Figure 10: Standard Mix Bus Configuration……………………………………………………….. 22
Figure 11: Radial Inverting Summing Node Mix Bus Configuration…………………………….. 22
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MPA575 Owner’s Manual
INTRODUCTION
Welcome, and congratulations on your interest in the MPA575 Microphone Signal Processor!
It has been crafted to provide the extremely high quality audio and a simple user interface that
requires minimal effort to optimize.
The manual is arranged to first introduce the features and provide a means to properly capture
audio within minutes via a Quick Start Guide. Subsequent manual sections provide additional
explanations, technical information and specifications.
The MPA575 features a lightly colored transformer coupled discrete microphone pre-amplifier,
program dependent soft knee compressor with auto make-up gain, a unique see-saw EQ with
combined low and high frequency control that allows broad frequency response adjustments
with a single control knob, and a High Pass (Low Cut) filter with variable cutoff frequency. A
high current buffer provides electronic balancing, isolation and capability to drive capacitive
loads. Together, they form a mini channel strip that performs all essential analog signal
processing functions needed before committing audio to a recording medium.
The MPA575 is engineered to take care of all complicated switching functions and gain
adjustments behind the scenes so that the recording Engineer can concentrate on the music.
As the mic load impedance setting is changed or the EQ and compressor are switched in and
out, the gain stages are automatically adjusted so that the MPA575 gain is constant, within just
a few tenths of a dB. Therefore, A-B audio quality comparisons when changing settings is
extremely easy and more informative.
Long, trouble-free lifetime is ensured by the use of highest quality, long life caps and pots.
Audiophile grade components are used throughout.
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(
)
FRONT PANEL FEATURES
Phantom Power Toggle
Main Audio Path EQ
Rotate CCW for LF
Emphasis; Rotate CW
Compressor In / Out
Comp Activity LEDs
Yellow = 1 dB Gain
Comp Threshold in dBu
Place the Compressor
Pre-EQ (In) or Post-EQ
Switch
Phase Invert
Gain in dB
EQ In / Out Switch
for HF Emphasis
Switch
Reduction
Out
Output Level
Figure 1: Front Panel Features
MPA575 Owner’s Manual
Impedance Presented to
Mic
Overload LED
Lights at 1% THD
Signal LED
Lights at -30 VU Input
High Pass Filter
Variable from 30 Hz to
400 Hz
High Pass Filter In / Out
Switch
Internal Compressor
Side Chain EQ. Rotate
CCW to Trigger Comp
on LF; Rotate CW to
Trigger Comp on HF
External Compressor
Side Chain EQ loopthru
Button In = External EQ
VU Meter
7/2014 6
MPA575 Owner’s Manual
QUICK START GUIDE
Optimizing the MPA575 settings involves five easy steps:
1. Disengage the EQ and HPF.
2. Increase the Gain stepped switch until the red O/L LED lights infrequently, then reduce
the stepped switch by one step.
3. If the compressor is used, first adjust the Side Chain (SC) EQ to position 0 for flat
frequency response.
4. Adjust the compressor Threshold for infrequent lighting of the yellow activity LED.
5. Adjust the Output Level pot until the signal level being provided to subsequent
equipment is appropriate.
Once these basic steps have been taken, the timbre may be tweaked by experimenting with
the Mic Load setting, the main EQ, High Pass Filter, the Compressor threshold, and the
compressor Side Chain (SC) EQ.
It is worth noting that extra effort has been made for the MPA575 design to automatically hold
the total gain constant to within +/- 0.2 dB as the Mic Load switch is changed and as the EQ is
switched in and out. This allows easy A/B auditions of different mic loads and EQ settings
under controlled conditions, rather than having loudness differences obscure true differences
in timbre.
The Compressor side chain EQ can have a surprising effect on the compressed audio timbre.
The side chain EQ uses the same design as the Main EQ, but the side chain EQ is used only
to trigger the Compressor gain reduction, not equalize the Main audio path. As such, when the
side chain EQ is set to emphasize certain frequencies, those frequencies are compressed
more than the others. For example, a sibilant voice or instrument with excessive high
frequency content can be selectively compressed by turning the side chain EQ clockwise past
the center position. High frequencies are compressed, and low frequencies are allowed to
pass with little compression. The amount of compression can be set by adjusting the
Threshold level.
Another useful feature to experiment with is the Compressor Pre- Post-EQ button. This button
allows you to choose whether to place the Main EQ before the Compressor or after the
Compressor. This way, the Main EQ can be used as a tool to only equalize the music
(Compressor Pre-EQ), or can be used as a tool to affect to which frequencies compression is
applied as well as to equalize the Main audio path (Compressor Post-EQ).
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BLOCK DIAGRAM
A block diagram of the MPA575 is shown below.
MPA575 Owner’s Manual
7/2014 8
Figure 2: Block Diagram
MPA575 Owner’s Manual
EDGE CONNECTOR PIN ASSIGNMENTS
Power, ground and audio signal interface to the MPA575 is through the edge card connector at
the rear of the module. Assignments of the edge card connector pins follow:
Pin 1 Chassis Ground
Pin 2 Output, Balanced, Positive
Pin 3 No Connection, reserved for OPT-B
Pin 4 Output, Balanced, Negative
Pin 5 Audio Ground
Pin 6 Reserved for Compressor Link Connection
Pin 7 Ext Comp Side Chain Filter Send, OPT-A (1/4” Ring)
Pin 8 Input, Balanced, Negative
Pin 9 Ext Comp Side Chain Filter Receive, OPT-A (1/4” Tip)
Pin 10 Input, Balanced, Positive
Pin 11 Mix Buss Send from Output, Positive
Pin 12 +16V DC
Pin 13 Power Ground
Pin 14 -16V DC
Pin 15 +48V DC
Figure 3: Edge Connector Pin Assignments
OPT-A lines in Pins 7 and 9 are used to route the Compressor side chain signal to an external
filter. This path is connected only when the front panel “EXT SC” button is pushed in.
When enabled, the Mix Buss send is connected to the Output, Balanced, Positive path. To
enable the Mix Buss send, a miniature slide switch on the module PCB must be properly set.
The module cover must be removed to access the slide switch. The slide switch is located
next to the PCB edge connector. Switch #1 controls the Mix Buss connection. Additional
information about this feature is in the INSTRUCTIONS FOR USE section.
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SAFETY INSTRUCTIONS
1. Read Instructions
All the safety and operation instructions should be read before this product is operated.
2. Retain Instructions
The safety and operating instructions should be kept for future reference.
3. Heed Warnings
All warnings on the product and in these operating instructions should be followed.
4. Follow Instructions
All operating and other instructions should be followed.
5. Water and Moisture
This product should not be used near water or in environments with very high humidity
or with condensation.
6. Heat
This product should be situated away from heat sources such as radiators or other
devices that product heat.
7. Power Sources
This product should be connected to a power supply only of the type described in these
operation instructions or as marked on this product.
8. Object and Liquid Entry
Care should be taken so that objects do not fall into and liquids are not spilled into the
inside of this product.
9. Damage Requiring Service
This product should be serviced only by qualified service personnel when:
a. Objects have fallen, or liquid has spilled into the product; or
b. The product has been exposed to rain; or
c. The product does not appear to operate normally or exhibits a marked change in
performance; or
d. The product has been dropped, or its chassis damaged.
MPA575 Owner’s Manual
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MPA575 Owner’s Manual
10. Servicing
The user should not attempt to service this product beyond those means described in
this operating manual. All other servicing should be referred to the Ingram Engineering
Service Department.
11. Compatible Microphone Cables
To prevent hazard or damage, ensure that only microphone cables and microphones
designed to IEC 268-15A are connected. Specifically, phantom power positive voltage
should be supplied through a 6.81k Ohm resistor to XLR pin 2 and through a second
6.81k Ohm resistor to XLR pin 3. Phantom power negative should be connected to XLR
pin 1.
Warning – To reduce the risk of fire or electric shock, do not expose this appliance to
rain or moisture.
7/2014 11
INSTRUCTIONS FOR USE
1. Installing the MPA575 in a Rack
RACK POWER MUST BE OFF BEFORE INSTALLING THE MPA575. The module
design is not warrantied for damage that occurs when it is inserted or removed from a
rack with power applied.
2. Module Warm Up
After power up, please allow approximately 2 minutes time for component warm up and
stabilization time before beginning critical listening or recording.
3. Microphone Impedance Selector
The balanced microphone input uses an input transformer for smooth tonal character,
high CMRR, RF interference rejection, optimum noise performance and best impedance
termination over a wide range of microphone types. The transformer turns ratio can be
switched to realize different impedances presented to the microphone. The microphone
load can be chosen as 600 Ohms or 2.4k Ohms. Timbre can be affected by the load
presented to the microphone, so the microphone impedance selector may be used as a
tool to color the audio so that it matches the recording situation. The 600 Ohm
impedance setting shows darker timbre, while the 2.4k Ohm settings increase the
brightness and neutrality. Some microphone manufacturers have explicit requirements
for the load presented to the microphone, so the MPA685 impedance selector can also
be used to guarantee that the microphone manufacturer’s requirements are met.
The MPA575 is designed to provide the input transformer, and therefore the mic, with
constant impedance load, independent of any pre-amp settings, therefore guaranteeing
consistent and excellent transient, frequency and phase response, load impedance and
noise matching. When switching between the impedance settings, the MPA575
automatically adjusts the gain so the two impedance settings are level matched. The
MPA575 input impedances have been carefully optimized to maintain pure, transient
response and therefore the best quality for any microphone output impedance.
Outstanding results are realized using any microphone, from the low output impedance
Neumann KM184 to the high output impedance Audio-Technica AE2500 (dynamic
capsule), with ribbon mics like the Royer 121 and with condensers like the AKG C414.
MPA575 Owner’s Manual
7/2014 12
4. Adjusting the Audio Input Level
After audio connections are made and the audio source is supplying signal, adjust the
“Input” knob until the Overload LED (“O/L” on the front panel) lights infrequently, then,
decrease the Input knob by one step. This maximizes the dynamic range of the audio
and also realizes good MPA575 audio quality. Minimum of 5dB headroom is realized by
following this procedure. For maximum linearity, the Overload LED should never light.
However, because the pre-amp distortion curve versus input level increases gradually,
infrequently lighting the Overload LED with audio peaks still realizes good quality. As
always, your ears are the best guide for how high the input signal can be set. The
Overload LED lights when THD reaches 1%.
The Input section stepped switch functions as a combined attenuator / gain control.
When the switch is adjusted between “10” and “34” on the front panel, the switch is in
attenuator mode, and the gain of the amplifier stages is constant. When the switch is
adjusted between “34” and “70” on the front panel, the switch is in gain mode, the
attenuator is removed from the circuit and the pre-amp gain is varied. The following
graph shows the changes in total pre-amp gain versus each stepped switch setting.
Sixty dB adjustment range is provided, and dynamic range can be maximized with one
simple procedure for any signal level.
MPA575 Owner’s Manual
MPA575 Attenuation / Gain vs. Stepped Switch Position
75
70
65
60
55
50
45
40
35
30
MPA575 Gain (dB)
25
20
15
10
5
012345678910111213
Gain (dB)
Attenuation Mode
Gain Mode
60 dB Total
Adjustment
Range
24 dB
Attenuation
Range
Stepped Switch Position
Figure 4: Attenuation or Gain vs. Stepped Switch Position
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5. Overload LEDs
The Overload LEDs (O/L) are triggered by fast responding peak detector circuits. The
LEDs first begin to illuminate at ~1% THD and remain on for levels above the trigger
point. The Overload detection circuitry accurately tracks the 1% THD threshold to
frequencies higher than 20 kHz.
If the input stepped switch is adjusted one step below the setting that occasionally lights
the Overload LED, a minimum 5dB of headroom before ~1% distortion is realized, and
dynamic range is maximized. If higher headroom is desired, the input stepped switch
may be adjusted lower.
The Overload LED on the Main audio path provides accurate indication no matter
whether the EQ or Compressor is On or Off.
Overload LEDs are also included for the Main EQ and side chain EQ paths since both
of those filters boost as well as cut the audio levels. If the EQ or side chain Overload
LEDs light, then rotate the filter adjustment knob towards center position to reduce
peaking, or reduce the stepped switch until the Overload LEDs do not light.
6. +48V Switch
+48V phantom power can be applied to microphones by flipping the toggle switch to the
right. The +48V LED lights when the phantom power is On. When on, +48V phantom
power is applied to both positive and negative balanced microphone input connections.
7. Phase Invert
With the Phase Invert switch pushed in, the audio signal is inverted at the pre-amplifier
output.
8. Equalizer
The Equalizer (EQ) is a combined low / high frequency EQ that acts much like a
frequency response see-saw, with the pivot point set at 1.2 kHz. Broad and musical
adjustments of the audio spectrum can be made using the EQ. As the adjustment knob
is rotated counter clockwise, low frequencies are emphasized and high frequencies are
attenuated. As the knob is rotated clockwise, low frequencies are attenuated and high
MPA575 Owner’s Manual
7/2014 14
frequencies are emphasized. The EQ is hardwire bypassed when the EQ is switched
off using the front panel push button.
9. High Pass (Low Cut) Filter
A push button on the front panel engages or disengages the High Pass Filter (HPF).
The HPF attenuates low frequencies when engaged. The filter applies a 6dB / octave
cut to frequencies below the indicated frequency when activated. The cutoff frequency
can be varied from 30 Hz to 400 Hz.
10. Compressor
The compressor is a program dependent feed forward design with a simple user
interface for controlling dynamics. The front panel Threshold (THR) knob not only
controls the compressor threshold, but also controls compression ratio and make-up
gain. Attack and release times are program dependent and automatically configured.
The compressor has a soft-knee characteristic and compression ratios of 1.2:1 to
greater than 20:1, depending on how far above compressor threshold the audio is
driven. When working the compressor threshold in combination with the pre-amp gain
adjustments, a very wide range of dynamic control can be implemented, from subtle and
light compression to nearly limited response. Makeup gain is automatically changed as
the compressor threshold is changed so that a relatively constant average program
level is realized. An internal MPA575 low / high frequency EQ is dedicated to the
compressor path and is used as a side chain filter. For more extreme side chain
possibilities, the side chain path is also routed to the 500-series API1 "Option" or Radial
Engineering "Omniport"1 output so that an external filter may be used instead of the
internal EQ. The entire compressor path and side chain can be bypassed when not in
use.
The compressor front panel LEDs indicate when the signal level is below or above
compression threshold. The Green LED indicates signals below threshold and the
Yellow LED indicates when the signal is above threshold. The Yellow LED first lights
when 1dB compression is achieved and remains lit as long as the signal is above
threshold.
The front panel compressor silkscreen level is expressed as dBu, and is referenced to
the output level that would result if the compressor was off and the output pot was set
1
API is a trademark of Automated Processes, and Omniport is a trademark of Radial
Engineering and their appearance here in no way alters their ownership of same.
MPA575 Owner’s Manual
7/2014 15
for maximum level. When the compressor is on, the output level changes because the
compressor has automatic make-up gain. Because of this, and because the output pot
may be set to any arbitrary position, it is impossible to predict what the true output level
would be, so the reference described above is used since threshold level can be known
under these conditions.
For example, the threshold can be set to +3dBu, and 1dB compression is realized at an
uncompressed output level of +3dB, assuming the output pot is at maximum.
Compression increases as audio levels increase above the +3dBu threshold used in this
example. The automatic make-up gain feature increases the MPA575 gain so that the
subjective loudness of the compressed signal is approximately equal to the noncompressed loudness, and easy A/B comparisons of the audio quality can made.
11. Using the Compressor Side Chain Filter
An internal MPA575 low / high frequency EQ is dedicated to the compressor path and is
used as a side chain filter. For more extreme side chain possibilities than are offered
with the see-saw type filter internal to the MPA575, an external side chain filter can be
used. For example, filters with high-Q boost or notch capability can be used to target
narrow frequency ranges that need compression more than the overall spectrum.
The “EXT SC” front panel button is used to select internal or external side chain filter.
When the button is Out, the internal filter is used, and when In, the signal is routed to an
external filter.
The external side chain path is routed to the 500-series API "OPT-A" or Radial
Engineering "Omniport" output, module edge connector Pins 7 and 9, and these can be
used with rack units that have the API “Option” or Radial Engineering “Omniport” 1/4”
rear panel input/output.
The rack unit OPT-A / Omniport 1/4” jack Ring is connected to edge connector Pin 7,
and serves as the output from the MPA575 module.
The 1/4” jack Tip is connected to edge connector Pin 9, and serves as the input from an
external filter to route the signal back into the MPA575.
The following block diagrams show signal routing for internal and external side chain
filter use. For simplicity, the diagrams show the signal flowing through the compressor
first, then to the main EQ, but the main EQ can actually be placed before or after the
compressor by using the “PRE EQ” front panel push button.
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MPA575 Owner’s Manual
Figure 5: MPA575 with Internal Side Chain Filter
Figure 6: MPA575 with External Side Chain Filter
7/2014 17
12. Adjusting the Output Level
Use the “Output” knob to adjust the audio level so that it is compatible with the level
specifications of the tape machine, processing gear or A/D connected to the pre-amp
output.
The Output level pot can be used in conjunction with the stepped Input switch to set the
overall MPA575 gain to any value. For applications where 0 dB gain is desired, many
settings can achieve this, but two simple methods are listed below for convenience:
Method 1: Set the stepped switch to ‘34’; set the Output pot to ‘1’
Method 2: Set the stepped switch to ‘10’; set the Output pot to ‘6.2’ (approximate)
A high current buffer provides electronic balancing, isolation and capability to drive
capacitive loads. The output buffer of the pre-amp can handle any signal level the input
sections can produce, so the increasing the Output knob to its maximum level does not
degrade the audio quality. This is true for any Input section settings.
13. Using the MPA575 Line Mode
Some applications require an impedance higher than the 600 or 2.4k Ohms presented
by the MPA575 in standard operating mode. Prime examples of this are using the
MPA575 as a line-level device for post processing or re-amplifying recorded signals.
Most modern equipment can drive loads as low as 2.4k Ohms, but for those cases
where higher MPA575 input impedance is desired, the MPA575 can be configured to
present either a 2.9k or 11k Ohm load instead of 600 or 2.4k Ohm load. The same front
panel switch that changes the load between 600 and 2.4k Ohms is used to switch
between 2.9k and 11k Ohm load when the MPA575 is in Line mode.
Line mode is activated by using a slide switch accessible after the module cover is
removed. After the cover is removed, a small set of slide switches near the edge
connector is visible. Locate switch #4 and slide it to the Off position to activate Line
mode. Replace the module cover. The MPA575 is shipped with Mic mode active.
When the MPA575 is in Line mode, the input attenuator is disabled. The attenuator is
controlled by the stepped switch, and is active when the switch is in the positions
labeled 10, 16, 22 and 28. Because the attenuator is inactive in Line mode, the
MPA575 gain is at its minimum and is constant for stepped switch positions 10, 16, 22,
28 and 34.
Overall gain is reduced in Line mode, so constant gain of 21dB is realized for stepped
switch positions 10, 16, 22, 28 and 34. Gain is increased as the stepped switch is
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MPA575 Owner’s Manual
increased above 34. Max MPA575 gain in Line Mode is 57dB, and is realized with the
stepped switch at fully clockwise position.
The following photographs show the location of the slide switch relative to the edge
connector and show a Line mode switch close-up.
Slide Switch Location
Figure 7: Line Mode Slide Switch Location
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MPA575 Owner’s Manual
Off
On
Figure 8: Line Mode Slide Switch Close-Up
14. Mix Bus Settings
Pin 11 of the edge card connector is specified in the VPR1 Alliance 500 Specification for
use as a Gain Trim Resistor. However, current usage by racks being sold in the
marketplace is for a mix bus for summing 500-series module outputs. The MPA575 takes
advantage of this usage.
The MPA575 has a slide switch that is used for enabling or disabling the Mix Buss option.
When disabled, the MPA575 output is disconnected from the Mix Bus on Pin 11. For most
applications, it is acceptable to always leave the Mix Buss enabled and therefore
connected to Pin 11. The MPA575 is shipped with the Mix Bus enabled.
To access the slide switch used for enabling/disabling the Mix Bus, remove the cover and
locate the small slide switch next to the edge card connector. The following photograph
shows a close-up of the slide switch.
1
VPR is a trademark of Automated Processes Incorporated, and it’s appearance here in no
The mix bus can be configured as a typical low impedance (~10 Ohms) output for driving
high impedance mix buss inputs. The MPA575 is configured in this mode when shipped
from the factory. This configuration realizes the following equivalent block diagram:
Figure 10: Standard Mix Bus Configuration (Switch #2 On)
The mix bus can also be configured as specified in the Radial Workhorse-OS Datasheet as
an inverting summing node of the mix bus. This configuration realizes the following
equivalent block diagram:
To switch between the low output impedance mix bus option and the Radial summing node
option, simply slide switch #2 to the proper location.
7/2014 22
AUDIO SPECIFICATIONS
MPA575 Owner’s Manual
(TA=+25°C unless otherwise noted)
Parameter Min Typ Max
MPA575 Input Impedance
Nominal Gain vs Input Stepped Switch 10 dB Step Position 1, Fully CCW
Mic Mode 16 dB Step Position 2
22 dB Step Position 3
28 dB Step Position 4
34 dB Step Position 5
40 dB Step Position 6
45 dB Step Position 7
50 dB Step Position 8
55 dB Step Position 9
60 dB Step Position 10
65 dB Step Position 11
70 dB Step Position 12, Fully CW
Nominal Gain vs Input Stepped Switch 21 dB Step Position 1, Fully CCW
Line Mode 21 dB Step Position 2
21 dB Step Position 3
Note that the attenuator is disabled 21 dB Step Position 4
in Line Mode, and Gain is constant 21 dB Step Position 5
for stepped switch positions 1 - 5 27 dB Step Position 6
32 dB Step Position 7
37 dB Step Position 8
42 dB Step Position 9
47 dB Step Position 10
52 dB Step Position 11
57 dB Step Position 12, Fully CW
Frequency Response <10 >100k Hz
Low Setting 600 Ω
High Setting
Low Setting
High Setting
2.4k
2.9k
11k
Unit Comments
Mic Mode
Ω
Ω
Ω
Mic Mode
Line Mode
Line Mode
±3.0 dB, Equalizers and
Compressor Off
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MPA575 Owner’s Manual
Parameter Min Typ Max Units Comments
<10 Hz to 22 kHz BW, 150 Ohm
Total Harmonic Distortion + Noise, Min
+10 dBu Output 0.002 %
Noise, Input Referred
-123 dBu 2.4k Hz Input Impedance
-125 dBu 600 Hz Input Impedance
Overload Circuit LED Threshold 1.0 % LED illuminates at 1.0% THD
Max Input Level
Max Output Level +25 dBu
Equalizer Main Audio Path Equalizer
See-Saw Pivot Frequency 1.2 kHz
Low Frequency Cut -5 dB
Low Frequency Boost +12 dB
High Frequency Cut -6 dB
High Frequency Boost +16 dB
High Pass Filter Adjustment Range 30 400 Hz Typical -3dB Cutoff Frequency
Compressor
Threshold Range -30 +13 dBu
Compression Ratio 1.2 : 1 20 : 1 dB
Attack Time 5 mS
Release Time 15 mS
+15
+5
dBu
dBu
ENVIRONMENTAL SPECIFICATIONS
Source, 2.4kHz Input Impedance,
1kHz
<10 Hz to 22 kHz BW,
No Weighting, 150 Ohm Source,
1kHz, EQ and Compressor Off
Mic Mode
Line Mode
with < 1.0% THD, 1kHz, 100k
Ohms Load Impedance
Settling to Within 1dB for 10dB
Compression
Settling to Within 1dB for 10dB
Compression
Parameter Min Typ Max
Operating Temperature 0 85 °C
Humidity 30 80 % Non-condensing
7/2014 24
Unit Comments
CARE AND MAINTENANCE
1. Cleaning
Avoid solvents or chemicals that may dissolve the silkscreen text on the front and back
panels.
TROUBLESHOOTING
1. Power does not turn on
First verify that power is being applied to the module by engaging the Compressor
function. It has a Green LED that illuminates when the Compressor is on but below
threshold. If this LED does not come on, verify that the 500-rack has power applied and
is switched on. Check the rack AC fuse.
2. Microphone Input Audio Sounds Distorted
MPA575 Owner’s Manual
If this is the desired effect, congratulations – you are on your way! If distortion is not
desired, follow the trouble shooting tips below.
Disengage the Equalizer and Compressor. Check to see if the Red pre-amplifier O/L
LED is illuminated. If so, decrease the step switch position by one or more increments
until the Red O/L LED is not illuminated. If the audio is still distorted, check the
MPA575 input impedance and change it to the 2.4k Ohms position if it is not already in
this position. Some microphones require a higher impedance load to operate without
distortion at high levels.
Distortion can also occur if the Equalizer boost is excessive. If distortion is still audible,
use the Equalizer adjustment knob to see if distortion is due to over-boosting the
Equalizer. The Red Equalizer O/L LED should never light. The Equalizer circuit
realizes significant amplification when at its maximum, and this circuit can overload,
even when the pre-amplifier circuit does not. If the Equalizer is overloading, simply
decrease the amount of boost or decrease the input stepped switch by one or more
increments.
Any compressor can produce distortion artifacts at certain settings. If undesirable
distortion occurs when the Compressor is engaged, increase the Threshold to realize
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MPA575 Owner’s Manual
less compression, or change the side chain Equalizer from boost mode to flat response.
If an external side chain equalizer is used, check the gain of the external equalizer and
check the amount of frequency boost is being utilized. The external side chain
equalizer could potentially distort for excessive boost, and this may cause artifacts with
the MPA575 Compressor.
3. Compressor Internal Side Chain Equalizer Does Not Function
The compressor has an option to use an external side chain equalizer, which is enabled
if the “EXT SC” front panel push button is pressed in. If the internal side chain Equalizer
does not function, check the position of the EXT SC button and verify it is in the Out
position.
4. Hum or Buzz is Audible
Check the integrity of the microphone and output cables. If the 500-Series rack
includes a ground lift for the balanced audio cable, try lifting the ground. Check the
integrity of the 500-Series rack power supply.
CONTACT INFORMATION
Ingram Engineering
PO Box 5870
Atlanta, Ga. 31107, USA
Phone +1 (678) 685-9838
URL: http://ingramengineering.net
Email: information@ingramengineering.net
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MPA575 Owner’s Manual
WARRANTY INFORMATION
Ingram Engineering warrants all materials, workmanship and proper operation of this product
for a period of three years from the original date of purchase. If any defects are found in the
materials or workmanship or if the product fails to function properly during the applicable
warranty period, Ingram Engineering, at its option, will repair or replace the product. This
warranty applies only to equipment sold and delivered by Ingram Engineering or its authorized
dealers. Original purchase receipts showing date and location of purchase must be presented
at the time of submission for warranty work.
Failure to register the product will not void the three year warranty.
Service and repairs of Ingram Engineering products are to be performed only at the factory OR
at an authorized Ingram Engineering Service Center. Unauthorized service, repairs, or
modification will void this warranty. To obtain repairs under warranty, you must have a copy of
your sales receipt from the store where you bought the product. It is necessary to establish
purchase date and thus determine whether or not your Ingram Engineering product is still
under warranty.
To obtain factory service:
Call Ingram Engineering at 678-685-9838 9 AM to 5 PM Monday through Friday (East Coast
Time) to get a Return Authorization (RA). Products returned without an RA number will be
refused.
Pack the product in its original shipping carton. If you do not have the carton, just ask for one
when you get your RA number, and we’ll send a shipping carton to you. Please seal the
product in a plastic bag.
Also include a note explaining exactly how to duplicate the problem, a copy of the sales receipt
showing price and date, and your return street address (no P.O. boxes or route numbers,
please). If we cannot duplicate the problem or establish the starting date of your Limited
Warranty, we may, at our option, charge for service time.
Ship the product in its original shipping carton, freight prepaid to:
Ingram Engineering Service Department
926 Bruce Circle
Atlanta, Ga. 30316 USA
IMPORTANT: Make sure that the RA number is plainly written on the shipping carton.
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MPA575 Owner’s Manual
To obtain service from an Authorized Ingram Engineering Service Center:
Call Ingram Engineering at 678-685-9838, 9 AM to 5 PM Monday through Friday (East Coast
Time) to receive: 1) The name and address of your nearest Authorized Ingram Engineering
Service Center and 2) A return authorization (RA). You must have an RA number before
taking your unit to a service center.
Make sure that you have a copy of your sales receipt from the store where you bought the
product. If you can’t find it, the Authorized Service Center may charge you for repairs even if
your Ingram Engineering product is still covered by the Three Year Limited Warranty.
Make sure the problem can be duplicated. If you bring your Ingram Engineering product to an
Authorized Service Center and they can’t find anything wrong with it, you may be charged a
service fee.
If the Authorized Ingram Engineering Service Center is located in another city, pack the
product in its original shipping carton.
Contact the Authorized Ingram Engineering Service Center to arrange service or bring the
Ingram Engineering product to them.
Ingram Engineering and Authorized Ingram Engineering Service Centers reserve the right to
inspect any products that may be the subject of any warranty claims before repair or
replacement is carried out. Ingram Engineering and Authorized Ingram Engineering Service
Centers may, at their option, require proof of the original date of purchase in the form of a
dated copy of the original dealer’s invoice or sales receipt. Final determination of warranty
coverage lies solely with Ingram Engineering or its Authorized Service Centers.
Ingram Engineering products returned to Ingram Engineering and deemed eligible for repair or
replacement under the terms of this warranty will be repaired or replaced within sixty days of
receipt by Ingram Engineering. Ingram Engineering may use refurbished parts for repair or
replacement of any product. Products returned to Ingram Engineering that do not meet the
terms of this Warranty will be repaired and returned C.O. D. with billing for labor, materials,
return freight, and insurance. Products repaired under warranty at the factory will be returned
freight prepaid by Ingram Engineering to any location within the boundaries of the USA.
Ingram Engineering warrants all repairs performed for 90 days or for the remainder of the
warranty period. This warranty does not extend to damage resulting from improper installation,
misuse, neglect or abuse, or to exterior appearance. This warranty is recognized only if the
inspection seals and serial number on the unit have not been defaced or removed.
Ingram Engineering assumes no responsibility for the quality or timeliness of repairs performed
by Authorized Ingram Engineering Service Centers.
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MPA575 Owner’s Manual
This warranty is extended to the original purchaser and to anyone who may subsequently
purchase this product within the applicable warranty period. A copy of the original sales
receipt is required to obtain warranty repairs.
This is your sole warranty. Ingram Engineering does not authorize any third party including
any dealer or sales representative, to assume any liability on behalf of Ingram Engineering or
to make any warranty for Ingram Engineering.
THIS WARRANTY GIVEN ON THESE PAGES IS THE SOLE WARRANTY GIVEN BY
INGRAM ENGINEERING AND IS IN LIEU OF ALL OTHER WARRANTIES, EXPRESS AND
IMPLIED, INCLUDING THE WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE. THE WARRANTY GIVEN ON THESE PAGES SHALL BE
STRICTLY LIMITED IN DURATION TO THREE YEARS FROM THE DATE OF ORIGINAL
PURCHASE FROM AN AUTHORIZED INGRAM ENGINEERING DEALER. UPON
EXPIRATION OF THE APPLICABLE WARRANTY PERIOD, INGRAM ENGINEERING
SHALL HAVE NO FURTHER WARRANTY OBLIGATION OF ANY KIND. INGRAM
ENGINEERING SHALL NOT BE LIABLE FOR ANY INCIDENTAL, SPECIAL, OR
CONSEQUENTIAL DAMAGES THAT MAY RESULT FROM ANY DEFECT IN THE INGRAM
ENGINEERING PRODUCT OR ANY WARRANTY CLAIM. Some states do not allow
exclusion or limitation of incidental, special or consequential damages or a limitation on how
long warranties last, so some of the above limitations and exclusions may not apply to you.
This warranty provides specific legal rights and you may have other rights which vary from
state to state.
Ingram Engineering makes no warranty of any kind with respect to the material in this document and shall not be liable for
errors contained herein or for incidental or consequential damages related to the use of the material.
Ingram Engineering reserves the right to make changes to its products and/or documents or to discontinue any product at
any time without notice. The product specifications contained herein are subject to change. Ingram Engineering assumes
no responsibility for inaccuracies, and urges customers to verify that the information they are using is current.
WARNING
Ingram Engineering products are not intended for use in life support appliances, devices or systems. Use of an Ingram
Engineering product in any such application without written consent is prohibited.