot wait to experience the performance of your new NAD T 752 receiver, we provide the following “Quickstart” instructions to get you underway. The steps below connect your DVD player to the T 752’s DVD input; be sure to read “Input Setup”, below.
PLAY A DVD MOVIE
•Connect the T 752’s composite video or S-Video MONITOR OUT jack to your TV/monitor’s corresponding input.
•Connect your DVD player’s composite video or S-Video output to the T 752’s corresponding DVD input.
•Connect the DVD player’s optical digital output to the T 752’s optical DIGITAL IN 1 input.
•Connect your left and right front speakers to the T 752’s FRONT L and R outputs, being sure to connect red to red (“+”) and black to black (“-”), with care to avoid stray wires or strands crossing between terminals. (Connect center and surround speakers as well, if you like). If your system includes a powered subwoofer, connect the T 752’s AUDIO PRE-OUT SW1 jack to its line input.
•Press in the main power switch (green pushbutton) on the T 752’s front panel (this puts the T 752 into STANDBY mode and illuminates an amber LED to indicate it is ready to receive remote commands), then use the HTR 2’s [ON] key to power up the receiver. Be sure the TV/monitor is powered up, with the correct input selected.
•Start playback of the DVD player. Press the HTR 2 remote’s [Amp] Device Selector key, and then its (red) DVD/numeric 1 key to select the DVD input. You should hear multichannel or stereo sound, and see an image on the TV/monitor. (If one or the other fails to appear, you may need to use the receiver’s on-screen menu system to check assignment of audio, video, and digital inputs; see “Configuring the T 752”, below.)
Enjoy the movie or music, but be sure to set aside time to read this manual thoroughly, and to set up, calibrate, and configure your T 752 carefully and completely.
ENGLISH
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