Loading...
ProFX8 and ProFX12
Professional Mic/Line Mixers with FX and USB I/O
O W N E R ’ S M A N U A L
POWER
ON 
PROFESSIONAL MIC/LINE MIXER WITH FX
MAIN |
MAIN |
RIGHT |
LEFT |
(BALANCED) |
(BALANCED) |
USB
~100-240V 50/60 Hz 25W
FUSE: T1.6AL AC250V
|
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC |
|
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR |
|
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE |
|
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. |
|
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR |
SERIAL NUMBER |
MANUFACTURING DATE |
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.
|
MIC |
|
|
MIC |
|
|
MIC |
|
|
MIC |
|
|
MIC |
|
|
MIC |
|
|
|
(UNBALANCED) |
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
|
|
L |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
TAPE |
|
|
TAPE |
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
IN |
|
|
|
OUT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
|
|
|
||||||
|
LINE |
1 |
|
|
2 |
|
|
3 |
|
|
4 |
|
5/6 |
|
7/8 |
|
9/10 |
|
11/12 |
|
|
|
|
|
|
|
|
|
|
|
||||
|
HI-Z |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
(MONO) |
|
|
(MONO) |
|
|
(MONO) |
|
|
(MONO) |
|
(MONO) |
|
|
|
|
|
|
|
|
|
|
|
BAL / |
|
|
BAL / |
|
|
BAL / |
|
|
BAL / |
|
|
L |
|
|
L |
|
|
L |
|
|
L |
|
L |
|
|
|
|
BAL / |
|
L |
|
|
|
|
UNBAL |
|
|
UNBAL |
|
|
UNBAL |
|
|
UNBAL |
|
|
|
|
|
|
|
|
|
|
|
|
|
UNBAL |
|
|
|
||||||
LINE/HI-Z IN 1 |
LINE IN 2 |
|
LINE IN 3 |
|
LINE IN 4 |
|
LINE IN 5 |
BAL / |
LINE IN 7 |
BAL / |
LINE IN 9 |
BAL / |
LINE IN 11 |
BAL / |
|
BAL / |
|
MON SEND |
|
BAL / |
FOOTSWITCH |
|||||||||||||
|
|
|
UNBAL |
UNBAL |
UNBAL |
UNBAL |
|
UNBAL |
|
|
UNBAL |
|||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
R |
|
|
R |
|
|
R |
|
R |
|
|
|
|
BAL / |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UNBAL |
|
|
|
||||||
INSERT |
|
INSERT |
|
INSERT |
|
INSERT |
|
LINE IN 6 |
|
LINE IN 8 |
|
LINE IN 10 |
LINE IN 12 |
|
ST RETURN |
|
FX SEND |
MAIN OUT |
PHONES |
|||||||||||||||
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
|
U |
|
|
U |
|
|
STEREO GRAPHIC EQ |
|
|
|
||||||
IC |
G |
|
IC |
G |
|
IC |
G |
|
IC |
G |
|
IC GAI |
|
IC GAI |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||
AIN |
LEVEL |
AIN |
LEVEL |
AIN |
LEVEL |
AIN |
LEVEL |
M |
N |
LEVEL |
M |
N |
LEVEL |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||
M |
|
M |
|
M |
|
M |
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
15 |
|
|
||||||
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
|
|
|
|
|
|
|
|
|
|
|
|
|
48V |
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
U |
+50 |
|
U |
+50 |
|
U |
+50 |
|
U |
+50 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
|
10 |
PHANTOM |
|
|
|
|
|
U |
+50 |
|
U |
+50 |
|
-20 |
+20 |
|
-20 |
+20 |
|
|
|
|
|
|
|
|
|
|
||||||||||
-20dB |
+30dB |
-20dB |
+30dB |
-20dB |
+30dB |
-20dB |
+30dB |
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
5 |
|
|
|
|
|
|
|
5 |
POWER |
|||||||||
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
|
|
|
|
0 |
|
|
|
|
|
|
|
0 |
|
|
||||||||||||
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
10 |
|
|
|
|
|
|
|
10 |
POWER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
15 |
|
|
|
|
|
|
|
15 |
MAIN |
|
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
125 |
250 |
500 |
|
1K |
2K |
4K |
8K |
METERS |
||
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
0dB=0dBu |
|||||||||
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
MAIN MIX |
|
|
|
|
EQ IN |
|
|
OL |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|||
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
MON |
|
|
|
|
BYPASS |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
|
|
|
|
|
|
|
|
6 |
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
||||||||||||||||
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
|
USB |
|
||
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
FX PRESETS |
|
|
|
|
|
|
0 |
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
||||||||||
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
01 BRIGHT ROOM |
|
|
|
|
|
|
|
|
4 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
02 WARM LOUNGE |
|
|
|
|
|
|
U |
|
||
|
|
|
|
|
|
|
|
03 SMALL STAGE |
|
|
|
|
|
|
|
7 |
||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
04 WARM THEATER |
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
|
|
|
05 WARM HALL |
|
|
|
|
|
|
|
|
20 |
|||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
06 CONCERT HALL |
|
|
|
|
|
|
|
|
||
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
07 PLATE REVERB |
|
|
|
|
|
OO |
+20 |
|
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
08 CATHEDRAL |
|
|
|
|
|
|
||||||||||||
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
09 CHORUS |
|
|
|
|
|
INPUT LEVEL |
L |
R |
||
|
|
|
|
|
|
|
|
10 CHORUS + REV |
|
|
PRESETS |
|
|
|
|
|
||||||||||||||||||
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
11 DOUBLER |
|
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 TAPE SLAP |
|
|
|
|
|
|
|
|
|
|
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
13 DELAY 1 (300ms) |
|
MUTE |
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 DELAY 2 (380ms) |
|
|
|
|
|
|
|
|
|
|||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 DELAY 3 (480ms) |
|
|
|
|
|
USB THRU |
BREAK |
|||
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
16 REVERB + DLY (250ms) |
|
|
|
|
|
|||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
(MUTES ALL CHANNELS) |
|
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
U |
|
|
|
U |
|
|
|
|
U |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
OO |
+15 |
|
|
OO |
+15 |
|
OO |
MAX |
OO |
+20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
FX MASTER |
|
FX TO MON |
PHONES |
TAPE LEVEL |
||||||
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
|
|
|
|
|
MON |
MAIN |
||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||
dB |
|
1 |
|
|
2 |
|
|
3 |
|
|
4 |
|
|
5/6 |
|
|
7/8 |
|
|
9/10 |
|
11/12 |
ST RTN |
|
|
FX RTN |
|
|
dB |
|
||||
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
|
dB |
|
|
||
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
|
10 |
|
10 |
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
|
5 |
|
5 |
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
U |
|
U |
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
|
5 |
|
5 |
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
|
10 |
|
10 |
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
|
20 |
|
20 |
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
|
30 |
|
30 |
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
|
40 |
|
40 |
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
|
50 |
|
50 |
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
|
60 |
|
60 |
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
|
OO |
|
OO |
|
ProFX8 and ProFX12
2 
Important Safety Instructions
1.Read these instructions.
2.Keep these instructions.
3.Heed all warnings.
4.Follow all instructions.
5.Do not use this apparatus near water.
6.Clean only with a dry cloth.
7.Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8.Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9.Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10.Do not overload wall outlets and extension cords as this can result in a risk of fire or electric shock.
11.Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
12.Only use attachments/accessories specified by the manufacturer.
13. Use only with a cart, |
|
||
PORTABLE CART WARNING |
|||
stand, tripod, bracket, |
|
|
Carts and stands - The |
or table specified |
|
|
|
|
|
Component should be used |
|
by the manufac- |
|
|
only with a cart or stand |
|
|
that is recommended by |
|
turer, or sold with |
|
|
the manufacturer. |
|
|
A Component and cart |
|
the apparatus. When |
|
|
moved with care. Quick |
a cart is used, use |
|
|
combination should be |
|
|
stops, excessive force, and |
|
|
|
|
|
caution when moving |
|
|
uneven surfaces may cause |
|
|
the Component and cart |
|
the cart/apparatus |
|
|
combination to overturn. |
|
|
|
|
|
|
|
|
combination to avoid |
|
|
|
injury from tip-over. |
|
|
|
14.Unplug this apparatus during lightning storms or when unused for long periods of time.
15.Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as powersupply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
16.This apparatus shall not be exposed to dripping or splashing, and no object filled with liquids, such as vases or beer glasses, shall be placed on the apparatus.
17.This apparatus has been designed with Class-I construction and must be connected to a mains socket outlet with a protective earthing connection (the third grounding prong).
18.This apparatus has been equipped with an all-pole, rocker-style AC mains power switch. This switch is located on the rear panel and should remain readily accessible to the user.
CAUTION AVIS
RISK OF ELECTRIC SHOCK. DO NOT OPEN
RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK)
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL
ATTENTION: POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE.
AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER.
CONFIER L'ENTRETIEN AU PERSONNEL QUALIFIE.
AVIS: POUR EVITER LES RISQUES D'INCENDIE OU D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE
A LA PLUIE OU A L'HUMIDITE
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure, that may be of sufficient magnitude to constitute a risk of electric shock to persons.
Le symbole éclair avec point de flèche à l'intérieur d'un triangle équilatéral est utilisé pour alerter l'utilisateur de la présence à l'intérieur du coffret de "voltage dangereux" non isolé d'ampleur suffisante pour constituer un risque d'éléctrocution.
The exclamation point within an equilateral triangle is intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
Le point d'exclamation à l'intérieur d'un triangle équilatéral est employé pour alerter les utilisateurs de la présence d'instructions importantes pour le fonctionnement et l'entretien (service) dans le livret d'instruction accompagnant l'appareil.
ProFX8 and ProFX12
19.The MAINS plug or an appliance coupler is used as the disconnect device, so the disconnect device shall remain readily operable.
20.NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no
guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
•Reorient or relocate the receiving antenna.
•Increase the separation between the equipment and the receiver.
•Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
•Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changes or modifications to this device not expressly approved by LOUD Technologies Inc. could void the user's authority to operate the equipment under FCC rules.
21.This apparatus does not exceed the Class A/Class B (whichever is applicable) limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications.
ATTENTION — Le présent appareil numérique n’émet pas de bruits radioélectriques dépassant las limites applicables aux appareils numériques de class A/de class B (selon le cas) prescrites dans le réglement sur le brouillage radioélectrique édicté par les ministere des communications du Canada.
22.Exposure to extremely high noise levels may cause permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has specifi ed the permissible noise level exposures shown in the following chart. According to OSHA, any exposure in excess of these permissible limits could result in some hearing loss. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pressure levels use hearing protectors while the equipment is in operation. Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to prevent permanent hearing loss if exposure is in excess of the limits set forth here:
Duration, |
Sound Level |
Typical Example |
per day in |
dBA, Slow |
|
hours |
Response |
|
8 |
90 |
Duo in small club |
6 |
92 |
|
4 |
95 |
Subway Train |
3 |
97 |
|
2 |
100 |
Very loud classical music |
1.5 |
102 |
|
1 |
105 |
Dave screaming at Steve about |
|
|
deadlines |
0.5 |
110 |
|
0.25 or less |
115 |
Loudest parts at a rock concert |
WARNING — To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
Read This Page!
You probably want to try out your new mixer right away. Before you do, please read the safety instructions on page 2, then read this page, and the rest later.
Zero the Mixer
1.Turn down all knobs except the channel EQ and pan knobs, and set all the faders fully down.
2.Set all channel EQ knobs, pan knobs, and the graphic EQ sliders at their center detent.
3.Set all buttons to the "out" position.
4.Whistle a popular show tune.
Connections
If you already know how you want to connect the mixer, go ahead and connect the inputs and outputs the way you want them. If you just want to get sound through the mixer, follow these steps:
1.Plug signal sources into the mixer, such as:
•Microphones plugged into the mic inputs. Engage phantom power if your mics need it. Check the mic's user manual to be sure.
•Line-level sources such as keyboards, drum machines, or CD players plugged into the line-level inputs.
•A guitar plugged into channel 1, with the line/hi-z switch pressed in.
2.Connect cords from the main outs to your powered speakers or amplifier.
3.Plug in the mixer’s power cord to a live AC outlet and turn on the mixer.
4.If you have powered speakers, turn them on. Otherwise, hook up your passive speakers to your amp with speaker cables, and turn it on.
Adjust your powered speaker or amplifier level controls to however the manufacturer recommends. (This is usually all the way up.)
Set the Gain
1.Play something into an input. This could be an instrument, you singing or speaking, or a line level source such as a keyboard or CD player. Be sure that the volume of the input is the same as it would be during normal use, or you may have to readjust the gain in the middle of a set. You can listen with headphones if you carefully turn up the channel fader and headphones level a little.
2.For mono channels, adjust the gain control so the level set LED just comes on occasionally during the loudest parts of your performance. The mono channel gain affects the mic and the line inputs. The hybrid channel gain affects the mic input only, not the stereo line inputs.
The stereo channel gain adjusts the stereo line inputs. Adjust as desired, and check the OL LED does not come on during the loudest passages.
3.Repeat steps 1 to 2 for your other channels.
Instant Mixing
1.To get sound out of the speakers and into a waiting world, turn up the channel’s fader to the U (unity gain) position, and slowly bring up the main fader to a comfortable listening level.
2.Sing and play. You’re a star! Bring in the other channels, and adjust their faders to make a nice mix and generally have fun.
USB
The USB connection allows you to play 2 channels of audio from your computer, and to record the main mix to your computer. See Appendix D on page 32 for details of getting started with the USB.
Notes
For optimum sonic performance, the channel faders and main fader should be set near the “U” (unity gain) markings.
Turn down all faders before making connections to and from your ProFX mixer.
When you shut down your system, turn off your amplifiers or powered speakers first. When powering up, turn them on last. This will prevent the possibility of turn-on and turn-off thumps heard in your speakers.
Save the shipping box! You may need it someday.
Please write your serial number here for future reference (i.e., insurance claims, tech support, return authorization, make dad proud, etc.)
Purchased at:
Date of purchase:
Manual Owner’s
Part No. SW0713 Rev. A
©2008 LOUD Technologies Inc. All Rights Reserved,
Owner’s Manual |
3 |
No electrons were harmed during the production of this PDF.
ProFX12 |
Introduction |
|
Thank you for choosing a Mackie professional ProFX |
||
|
||
|
mixer. It is equipped with our rather lovely microphone |
|
|
preamps, an internal FX processor, and a USB port for |
|
and |
playing and recording 2 channels of audio using a com- |
|
puter. The ProFX8 has 8 channels and the ProFX12 has |
||
12 channels. Apart from this difference, the mixers are |
||
identical and this manual covers both models. |
||
ProFX8 |
At Mackie, we know what it takes to be roadworthy. |
|
|
||
|
After all, our mixers have traveled all over the world, |
|
|
often under the worst of conditions, and we’ve applied |
|
|
what we’ve learned to the mechanical design of our |
|
|
ProFX mixers. |
|
|
Reliability is paramount to sound reinforcement. |
|
|
That’s why our engineers have subjected our mixers to |
|
|
the most rigorous and fiendish tests imaginable to fine- |
|
|
tune the design, and extend its limits beyond those of |
|
|
ordinary mixers. |
|
|
Features |
•The ProFX8 mixer has 8 channels (2 mono, 2 hybrid, 1 stereo)
•The ProFX12 mixer has 12 channels (4 mono, 2 hybrid, 2 stereo)
•Mono channels have a mic input and a mono line-level input, with a gain control and level set LED for adjustment of mic and line gain
•Hybrid channels have a mic input and stereo line-level inputs, with a gain control and level set LED for adjustment of mic gain
•Stereo channels have stereo line-level inputs, with a gain control to adjust the line gain
•+48V phantom power can be applied to all mics
•Tape/CD stereo RCA inputs and outputs
•1/4" TRS insert jacks on mono channels
•Channel 1 hi-z switch allows direct connection of a guitar or bass without a DI box
•Low cut switch on mono and hybrid channels
•3-band EQ on each channel
•Aux monitor control on each channel
•Aux FX control on each channel
•Each channel has a pan control, mute switch, overload (OL) LED, and fader
•Stereo return has mute, OL LED and fader
•XLR and 1/4" TRS main stereo line outputs
•1/4" TRS stereo return
•1/4" TRS FX send and monitor send
•1/4" TRS stereo headphones output
4 |
ProFX8 and ProFX12 |
•Headphones level control
•Tape input level control
•16 built-in Running Man effects with input level, OL LED, preset display, FX to monitor level, and footswitchable mute/unmute
•7-band graphic EQ can be used for main mix, or monitor mix, or bypassed
•12-segment stereo output meters on main mix
•Break switch mutes all channels except tape input and USB input
•Faders for stereo return, FX return, monitor and main
•USB connection allows 2-channel computer recording and 2-channel computer playback
•USB thru switch and input level
How To Use This Manual
The first pages after the table of contents are the hookup diagrams. These show typical setups for fun times with your ProFX8 or ProFX12 mixer.
Next is a detailed tour of the entire mixer. The descriptions are divided into sections, just as your mixer is organized into distinct zones:
•Rear Panel: The AC input, power switch, XLR line-level outputs and USB I/O
•Connection Section: The upper section, where you connect microphones and guitars etc.
•Channel Controls: The channel strips where you adjust and control each channel
•Master Controls: The section on the right, with graphic EQ and main level controls
•Stereo Effect Processor
Throughout these sections you’ll find illustrations with each feature numbered and described in the nearby paragraphs.
This icon marks information that is critically 
important or unique to the mixer. For your own 
good, read them and remember them.
This icon will lead you to some explanations of features and practical tips. Go ahead and skip these if you really need to go.
Appendix A: Service information.
Appendix B: Connectors.
Appendix C: Technical information.
Appendix D: USB information.
Contents |
|
|
IMPORTANT SAFETY INSTRUCTIONS ........................ |
2 |
|
READ THIS PAGE!.................................................... |
3 |
|
INTRODUCTION ...................................................... |
4 |
|
CONTENTS ............................................................. |
5 |
|
HOOKUP DIAGRAMS............................................... |
6 |
|
REAR PANEL FEATURES ......................................... |
12 |
|
1. |
POWER CONNECTION............................. |
12 |
2. |
FUSE...................................................... |
12 |
3. |
POWER SWITCH..................................... |
12 |
4. |
XLR MAIN OUTS ................................... |
12 |
5. |
USB PORT ............................................. |
12 |
FRONT PANEL FEATURES ....................................... |
13 |
|
CONNECTION SECTION ....................................... |
13 |
|
6. |
MIC INPUTS ........................................... |
13 |
7. |
LINE/HI-Z SWITCH................................. |
13 |
8. |
LINE/HI-Z INPUT (CHANNEL 1 ONLY)...... |
13 |
9. |
MONO LINE INPUTS ............................... |
14 |
10. |
STEREO LINE INPUTS .............................. |
14 |
11. |
CHANNEL INSERT ................................... |
14 |
12. |
STEREO RETURN .................................... |
14 |
13. |
MON SEND ............................................ |
15 |
14. |
FX SEND ................................................ |
15 |
15. |
1⁄4" MAIN OUTS .................................... |
15 |
16. |
FX FOOTSWITCH .................................... |
15 |
17. |
PHONES ................................................ |
15 |
18. |
TAPE INPUT ........................................... |
16 |
19. |
TAPE OUTPUTS ...................................... |
16 |
CHANNEL CONTROLS ......................................... |
17 |
|
20. |
GAIN .................................................... |
18 |
21. |
LEVEL SET LED ........................................ |
18 |
22. |
LOW CUT ............................................... |
18 |
23. |
HI EQ..................................................... |
19 |
24. |
MID EQ.................................................. |
19 |
25. |
LOW EQ................................................. |
19 |
26. AUX MON ............................................... |
19 |
|
27. AUX FX................................................... |
20 |
|
28. |
PAN........................................................ |
20 |
29. |
OL LED .................................................... |
20 |
30. |
MUTE .................................................... |
20 |
31. |
CHANNEL FADER..................................... |
20 |
MASTER CONTROLS ........................................... |
21 |
|
32. PHANTOM POWER SWITCH ..................... |
21 |
|
33. |
POWER LED............................................. |
21 |
34. |
METERS ................................................. |
21 |
35. |
BREAK SWITCH ..................................... |
22 |
36. |
TAPE LEVEL ........................................... |
22 |
37. |
STEREO GRAPHIC EQ ............................... |
22 |
38. MAIN MIX/MON..................................... |
22 |
|
39. |
EQ IN/BYPASS ........................................ |
22 |
40. |
USB INPUT LEVEL .................................... |
22 |
41. |
USB THRU.............................................. |
23 |
42. |
PHONES LEVEL ....................................... |
23 |
43. |
OL LED (FOR STEREO RETURNS).............. |
23 |
44. |
MUTE (FOR STEREO RETURNS)................ |
23 |
45. |
STEREO RETURN FADER.......................... |
23 |
46. |
FX RETURN FADER ................................. |
23 |
47. |
MONITOR FADER ................................... |
23 |
48. |
MAIN FADER.......................................... |
23 |
STEREO EFFECTS PROCESSOR ............................. |
24 |
|
49. |
PRESET DISPLAY...................................... |
24 |
50. |
PRESET SELECTOR.................................... |
24 |
51. |
INTERNAL FX MUTE ................................. |
24 |
52. |
FX MASTER ............................................. |
24 |
53. |
OL LED................................................... |
24 |
54. |
FX TO MON ........................................... |
24 |
APPENDIX A: SERVICE INFORMATION.................... |
26 |
|
APPENDIX B: CONNECTIONS.................................. |
27 |
|
APPENDIX C: TECHNICAL INFORMATION ................ |
29 |
|
APPENDIX D: USB INTERFACE ................................ |
32 |
|
PROFX8 AND PROFX12 LIMITED WARRANTY ........ |
35 |
|
Need help with your new mixer?
•Visit www.mackie.com and click Support to find:
FAQs (Frequently Asked Questions), manuals, addendums, and user forums.
•Email us at: techmail@mackie.com.
•Telephone 1-800-898-3211 to speak with one of our splendid technical support representatives, (Monday through Friday, from 7 a.m. to 5 p.m. PST).
Manual Owner’s
Owner’s Manual |
5 |
ProFX8 and ProFX12
HOOKUP DIAGRAMS
Electric
Guitar
Acoustic |
Microphones |
Guitar with |
|
pickup |
|
Mono Effects
press HI-Z button
MIC |
|
MIC |
MIC |
MIC |
MIC |
MIC |
|
(UNBALANCED) |
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
L |
|
L |
|
|
|
|
POWER |
|
|
|
|
|
|
|
|
|
TAPE |
|
TAPE |
|
|
|
ON |
|
|
|
|
|
|
|
|
|
|
IN |
|
OUT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
|
|
LINE |
1 |
2 |
3 |
4 |
|
5/6 |
|
7/8 |
9/10 |
11/12 |
|
|
|
|
||
HI-Z |
|
|
|
|
|
|
||||||||||
|
|
|
|
|
|
(MONO) |
|
(MONO) |
|
(MONO) |
|
(MONO) |
(MONO) |
|
|
|
|
BAL / |
BAL / |
BAL / |
BAL / |
|
L |
|
L |
|
L |
|
L |
L |
BAL / |
~100-240V 50/60 Hz 25W |
|
|
UNBAL |
UNBAL |
UNBAL |
UNBAL |
|
|
|
|
UNBAL |
L |
FUSE: T1.6AL AC250V |
|||||
LINE/HI-Z IN 1 |
|
LINE IN 2 |
LINE IN 3 |
LINE IN 4 |
LINE IN 5 |
BAL / |
LINE IN 7 |
BAL / |
LINE IN 9 |
BAL / |
LINE IN 11 |
BAL / |
BAL / |
MON SEND |
BAL / |
FOOTSWITCH |
|
|
|
|
|
|
UNBAL |
|
UNBAL |
|
UNBAL |
|
UNBAL |
UNBAL |
UNBAL |
||
|
|
|
|
|
|
R |
|
R |
|
R |
|
R |
R |
BAL / |
R |
|
|
|
|
|
|
|
|
|
|
UNBAL |
|
||||||
INSERT |
|
INSERT |
INSERT |
INSERT |
LINE IN 6 |
|
LINE IN 8 |
|
LINE IN 10 |
LINE IN 12 |
|
ST RETURN |
FX SEND |
MAIN OUT |
PHONES |
|
|
U |
|
|
|
U |
|
|
U |
|
|
U |
|
MIC GAIN |
|
MIC GAIN |
|
|
U |
|
|
U |
|
|
STEREO GRAPHIC EQ |
|
|
|
|||||||
IC GAI |
|
LEVEL |
IC GAI |
LEVEL |
IC GAI |
LEVEL |
IC GAI |
LEVEL |
LEVEL |
LEVEL |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||
M |
N |
|
M |
N |
M |
N |
M |
N |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||
|
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
|
|
|
|
|
|
15 |
|
|
|
|
|
|
15 |
|
48V |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
U |
+50 |
|
U |
+50 |
|
U |
+50 |
|
U |
+50 |
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
10 |
|
|
|
|
|
|
|
U |
+50 |
|
U |
+50 |
|
-20 |
+20 |
|
-20 |
+20 |
|
|
|
|
|
|
|
|
|
PHANTOM |
||||||||||
-20dB |
+30dB |
-20dB |
+30dB |
-20dB |
+30dB |
-20dB |
+30dB |
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
5 |
|
|
|
|
|
|
5 |
POWER |
||||||||||
GAIN |
|
|
GAIN |
|
GAIN |
|
GAIN |
|
|
|
|
|
0 |
|
|
|
|
|
|
0 |
|
|
||||||||||||
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
U |
|
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
10 |
|
|
|
|
|
|
10 |
POWER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||
|
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
15 |
|
|
|
|
|
|
15 |
MAIN |
|
|
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
125 |
250 |
500 |
1K |
2K |
4K |
8K |
METERS |
||
-15 |
+15 |
|
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
0dB=0dBu |
|||||||||
|
U |
|
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MAIN MIX |
|
|
|
EQ IN |
|
|
15 |
|
|
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
MON |
|
|
BYPASS |
|
|
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
||||||||
|
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
|
|
|
|
|
|
|
6 |
-15 |
+15 |
|
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
USB |
|
3 |
|
|
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
FX PRESETS |
|
|
|
|
|
0 |
|||
|
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
|
|
|
|
|
2 |
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
01 BRIGHT ROOM |
|
|
|
|
|
|
|
4 |
|
-15 |
+15 |
|
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
02 WARM LOUNGE |
|
|
|
|
|
U |
|
||
|
|
|
|
|
|
|
|
|
03 SMALL STAGE |
|
|
|
|
|
|
7 |
||||||||||||||||||
|
U |
|
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
04 WARM THEATER |
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
|
|
|
|
05 WARM HALL |
|
|
|
|
|
|
|
20 |
|||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
06 CONCERT HALL |
|
|
|
|
|
|
|
||
|
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
07 PLATE REVERB |
|
|
|
|
OO |
+20 |
|
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
08 CATHEDRAL |
|
|
|
|
L |
R |
|||||||||||
OO |
+15 |
|
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
09 CHORUS |
|
|
|
|
INPUT LEVEL |
||||
|
|
|
|
|
|
|
|
|
10 CHORUS + REV |
|
|
|
|
|
|
|||||||||||||||||||
|
U |
|
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
Effects13 |
Processor |
|
|
|||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
U |
|
11 DOUBLER |
|
PRESETS |
|
|
|
|
|
|||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 TAPE SLAP |
|
|
|
|
|
out |
|
|
|
|
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
DELAY 1 (300ms) |
|
MUTE |
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 DELAY 2 (380ms) |
|
|
|
|
|
|
U |
||||||||||
|
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
MonoPAN |
Uin, StereoU |
|
||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 DELAY 3 (480ms) |
|
|
|
|
USB THRU |
BREAK |
|||
OO |
+15 |
|
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
16 REVERB + DLY (250ms) |
|
|
|
|
(MUTES ALL CHANNELS) |
||||
|
|
Keyboard |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
FX MASTER |
|
FX TO MON |
PHONES |
TAPE LEVEL |
|||||||||||
L |
R |
|
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
MAX |
OO |
+20 |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
|
|
|
MON |
MAIN |
||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||
dB |
|
|
1 |
|
|
2 |
|
|
3 |
|
|
4 |
|
|
5/6 |
|
|
7/8 |
|
|
9/10 |
|
11/12 |
ST RTN |
FX RTN |
|
|
dB |
|
|||||
|
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
||
10 |
|
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
5 |
|
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
U |
|
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
Monitor EQ |
||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
U |
|
U |
|
||||||||||
5 |
|
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
10 |
|
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
Drum |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
10 |
|
|||
|
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
||
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
|
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
30 |
|
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
Machine |
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
30 |
|
|||||
|
|
|
|
|
|
|
|
|
|
|
30 |
|
|
30 |
|
|
|
|
|
|
|
|
|
|
||||||||||
40 |
|
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
40 |
|
50 |
|
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
50 |
|
60 |
|
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
60 |
|
Bass
Guitar
iPod
Docking Station
Footswitch Headphones
|
|
|
|
|
|
|
|
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC |
||
|
|
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR |
||
|
|
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
|
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE |
||||
|
|
|
|
|
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. |
|||||
|
|
|
|
|
|
|
|
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR |
||
|
|
|
|
|
|
|
SERIAL NUMBER |
MANUFACTURING DATE |
||
MAIN |
MAIN |
|
|
|
|
|
||||
RIGHT |
LEFT |
|
|
|
|
|
||||
(BALANCED) |
(BALANCED) |
|
|
|
|
|
||||
|
|
|
|
USB |
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR |
|||||
|
|
|
|
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS |
||||||
|
|
|
|
|
|
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST |
||||
|
|
|
|
|
|
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY |
||||
|
|
|
|
|
|
CAUSE UNDESIRED OPERATION. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA |
||||
|
|
|
|
|
|
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE |
||||
|
|
|
|
|
|
|
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING. |
|||
Laptop Computer with Tracktion for recording
SRM450v2 Powered Monitors |
SRM450v2 Powered Speakers |
This diagram shows a guitar connected directly to channel 1 (with the hi-z switch pressed in), microphones attached to channels 2, 3, and 4, guitar effects processors connected to the left line-level input of channel 5/6, and 7/8, a keyboard attached to channel 9/10's line-level inputs, and a drum machine connected to channel 11/12. An iPod docking station is attached to the stereo tape inputs. An effects processor receives a mono input from the FX send, and its stereo outputs connect to the stereo return inputs.
Mackie SRM450v2 powered speakers are connected to the left and right main output. Two of these speakers are also set up as stage monitors, and connect to the mixer's monitor output via a graphic EQ. The aux mon controls of each channel allow you to create a stage monitor mix that is independent of the main mix. Use the external graphic EQ to adjust the stage monitor EQ as desired. Headphones are used for monitoring, and a footswitch allows you to mute/unmute the internal effects as desired.
A laptop connects to the USB port, and allows the 2-channel main mix of the performance to be recorded using Tracktion software. Two channels of audio can also play from your computer to the main mix.
Band System ProFX12
6 |
ProFX8 and ProFX12 |
Acoustic Guitar
and Mic
Electric
Guitar
Lavalier Microphones
Clip-on Mic
iPod
Docking Station Assistive Listening System
Headphones
Mono Effects
MIC |
|
MIC |
MIC |
MIC |
MIC |
MIC |
|
(UNBALANCED) |
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
L |
|
L |
|
|
|
|
POWER |
|
|
|
|
|
|
|
|
|
TAPE |
|
TAPE |
|
|
|
ON |
|
|
|
|
|
|
|
|
|
|
IN |
|
OUT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
|
|
LINE |
1 |
2 |
3 |
4 |
|
5/6 |
|
7/8 |
9/10 |
11/12 |
|
|
|
|
||
HI-Z |
|
|
|
|
|
|
||||||||||
|
|
|
|
|
|
(MONO) |
|
(MONO) |
|
(MONO) |
|
(MONO) |
(MONO) |
|
|
|
|
BAL / |
BAL / |
BAL / |
BAL / |
|
L |
|
L |
|
L |
|
L |
L |
BAL / |
~100-240V 50/60 Hz 25W |
|
|
UNBAL |
UNBAL |
UNBAL |
UNBAL |
|
|
|
|
UNBAL |
L |
FUSE: T1.6AL AC250V |
|||||
LINE/HI-Z IN 1 |
|
LINE IN 2 |
LINE IN 3 |
LINE IN 4 |
LINE IN 5 |
BAL / |
LINE IN 7 |
BAL / |
LINE IN 9 |
BAL / |
LINE IN 11 |
BAL / |
BAL / |
MON SEND |
BAL / |
FOOTSWITCH |
|
|
|
|
|
|
UNBAL |
|
UNBAL |
|
UNBAL |
|
UNBAL |
UNBAL |
UNBAL |
||
|
|
|
|
|
|
R |
|
R |
|
R |
|
R |
R |
BAL / |
R |
|
|
|
|
|
|
|
|
|
|
UNBAL |
|
||||||
INSERT |
INSERT |
INSERT |
INSERT |
LINE IN 6 |
LINE IN 8 |
LINE IN 10 |
LINE IN 12 |
ST RETURN |
FX SEND |
MAIN OUT |
PHONES |
|
U |
|
|
U |
|
|
U |
|
|
U |
|
IC GAI |
LEVEL |
IC GAI |
LEVEL |
IC GAI |
LEVEL |
IC GAI |
LEVEL |
||||
M |
N |
M |
N |
M |
N |
M |
N |
||||
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
U |
+50 |
|
U |
+50 |
|
U |
+50 |
|
U |
+50 |
|
-20dB |
+30dB |
-20dB |
+30dB |
-20dB |
+30dB |
-20dB |
+30dB |
||||
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
||||
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
||||
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
Dual Compressors |
|
|
|
||||||||
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
MIC GAIN |
LEVEL |
|
|
|
SET |
U |
+50 |
|
GAIN |
|
|
LOW CUT |
|
|
|
100 Hz |
|
|
U |
EQ |
|
|
HI |
|
|
12kHz |
-15 |
+15 |
|
|
U |
|
|
|
MID |
|
|
2.5kHz |
-15 |
+15 |
|
|
U |
|
|
|
LOW |
|
|
80Hz |
-15 |
+15 |
|
|
U |
AUX |
|
|
MON |
OO |
+15 |
|
|
U |
|
|
|
FX |
OO |
+15 |
|
|
|
PAN |
L |
R |
|
MIC GAIN |
LEVEL |
|
|
|
SET |
U |
+50 |
|
GAIN |
|
|
LOW CUT |
|
|
|
100 Hz |
|
|
U |
EQ |
|
|
HI |
|
|
12kHz |
-15 |
+15 |
|
|
U |
|
|
|
MID |
|
|
2.5kHz |
-15 |
+15 |
|
|
U |
|
|
|
LOW |
|
|
80Hz |
-15 |
+15 |
|
|
U |
AUX |
|
|
MON |
OO |
+15 |
|
|
U |
|
|
|
FX |
OO |
+15 |
|
|
|
PAN |
L |
R |
|
|
U |
|
-20 |
+20 |
|
GAIN |
|
|
|
U |
EQ |
|
|
HI |
|
|
12kHz |
-15 |
+15 |
|
|
U |
|
|
|
MID |
|
|
2.5kHz |
-15 |
+15 |
|
|
U |
|
|
|
LOW |
|
|
80Hz |
-15 |
+15 |
|
|
U |
AUX |
|
|
MON |
OO |
+15 |
|
|
U |
|
|
|
FX |
OO |
+15 |
|
|
|
PAN |
L |
R |
|
|
|
|
|
STEREO GRAPHIC EQ |
|
|
|
|||||
|
U |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
15 |
|
48V |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
10 |
|
|
-20 |
+20 |
|
5 |
|
|
|
|
|
|
5 |
PHANTOM |
|
GAIN |
|
|
|
|
|
|
|
POWER |
||||
|
0 |
|
|
|
|
|
|
0 |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
5 |
|
|
|
|
|
|
5 |
|
|
|
U |
EQ |
10 |
|
|
|
|
|
|
10 |
POWER |
|
|
|
|
|
|
|
|
|
|
||||
|
|
HI |
15 |
|
|
|
|
|
|
15 |
MAIN |
|
|
|
12kHz |
125 |
250 |
500 |
1K |
2K |
4K |
8K |
METERS |
||
-15 |
+15 |
|
0dB=0dBu |
|||||||||
|
U |
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
MAIN MIX |
|
|
|
EQ IN |
|
|
15 |
|
|
|
MID |
|
MON |
|
|
BYPASS |
|
|
|||
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
2.5kHz |
|
|
|
|
|
|
|
|
|
6 |
-15 |
+15 |
|
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
|
|
|
|
|
USB |
|
3 |
|
|
|
LOW |
FX PRESETS |
|
|
|
|
|
0 |
|||
|
|
|
|
|
|
|
|
|
2 |
|||
|
|
80Hz |
|
|
|
|
|
|
|
|||
|
|
|
01 BRIGHT ROOM |
|
|
|
|
|
|
|
4 |
|
-15 |
+15 |
|
02 WARM LOUNGE |
|
|
|
|
|
U |
|
||
|
03 SMALL STAGE |
|
|
|
|
|
|
7 |
||||
|
U |
AUX |
04 WARM THEATER |
|
|
|
|
|
|
|
10 |
|
|
05 WARM HALL |
|
|
|
|
|
|
|
20 |
|||
|
|
|
06 CONCERT HALL |
|
|
|
|
|
|
|
||
|
|
MON |
07 PLATE REVERB |
|
|
|
|
OO |
+20 |
|
30 |
|
|
|
08 CATHEDRAL |
|
|
|
|
L |
R |
||||
OO |
+15 |
|
09 CHORUS |
|
|
|
|
INPUT LEVEL |
||||
|
10 CHORUS + REV |
|
|
|
|
|
|
|||||
Effects13 |
Processor |
|
|
|||||||||
|
U |
|
11 DOUBLER |
|
PRESETS |
|
|
|
|
|
||
|
|
|
12 TAPE SLAP |
|
|
|
|
|
out |
|
|
|
|
|
FX |
DELAY 1 (300ms) |
|
MUTE |
|
|
|
|
|
||
|
|
14 DELAY 2 (380ms) |
|
|
|
|
|
|
U |
|||
MonoPAN |
Uin, StereoU |
|
||||||||||
|
|
|
15 DELAY 3 (480ms) |
|
|
|
|
USB THRU |
BREAK |
|||
OO |
+15 |
|
16 REVERB + DLY (250ms) |
|
|
|
|
(MUTES ALL CHANNELS) |
||||
|
|
|
|
|
OL |
|
|
|
|
|
|
|
L |
R |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
MAX |
OO |
+20 |
|
|
|
FX MASTER |
|
FX TO MON |
PHONES |
TAPE LEVEL |
|||||
MUTE |
MUTE |
MUTE |
MUTE |
MUTE |
MUTE |
|
MUTE |
MUTE |
MUTE |
|
|
MON |
MAIN |
|
OL |
OL |
OL |
OL |
OL |
OL |
|
OL |
OL |
OL |
|
|
Monitor10 10 |
EQ |
|
10 |
10 |
10 |
10 |
10 |
10 |
10 |
10 |
11/12 |
10 |
10 |
FX RTN |
|||
1 |
2 |
3 |
4 |
5/6 |
7/8 |
|
9/10 |
ST RTN |
|
|
|
|
||
dB |
dB |
dB |
dB |
dB |
dB |
dB |
dB |
|
dB |
dB |
|
dB |
dB |
|
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
|
5 |
5 |
|
5 |
5 |
|
U |
U |
U |
U |
U |
U |
U |
U |
|
U |
U |
|
U |
U |
|
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
|
5 |
5 |
|
5 |
5 |
|
10 |
10 |
10 |
10 |
10 |
10 |
10 |
10 |
|
10 |
10 |
|
10 |
10 |
|
20 |
20 |
20 |
20 |
20 |
20 |
20 |
20 |
|
20 |
20 |
|
20 |
20 |
|
50 |
50 |
50 |
50 |
Keyboard50 50 |
50 |
50 |
|
50 |
50 |
|
50 |
50 |
|
|
30 |
30 |
30 |
30 |
30 |
30 |
30 |
30 |
|
30 |
30 |
|
30 |
30 |
|
40 |
40 |
40 |
40 |
40 |
40 |
40 |
40 |
|
40 |
40 |
|
40 |
40 |
|
60 |
60 |
60 |
60 |
60 |
60 |
60 |
60 |
|
60 |
60 |
|
60 |
60 |
|
PROFESSIONAL MIC/LINE MIXER WITH FX
MAIN |
MAIN |
RIGHT |
LEFT |
(BALANCED) |
(BALANCED) |
USB
|
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC |
|
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR |
|
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE |
|
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. |
|
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR |
SERIAL NUMBER |
MANUFACTURING DATE |
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.
Laptop
with Tracktion recording
the service
Compressor/Limiter
SRM450v2 Powered Monitors
SR1521z Powered Speakers
Manual Owner’s
This diagram shows various microphones attached to channels 1 to 4, a guitar mic on channel 5/6, a guitar effects processor connected to the left line-level input of channel 7/8, and a keyboard attached to channel 9/10's line-level inputs. An iPod docking station is attached to the stereo tape inputs. An effects processor receives a mono input from the FX send, and its stereo outputs connect to the stereo return inputs. An assistive listening system is connected to the line-level main output. Dual compressors are connected to the inserts of channels 1 to 4, allowing vocal compression.
Mackie SR1521z powered speakers are connected to the left and right main output, via a compressor/ limiter. Two SRM450v2 powered speakers are set up as stage monitors, and connect to the mixer's monitor output via a graphic EQ. The aux mon controls of each channel allow you to create a stage monitor mix that is independent of the main mix. Use the external graphic EQ to adjust the stage monitor EQ as desired. Headphones are used for monitoring.
A laptop connects to the USB port, and allows the 2-channel main mix of the service to be recorded using Tracktion software. Two channels of audio can also play from your computer to the main mix.
House of Worship System ProFX12
Owner’s Manual |
7 |
ProFX8 and ProFX12
Microphones
CD Player |
iPod |
Docking Station |
Headphones
MIC |
|
MIC |
MIC |
MIC |
(UNBALANCED) |
|
|
|
||||
|
|
|
|
|
|
|
L |
|
L |
|
|
|
|
|
|
|
|
|
|
TAPE |
|
TAPE |
|
|
|
|
|
|
|
|
|
|
IN |
|
OUT |
|
|
|
|
|
|
|
|
|
|
R |
|
R |
|
|
|
|
1 |
2 |
|
3/4 |
|
5/6 |
|
7/8 |
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
|
LINE |
|
|
|
|
|
|
|
|||||
HI-Z |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
(MONO) |
|
(MONO) |
|
(MONO) |
(MONO) |
|
|
|
|
|
BAL / |
|
L |
|
L |
|
L |
L |
BAL / |
L |
|
|
|
UNBAL |
|
|
|
UNBAL |
|
|||||
LINE/HI-Z IN 1 |
|
LINE IN 2 |
LINE IN 3 |
BAL / |
LINE IN 5 |
BAL / |
LINE IN 7 |
BAL / |
BAL / |
MON SEND |
BAL / |
FOOTSWITCH |
|
UNBAL |
UNBAL |
UNBAL |
UNBAL |
UNBAL |
|||||||
|
|
|
|
R |
|
R |
|
R |
R |
BAL / |
R |
|
|
|
|
|
|
|
UNBAL |
|
|||||
INSERT |
|
INSERT |
LINE IN 4 |
|
LINE IN 6 |
|
LINE IN 8 |
|
ST RETURN |
FX SEND |
MAIN OUT |
PHONES |
|
|
U |
|
|
U |
|
MIC GAIN |
|
MIC GAIN |
|
|
U |
|
|
STEREO GRAPHIC EQ |
|
|
|
|||||||
|
IC GAI |
LEVEL |
IC GAI |
LEVEL |
LEVEL |
LEVEL |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||
|
M |
N |
M |
N |
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
15 |
|
|
||||
|
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
|
|
|
|
|
|
|
|
|
48V |
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
U |
+50 |
|
U |
+50 |
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
10 |
PHANTOM |
|
|
|
|
U |
+50 |
|
U |
+50 |
|
-20 |
+20 |
|
|
|
|
|
|
|
|
|
||||||
-20dB |
+30dB |
-20dB |
+30dB |
|
|
|
5 |
|
|
|
|
|
|
5 |
|||||||||||
|
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
0 |
|
|
|
|
|
|
0 |
|
|
|||||
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
|
|
|
|
|
|
|
|
|
|
|
||||||
|
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100Hz |
|
|
|
|
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
10 |
|
|
|
|
|
|
10 |
POWER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||
|
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
15 |
|
|
|
|
|
|
15 |
MAIN |
|
|
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
|
|
|
|
|
|
METERS |
|
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
125 |
250 |
500 |
1K |
2K |
4K |
8K |
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0dB=0dBu |
|||||||||||
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MAIN MIX |
|
|
|
EQ IN |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|||
|
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
MON |
|
|
|
BYPASS |
|
|
||
|
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
|
|
|
|
|
|
|
10 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
|
|
|
|
|
|
|
|
6 |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
USB |
|
3 |
|
|
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
FX PRESETS |
|
|
|
|
|
0 |
|||
|
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
|
|
|
|
|
2 |
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
01 BRIGHT ROOM |
|
|
|
|
|
|
|
4 |
|
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
02 WARM LOUNGE |
|
|
|
|
|
U |
|
||
|
|
|
|
|
|
03 SMALL STAGE |
|
|
|
|
|
|
7 |
||||||||||||
|
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
04 WARM THEATER |
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
|
05 WARM HALL |
|
|
|
|
|
|
|
||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
06 CONCERT HALL |
|
|
|
|
|
|
|
20 |
|
|
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
07 PLATE REVERB |
|
|
|
|
OO |
+20 |
|
30 |
|
|
|
|
|
|
|
|
|
|
|
|
08 CATHEDRAL |
|
|
|
|
|
|||||||||
|
|
+15 |
|
|
+15 |
|
|
+15 |
|
|
+15 |
|
|
+15 |
|
09 CHORUS |
|
|
|
|
|
INPUT LEVEL |
L |
R |
|
OO |
|
OO |
|
OO |
|
OO |
|
OO |
|
10 CHORUS + REV |
|
PRESETS |
|
||||||||||||
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
11 DOUBLER |
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 TAPE SLAP |
|
|
|
|
|
|
|
|
|
|
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
13 DELAY 1 (300ms) |
|
MUTE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 DELAY 2 (380ms) |
|
|
|
|
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 DELAY 3 (480ms) |
|
|
|
|
USB THRU |
BREAK |
|||
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
16 REVERB + DLY (250ms) |
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
(MUTES ALL CHANNELS) |
||||||||||||||
|
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
U |
|
|
U |
|
|
|
|
U |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
MAX |
OO |
+20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
FX MASTER |
|
FX TO MON |
PHONES |
TAPE LEVEL |
|||||
|
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
|
|
|
|
MON |
MAIN |
|||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||
|
|
|
1 |
|
|
2 |
|
|
3/4 |
|
|
5/6 |
|
|
7/8 |
ST RTN |
|
FX RTN |
|
|
|
|
|||
dB |
|
|
|
dB |
|
|
|
|
|
dB |
|
dB |
|
|
|
dB |
|
|
dB |
|
|
dB |
|
dB |
|
10 |
|
|
|
10 |
|
|
|
|
|
10 |
|
10 |
|
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
5 |
|
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
U |
|
|
|
U |
|
|
U |
|
|
U |
|
U |
|
|
|
U |
|
|
U |
|
|
U |
|
U |
|
5 |
CD Turntable |
|
5 |
|
5 |
|
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
|||||||
|
|
|
5 |
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||
10 |
|
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
20 |
|
|
|
20 |
|
|
20 |
|
|
20 |
|
20 |
|
|
|
20 |
|
|
20 |
|
|
20 |
|
20 |
|
30 |
|
|
|
30 |
|
|
30 |
|
|
30 |
|
30 |
|
|
|
30 |
|
|
30 |
|
|
30 |
|
30 |
|
40 |
|
|
|
40 |
|
|
40 |
|
|
40 |
|
40 |
|
|
|
40 |
|
|
40 |
|
|
40 |
|
40 |
|
50 |
|
|
|
50 |
|
|
50 |
|
|
50 |
|
50 |
|
|
|
50 |
|
|
50 |
|
|
50 |
|
50 |
|
60 |
|
|
|
60 |
|
|
60 |
|
|
60 |
|
60 |
|
|
|
60 |
|
|
60 |
|
|
60 |
|
60 |
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
OO |
|
|
|
OO |
|
|
OO |
|
|
OO |
|
OO |
|
|
Effects Processor
POWER |
|
|
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC |
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR |
ON |
|
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE |
|
|
|
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. |
|
|
|
|
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR |
|
|
SERIAL NUMBER |
MANUFACTURING DATE |
MAIN |
MAIN |
|
|
RIGHT |
LEFT |
|
|
(BALANCED) |
(BALANCED) |
|
|
|
USB |
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR |
|
|
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS |
||
|
|
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST |
|
|
|
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY |
|
~100-240V 50/60 Hz 20W |
|
CAUSE UNDESIRED OPERATION. |
|
|
|
|
|
FUSE: T1.6AL AC250V |
|
|
|
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA |
|
|
|
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE |
|
|
|
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING. |
|
|
|
Laptop running Tracktion and DJ software
Reverb
Compressor
SRM450v2 Powered Monitors
SR1530z Powered Speakers
This diagram shows two microphones attached to channels 1 and 2, a CD player connected to the linelevel inputs of channel 3/4, a CD turntable connected to the line-level inputs of channel 7/8. An iPod docking station is attached to the stereo tape inputs. An effects processor receives a mono input from the FX send, and its stereo outputs connect to the stereo return inputs. A reverb and compressor are connected to the insert of channel 1 allowing vocal compression and a touch of reverb.
Mackie SR1530z powered speakers are connected to the left and right main output. Two SRM450v2 powered speakers are set up as stage monitors, and connect to the mixer's monitor output. The aux mon controls of each channel allow you to create a stage monitor mix that is independent of the main mix. Switch the internal graphic EQ to adjust the stage monitor EQ if desired. Headphones are used for monitoring.
A laptop connects to the USB port, and allows 2-channel output of DJ software to play in your main mix. It also can be used to record your set on the computer for posterity.
DJ System ProFX8
8 |
ProFX8 and ProFX12 |
Microphones
TV monitor
|
|
|
|
|
|
|
|
|
|
CD+G Player |
|
|
Video |
|
|
|
|
|
|
Headphones
MIC |
|
MIC |
MIC |
MIC |
(UNBALANCED) |
|
|
|
|
|
|
L |
L |
POWER |
|
|
|
|
|
TAPE |
TAPE |
ON |
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
|
|
|
IN |
OUT |
|
|
|
|
|
|
R |
R |
|
|
|
|
|
|
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
MAIN |
MAIN |
|
|
|
|
|
RIGHT |
LEFT |
|
LINE |
1 |
2 |
3/4 |
5/6 |
7/8 |
(BALANCED) |
(BALANCED) |
HI-Z |
|
|
|
|
|
|
|
|
|
|
(MONO) |
|
|
(MONO) |
|
|
(MONO) |
|
(MONO) |
|
|
|
|
|
|
|
USB |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||
|
|
|
|
|
BAL / |
|
|
L |
|
|
L |
|
|
L |
|
L |
|
|
|
BAL / |
|
L |
|
|
|
|
|
|
|
UNBAL |
|
|
|
|
|
|
|
|
|
|
UNBAL |
|
|
~100-240V 50/60 Hz 20W |
|||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
FUSE: T1.6AL AC250V |
LINE/HI-Z IN 1 |
LINE IN 2 |
|
LINE IN 3 |
BAL / |
LINE IN 5 |
BAL / |
LINE IN 7 |
BAL / |
|
BAL / |
|
MON SEND |
|
BAL / |
FOOTSWITCH |
|||||||||
|
UNBAL |
UNBAL |
UNBAL |
|
UNBAL |
|
|
UNBAL |
||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
BAL / |
|
|
|
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE |
|
|
|
|
|
|
|
|
R |
|
|
R |
|
|
R |
|
R |
|
|
|
UNBAL |
|
R |
|
|
INSERT |
|
INSERT |
|
LINE IN 4 |
|
LINE IN 6 |
|
LINE IN 8 |
|
ST RETURN |
|
FX SEND |
MAIN OUT |
PHONES |
||||||||||
U |
|
|
U |
|
MIC GAIN |
|
MIC GAIN |
|
|
U |
|
|
STEREO GRAPHIC EQ |
|
|
|
||||||||
IC GAI |
LEVEL |
IC GAI |
LEVEL |
LEVEL |
LEVEL |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||
M |
N |
M |
N |
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
15 |
|
|
||||
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
|
|
|
|
|
|
|
|
|
48V |
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
U |
+50 |
|
U |
+50 |
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
10 |
PHANTOM |
|
|
|
U |
+50 |
|
U |
+50 |
|
-20 |
+20 |
|
|
|
|
|
|
|
|
|
||||||
-20dB |
+30dB |
-20dB |
+30dB |
|
|
|
5 |
|
|
|
|
|
|
5 |
||||||||||
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
0 |
|
|
|
|
|
|
0 |
|
|
|||||
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
|
|
|
|
|
|
|
|
|
|
|
||||||
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100Hz |
|
|
|
|
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
10 |
|
|
|
|
|
|
10 |
POWER |
||
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||||
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
15 |
|
|
|
|
|
|
15 |
MAIN |
|
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
|
|
|
|
|
|
METERS |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
125 |
250 |
500 |
1K |
2K |
4K |
8K |
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
0dB=0dBu |
|||||||||||
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MAIN MIX |
|
|
|
EQ IN |
|
|
15 |
|
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
MON |
|
|
|
BYPASS |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
||||||||
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
|
|
|
|
|
|
|
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
|
|
|
|
|
|
|
|
6 |
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
USB |
|
3 |
||
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
FX PRESETS |
|
|
|
|
|
0 |
|||
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
|
|
|
|
|
2 |
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
01 BRIGHT ROOM |
|
|
|
|
|
|
|
4 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
02 WARM LOUNGE |
|
|
|
|
|
U |
|
||
|
|
|
|
|
03 SMALL STAGE |
|
|
|
|
|
|
7 |
||||||||||||
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
04 WARM THEATER |
|
|
|
|
|
|
|
10 |
||
|
|
|
|
05 WARM HALL |
|
|
|
|
|
|
|
|||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
06 CONCERT HALL |
|
|
|
|
|
|
|
20 |
|
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
07 PLATE REVERB |
|
|
|
|
OO |
+20 |
|
30 |
|
|
|
|
|
|
|
|
|
|
|
08 CATHEDRAL |
|
|
|
|
|
|||||||||
|
+15 |
|
|
+15 |
|
|
+15 |
|
|
+15 |
|
|
+15 |
|
09 CHORUS |
|
|
|
|
|
INPUT LEVEL |
L |
R |
|
OO |
|
OO |
|
OO |
|
OO |
|
OO |
|
10 CHORUS + REV |
|
PRESETS |
|
|||||||||||
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
11 DOUBLER |
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 TAPE SLAP |
|
|
|
|
|
|
|
|
|
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
13 DELAY 1 (300ms) |
|
MUTE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 DELAY 2 (380ms) |
|
|
|
|
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 DELAY 3 (480ms) |
|
|
|
|
USB THRU |
BREAK |
|||
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
16 REVERB + DLY (250ms) |
|
|
|
|
|||||
|
|
|
|
|
|
|
|
|
|
|
(MUTES ALL CHANNELS) |
|||||||||||||
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
U |
|
|
U |
|
|
|
|
U |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
MAX |
OO |
+20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
FX MASTER |
|
FX TO MON |
PHONES |
TAPE LEVEL |
|||||
|
MUTE |
|
|
Effects Processor |
MUTE |
|
|
|
|
MON |
MAIN |
|||||||||||||
|
|
|
|
MUTE |
|
MUTE |
|
MUTE |
|
MUTE |
|
|
|
|
|
|
|
|
|
|||||
OL |
|
|
OL |
|
|
OL |
|
|
OL |
|
|
OL |
|
|
OL |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
2 |
|
|
3/4 |
|
|
5/6 |
|
|
7/8 |
ST RTN |
|
FX RTN |
|
|
|
|
|||
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
dB |
|
|
|
dB |
|
|
dB |
|
|
dB |
|
dB |
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
Dual5 |
Compressor5 5 |
5 |
|
5 |
|
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
|||||||
U |
|
|
U |
|
|
U |
|
|
U |
|
U |
|
|
|
U |
|
|
U |
|
|
U |
|
U |
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
20 |
|
|
|
20 |
|
|
20 |
|
|
20 |
|
20 |
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
30 |
|
|
|
30 |
|
|
30 |
|
|
30 |
|
30 |
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
40 |
|
|
|
40 |
|
|
40 |
|
|
40 |
|
40 |
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
50 |
|
|
|
50 |
|
|
50 |
|
|
50 |
|
50 |
|
60 |
|
|
60 |
|
|
60 |
|
|
60 |
|
60 |
|
|
|
60 |
|
|
60 |
|
|
60 |
|
60 |
|
OO |
|
|
OO |
|
|
O |
|
|
OO |
|
OO |
|
|
|
OO |
|
|
OO |
|
|
OO |
|
OO |
|
|
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC |
|
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR |
|
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE |
|
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. |
|
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR |
SERIAL NUMBER |
MANUFACTURING DATE |
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
Laptop Computer with Karaoke Software
SRM450v2
Powered
Speaker
SWA1501
Powered
Subwoofer
SRM350v2 Powered Monitors
This diagram shows microphones attached to channels 1 to 4, and a CD+G player connected to the line-level inputs of channel 7/8. An effects processor receives a mono input from the FX send, and its stereo outputs connect to the stereo return inputs. A dual compressor is connected to the insert of channel 1, and 2, allowing vocal compression.
Mackie SRM450v2 powered speakers and SWA1501 powered subwoofers are connected to the left and right main output. Two SRM450v2 powered speakers are set up as stage monitors, and connect to the mixer's monitor output. The aux mon controls of each channel allow you to create a stage monitor mix that is independent of the main mix. Headphones are used for monitoring.
A laptop running Karaoke software connects to the USB port, and allows a 2-channel output to play in the main mix.
The CD+G player allows karaoke text and graphics to be displayed on your TV monitor.
Manual Owner’s
Karaoke System ProFX8
Owner’s Manual |
9 |
ProFX8 and ProFX12
Acoustic |
Electric |
Guitar with |
Guitar |
pickup |
|
Condenser |
Headphones |
microphone |
|
for vocals |
Amplifier |
|
|
|
Modeler |
press HI-Z |
Headphone Amp |
|
|
button |
|
|
MIC |
|
|
MIC |
|
|
MIC |
|
|
MIC |
|
|
|
(UNBALANCED) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
|
|
L |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
TAPE |
|
|
TAPE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
IN |
|
|
|
OUT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
|
||||
|
LINE |
1 |
|
|
2 |
|
3/4 |
|
5/6 |
|
|
7/8 |
|
|
|
|
|
|
|
|
|
|
||
|
HI-Z |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||
|
|
|
|
|
|
|
|
(MONO) |
|
|
(MONO) |
|
|
(MONO) |
|
(MONO) |
|
|
|
|
|
|
|
|
|
|
|
|
|
BAL / |
|
|
L |
|
|
L |
|
|
L |
|
L |
|
|
|
BAL / |
|
L |
|
|
|
|
|
|
|
UNBAL |
|
|
|
|
|
|
|
|
|
|
UNBAL |
|
|
|
|||||
LINE/HI-Z IN 1 |
LINE IN 2 |
|
LINE IN 3 |
BAL / |
LINE IN 5 |
BAL / |
LINE IN 7 |
BAL / |
|
BAL / |
|
MON SEND |
|
BAL / |
FOOTSWITCH |
|||||||||
|
UNBAL |
UNBAL |
UNBAL |
|
UNBAL |
|
|
UNBAL |
||||||||||||||||
|
|
|
|
|
|
|
|
R |
|
|
R |
|
|
R |
|
R |
|
|
|
BAL / |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UNBAL |
|
|
|
|||||
INSERT |
|
INSERT |
|
LINE IN 4 |
|
LINE IN 6 |
|
LINE IN 8 |
ST RETURN |
|
FX SEND |
MAIN OUT |
PHONES |
|||||||||||
|
U |
|
|
U |
|
MIC GAIN |
|
MIC GAIN |
|
|
U |
|
|
STEREO GRAPHIC EQ |
|
|
|
|||||||
IC GAI |
LEVEL |
IC GAI |
LEVEL |
LEVEL |
LEVEL |
|
|
|
|
|
|
|
|
|
|
|
|
|||||||
M |
N |
M |
N |
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
15 |
|
|
||||
|
|
SET |
|
|
SET |
|
|
SET |
|
|
SET |
|
|
|
|
|
|
|
|
|
|
48V |
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
U |
+50 |
|
U |
+50 |
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
10 |
PHANTOM |
|
|
|
U |
+50 |
|
U |
+50 |
|
-20 |
+20 |
|
|
|
|
|
|
|
|
|
||||||
-20dB |
+30dB |
-20dB |
+30dB |
|
|
|
5 |
|
|
|
|
|
|
5 |
||||||||||
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
GAIN |
|
0 |
|
|
|
|
|
|
0 |
|
|
|||||
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
LOW CUT |
|
|
|
|
|
|
|
|
|
|
|
|
||||||
|
100 Hz |
|
|
100 Hz |
|
|
100 Hz |
|
|
100Hz |
|
|
|
|
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
10 |
|
|
|
|
|
|
10 |
POWER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
|
|
HI |
15 |
|
|
|
|
|
|
15 |
MAIN |
|
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
|
|
|
|
|
|
METERS |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
125 |
250 |
500 |
1K |
2K |
4K |
8K |
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
0dB=0dBu |
|||||||||||
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MAIN MIX |
|
|
|
EQ IN |
|
|
15 |
|
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
|
MID |
|
MON |
|
|
|
BYPASS |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
||||||||
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
|
|
|
|
|
|
|
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
|
|
|
|
|
|
|
|
6 |
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
USB |
|
3 |
|
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
|
|
LOW |
FX PRESETS |
|
|
|
|
|
0 |
|||
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
|
|
|
|
|
2 |
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
01 BRIGHT ROOM |
|
|
|
|
|
|
|
4 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
02 WARM LOUNGE |
|
|
|
|
|
U |
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
03 SMALL STAGE |
|
|
|
|
|
|
|
7 |
|
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
04 WARM THEATER |
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
05 WARM HALL |
|
|
|
|
|
|
|
||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
06 CONCERT HALL |
|
|
|
|
|
|
|
20 |
|
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
|
|
MON |
07 PLATE REVERB |
|
|
|
|
OO |
+20 |
|
30 |
|
|
|
|
|
|
|
|
|
|
|
08 CATHEDRAL |
|
|
|
|
|
|||||||||
|
+15 |
|
|
+15 |
|
|
+15 |
|
|
+15 |
|
|
+15 |
|
09 CHORUS |
|
|
|
|
|
INPUT LEVEL |
L |
R |
|
OO |
|
OO |
|
OO |
|
OO |
|
OO |
|
10 CHORUS + REV |
|
PRESETS |
|
|||||||||||
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
11 DOUBLER |
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 TAPE SLAP |
|
|
|
|
|
|
|
|
|
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
|
|
FX |
13 DELAY 1 (300ms) |
|
MUTE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 DELAY 2 (380ms) |
|
|
|
|
|
|
|
|
||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 DELAY 3 (480ms) |
|
|
|
|
USB THRU |
BREAK |
|||
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
16 REVERB + DLY (250ms) |
|
|
|
|
|||||
|
|
|
|
|
|
|
|
|
|
|
(MUTES ALL CHANNELS) |
|||||||||||||
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
U |
|
|
U |
|
|
|
|
U |
|
|
|
|
|
|
|
|
Keyboard |
|
|
OL |
|
|
|
|
|
|
|
|
|||||
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
L |
R |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
MAX |
OO |
+20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
FX MASTER |
|
FX TO MON |
PHONES |
TAPE LEVEL |
|||||
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
|
|
|
|
MON |
MAIN |
|||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||
|
|
1 |
|
|
2 |
|
|
3/4 |
|
|
5/6 |
|
|
7/8 |
ST RTN |
|
FX RTN |
|
|
|
|
|||
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
dB |
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
|
U |
|
U |
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
|
5 |
|
5 |
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
|
20 |
|
20 |
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
|
30 |
|
30 |
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
|
40 |
|
40 |
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
|
50 |
|
50 |
|
60 |
|
Electronic60 60 |
Drum60 |
60Kit |
60 |
|
|
60 |
|
|
60 |
|
60 |
|
||||||||||
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
|
OO |
|
OO |
|
POWER |
|
|
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC |
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR |
ON |
|
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE |
|
|
|
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. |
|
|
|
|
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR |
|
|
SERIAL NUMBER |
MANUFACTURING DATE |
MAIN |
MAIN |
|
|
RIGHT |
LEFT |
|
|
(BALANCED) |
(BALANCED) |
|
|
|
USB |
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR |
|
|
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS |
||
|
|
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST |
|
|
|
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY |
|
~100-240V 50/60 Hz 20W |
|
CAUSE UNDESIRED OPERATION. |
|
|
|
|
|
FUSE: T1.6AL AC250V |
|
|
|
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA |
|
|
|
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE |
|
|
|
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING. |
|
|
|
Desktop |
MR8 Powered Reference Monitors |
Mac or PC |
|
using Tracktion |
|
This diagram shows an acoustic guitar connected directly to channel 1 (with hi-z switch pressed in), a condenser microphone attached to channel 2 mic input, a guitar amplifier modeler connected to the linelevel inputs of channel 3/4, an electronic drum kit connected to channel 5/6, and a keyboard attached to channel 7/8.
Mackie MR8 powered reference monitors are connected to the left and right main output, for careful and accurate monitoring of your performances.
A desktop computer connects to the USB port, and allows the 2-channel main mix to be recorded and 2 channels to be played back using Tracktion software.
Home Studio System ProFX8
10 |
ProFX8 and ProFX12 |
Microphones
Headphones
MIC |
MIC |
|
LINE |
1 |
|
|
2 |
|
HI-Z |
|
|
|
|
|
|
|
|
|
BAL / |
|
|
|
|
|
UNBAL |
LINE/HI-Z IN 1 |
LINE IN 2 |
|
|||
INSERT |
|
INSERT |
|
||
|
U |
|
|
U |
|
IC GAI |
LEVEL |
IC GAI |
LEVEL |
||
M |
N |
M |
N |
||
|
|
SET |
|
|
SET |
U |
+50 |
|
U |
+50 |
|
-20dB |
+30dB |
-20dB |
+30dB |
||
GAIN |
|
GAIN |
|
||
LOW CUT |
|
LOW CUT |
|
||
|
100 Hz |
|
|
100 Hz |
|
|
U |
EQ |
|
U |
EQ |
|
|
HI |
|
|
HI |
|
|
12kHz |
|
|
12kHz |
-15 |
+15 |
|
-15 |
+15 |
|
|
U |
|
|
U |
|
|
|
MID |
|
|
MID |
|
|
2.5kHz |
|
|
2.5kHz |
-15 |
+15 |
|
-15 |
+15 |
|
|
U |
|
|
U |
|
|
|
LOW |
|
|
LOW |
|
|
80Hz |
|
|
80Hz |
-15 |
+15 |
|
-15 |
+15 |
|
|
U |
AUX |
|
U |
AUX |
|
|
MON |
|
|
MON |
OO |
+15 |
|
OO |
+15 |
|
|
U |
|
|
U |
|
|
|
FX |
|
|
FX |
OO |
+15 |
|
OO |
+15 |
|
|
|
PAN |
|
|
PAN |
L |
R |
|
L |
R |
|
|
MUTE |
|
MUTE |
||
OL |
|
|
OL |
|
|
dB |
|
1 |
dB |
|
2 |
|
|
|
|
||
10 |
|
|
10 |
|
|
|
MIC |
|
|
MIC |
|
|
|
(UNBALANCED) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
|
|
L |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
TAPE |
|
|
TAPE |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
IN |
|
|
|
OUT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
|
||||
|
3/4 |
|
5/6 |
|
|
7/8 |
|
|
|
|
|
|
|
|
|
|
||
|
|
(MONO) |
|
|
(MONO) |
|
|
(MONO) |
|
(MONO) |
|
|
|
|
|
|
|
|
|
|
L |
|
|
L |
|
|
L |
|
L |
|
|
|
BAL / |
|
L |
|
|
|
|
|
|
|
|
|
|
|
|
UNBAL |
|
|
|
|||||
LINE IN 3 |
BAL / |
LINE IN 5 |
BAL / |
LINE IN 7 |
BAL / |
|
BAL / |
|
MON SEND |
|
BAL / |
FOOTSWITCH |
||||||
UNBAL |
UNBAL |
UNBAL |
|
UNBAL |
|
|
UNBAL |
|||||||||||
|
|
R |
|
|
R |
|
|
R |
|
R |
|
|
|
BAL / |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
UNBAL |
|
|
|
|||||
LINE IN 4 |
|
LINE IN 6 |
|
LINE IN 8 |
ST RETURN |
|
FX SEND |
MAIN OUT |
PHONES |
|||||||||
|
|
|
|
|
|
|
U |
|
|
STEREO GRAPHIC EQ |
|
|
|
|||||
MIC GAIN |
LEVEL |
MIC GAIN |
LEVEL |
|
|
|
|
|
|
|
|
|
|
|
|
|||
|
|
SET |
|
|
SET |
|
|
|
15 |
|
|
|
|
|
|
15 |
48V |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
|
|
10 |
PHANTOM |
|
U |
+50 |
|
U |
+50 |
|
-20 |
+20 |
|
5 |
|
|
|
|
|
|
5 |
||
GAIN |
|
GAIN |
|
GAIN |
|
|
|
|
|
|
|
POWER |
||||||
|
|
|
0 |
|
|
|
|
|
|
0 |
|
|
||||||
LOW CUT |
|
LOW CUT |
|
|
|
|
|
|
|
|
|
|
|
|
||||
|
100 Hz |
|
|
100Hz |
|
|
|
|
5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
U |
EQ |
|
U |
EQ |
|
U |
EQ |
10 |
|
|
|
|
|
|
10 |
POWER |
|
|
|
|
|
|
|
|
|
|
|
|
||||||||
|
|
HI |
|
|
HI |
|
|
HI |
15 |
|
|
|
|
|
|
15 |
MAIN |
|
|
|
12kHz |
|
|
12kHz |
|
|
12kHz |
|
|
|
|
|
|
|
|
METERS |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
125 |
250 |
500 |
1K |
2K |
4K |
8K |
|||
|
|
|
|
|
|
|
|
|
|
|
0dB=0dBu |
|||||||
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|
|
|
MAIN MIX |
|
|
|
EQ IN |
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|||
|
|
MID |
|
|
MID |
|
|
MID |
|
MON |
|
|
|
BYPASS |
|
|
||
|
|
2.5kHz |
|
|
2.5kHz |
|
|
2.5kHz |
|
|
|
|
|
|
|
|
|
10 |
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
|
|
|
|
|
|
|
|
|
6 |
|
U |
|
|
U |
|
|
U |
|
|
|
|
|
|
|
USB |
|
3 |
|
|
|
LOW |
|
|
LOW |
|
|
LOW |
FX PRESETS |
|
|
|
|
|
0 |
|||
|
|
80Hz |
|
|
80Hz |
|
|
80Hz |
|
|
|
|
|
|
|
2 |
||
|
|
|
|
|
|
|
|
|
01 BRIGHT ROOM |
|
|
|
|
|
|
|
4 |
|
-15 |
+15 |
|
-15 |
+15 |
|
-15 |
+15 |
|
02 WARM LOUNGE |
|
|
|
|
|
U |
|
||
|
|
|
03 SMALL STAGE |
|
|
|
|
|
|
7 |
||||||||
|
U |
AUX |
|
U |
AUX |
|
U |
AUX |
04 WARM THEATER |
|
|
|
|
|
|
|
10 |
|
|
|
|
05 WARM HALL |
|
|
|
|
|
|
|
||||||||
|
|
|
|
|
|
|
|
|
06 CONCERT HALL |
|
|
|
|
|
|
|
20 |
|
|
|
MON |
|
|
MON |
|
|
MON |
07 PLATE REVERB |
|
|
|
|
OO |
+20 |
|
30 |
|
|
|
|
|
|
|
08 CATHEDRAL |
|
|
|
|
|
|||||||
|
+15 |
|
|
+15 |
|
|
+15 |
|
09 CHORUS |
|
|
|
|
|
INPUT LEVEL |
L |
R |
|
OO |
|
OO |
|
OO |
|
10 CHORUS + REV |
|
PRESETS |
|
|||||||||
|
U |
|
|
U |
|
|
U |
|
11 DOUBLER |
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
|
12 TAPE SLAP |
|
|
|
|
|
|
|
|
|
|
|
FX |
|
|
FX |
|
|
FX |
13 DELAY 1 (300ms) |
|
MUTE |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 DELAY 2 (380ms) |
|
|
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
15 DELAY 3 (480ms) |
|
|
|
|
USB THRU |
BREAK |
|||
OO |
+15 |
|
OO |
+15 |
|
OO |
+15 |
|
16 REVERB + DLY (250ms) |
|
|
|
|
|
|
(MUTES ALL CHANNELS) |
||
|
|
PAN |
|
|
PAN |
|
|
PAN |
|
U |
|
|
U |
|
|
|
|
U |
|
|
|
|
|
|
|
|
|
|
OL |
|
|
|
|
|
|
|
|
L |
R |
|
L |
R |
|
L |
R |
|
OO |
+15 |
|
OO |
+15 |
|
OO |
MAX |
OO |
+20 |
|
|
|
|
|
|
|
|
|
FX MASTER |
|
FX TO MON |
PHONES |
TAPE LEVEL |
|||||
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
OL |
MUTE |
|
|
|
|
MON |
MAIN |
|||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||
|
|
3/4 |
|
|
5/6 |
|
|
7/8 |
ST RTN |
|
FX RTN |
|
|
|
|
|||
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
|
dB |
|
dB |
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
|
10 |
|
10 |
|
U |
U |
CDUTurntableU |
U |
U |
U |
U |
U |
|
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
|
|
|
|
|
|
|
Effects/ Sampler |
|
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
5 |
10 |
10 |
10 |
10 |
10 |
10 |
10 |
10 |
10 |
20 |
20 |
20 |
20 |
20 |
20 |
20 |
20 |
20 |
30 |
30 |
30 |
30 |
30 |
30 |
30 |
30 |
30 |
40 |
40 |
40 |
40 |
40 |
40 |
40 |
40 |
40 |
50 |
50 |
50 |
50 |
50 |
50 |
50 |
50 |
50 |
60 |
60 |
60 |
60 |
60 |
60 |
60 |
60 |
60 |
OO |
OO |
OO |
OO |
OO |
OO |
OO |
OO |
O |
Keyboard workstation
POWER |
|
|
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC |
|
PROFESSIONAL MIC/LINE MIXER WITH FX |
|
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR |
ON |
|
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE |
|
|
|
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. |
|
|
|
|
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR |
|
|
SERIAL NUMBER |
MANUFACTURING DATE |
MAIN |
MAIN |
|
|
RIGHT |
LEFT |
|
|
(BALANCED) |
(BALANCED) |
|
|
|
USB |
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR |
|
|
CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS |
||
|
|
DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST |
|
|
|
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY |
|
~100-240V 50/60 Hz 20W |
|
CAUSE UNDESIRED OPERATION. |
|
|
|
|
|
FUSE: T1.6AL AC250V |
|
|
|
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA |
|
|
|
FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE |
|
|
|
ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING. |
|
|
|
Laptop Computer
with Tracktion
MR5 Powered Reference Monitors
Manual Owner’s
This diagram shows microphones attached to channel 1 and 2 mic inputs, a keyboard workstation attached to channel 3/4's line-level inputs, and a CD turntable connected to channel 5/6's line-level inputs. An effects/sampler receives a mono input from the FX send, and its stereo outputs connect to the stereo return inputs.
Mackie MR5 powered reference monitors are connected to the left and right main output, for careful and accurate monitoring of your work.
A desktop computer connects to the USB port, and allows the 2-channel main mix to be recorded and 2 channels played back using Tracktion software.
Podcast System ProFX8
Owner’s Manual |
11 |
Loading...