UB2442FX-PRO Effect Presets
Ultra-Low Noise Design 24-Input 4-Bus Mic/Line Mixer with Premium Mic Preamplifiers and Multi-FX Processor
No. |
Effect |
Description |
Hall 00-09 |
|
|
00 |
Small Hall 1 |
approx. 1.0s reverb decay |
01 |
Small Hall 2 |
approx. 1.2s reverb decay |
02 |
Small Hall 3 |
approx. 1.5s reverb decay |
03 |
Mid Hall 1 |
approx. 1.8s reverb decay |
04 |
Mid Hall 2 |
approx. 2.0s reverb decay |
05 |
Mid Hall 3 |
approx. 2.5s reverb decay |
06 |
Big Hall 1 |
approx. 2.8s reverb decay |
07 |
Big Hall 2 |
approx. 3.2s reverb decay |
08 |
Big Hall 3 |
approx. 4s reverb decay |
09 |
Church |
approx. 7s reverb decay |
Room 10-19 |
|
|
10 |
Small Room 1 |
approx. 0.5s reverb decay |
11 |
Small Room 2 |
approx. 0.8s reverb decay |
12 |
Small Room 3 |
approx. 1.0s reverb decay |
13 |
Mid Room 1 |
approx. 1.2s reverb decay |
14 |
Mid Room 2 |
approx. 1.5s reverb decay |
15 |
Mid Room 3 |
approx. 1.8s reverb decay |
16 |
Big Room 1 |
approx. 2.0s reverb decay |
17 |
Big Room 2 |
approx. 2.2s reverb decay |
18 |
Big Room 3 |
approx. 2.5s reverb decay |
19 |
Chapel |
approx. 3s reverb decay |
Plate 20-29 |
|
|
20 |
Short Plate |
approx. 1.0s reverb decay |
21 |
Mid Plate |
approx. 1.5s reverb decay |
22 |
Long Plate |
approx. 2.2s reverb decay |
23 |
Vocal Plate |
approx. 1.2s reverb decay |
24 |
Drums Plate |
approx. 1.0s reverb decay |
25 |
Gold Plate 1 |
approx. 1.2s reverb decay |
26 |
Gold Plate 2 |
approx. 2.0s reverb decay |
27 |
Short Spring |
approx. 1.0s reverb decay |
28 |
Mid Spring |
approx. 2.0s reverb decay |
29 |
Long Spring |
approx. 2.5s reverb decay |
Gated/Reverse 30-39 |
|
|
30 |
Gated Rev Short |
approx. 0.8s gate time |
31 |
Gated Rev Mid |
approx. 1.2s gate time |
32 |
Gated Rev Long |
approx. 2.0s gate time |
33 |
Gated Rev XXL |
approx. 3.0s gate time |
34 |
Gated Rev Drums 1 |
approx. 0.8s gate time |
35 |
Gated Rev Drums 2 |
approx. 1.2s gate time |
36 |
Reverse Short |
approx. 0.8s gate time |
37 |
Reverse Mid |
approx. 1.2s gate time |
38 |
Reverse Long |
approx. 2.0s gate time |
39 |
Reverse XXL |
approx. 3.0s gate time |
Early Reflections 40-49 |
|
|
40 |
Early Reflection 1 |
Short |
41 |
Early Reflection 2 |
Medium-short |
42 |
Early Reflection 3 |
Medium-long |
43 |
Early Reflection 4 |
Long |
44 |
Short Ambience |
Short |
45 |
Mid Ambience |
Medium-short |
46 |
Live Ambience |
Medium-short |
47 |
Big Ambience |
Medium-long |
48 |
Stadium |
Long |
49 |
Ghost Ambience |
Extra long special FX |
No. |
Effect |
Description |
Delay 50-59 |
|
|
50 |
Short Delay 1 |
Like a short shattering |
51 |
Short Delay 2 |
1-2 short impulse(s) |
52 |
Short Delay 3 |
1-2 short implulse(s) |
53 |
Mid Delay 1 |
Classical delay for up-tempo music (115-125 BPM) |
54 |
Mid Delay 2 |
Classical delay for mid-tempo music (105-115 BPM) |
55 |
Mid Delay 3 |
Classical delay for slow-tempo music (95-105 BPM) |
56 |
Long Delay 1 |
Classical delay for reggae-tempo music (85-95 BPM) |
57 |
Long Delay 2 |
Classical delay for dub-tempo music (75-85 BPM) |
58 |
Long Delay 3 |
Extra long (nearly infinite) delay effect |
59 |
Long Echo |
Extra long canyon echo effect |
Chorus 60-69 |
|
|
60 |
Soft Chorus 1 |
Unobtrussive effect |
61 |
Soft Chorus 2 |
Unobtrussive effect with different color |
62 |
Warm Chorus 1 |
Analog sounding |
63 |
Warm Chorus 2 |
Analog sounding with different color |
64 |
Phat Chorus 1 |
Pronounced chorus effect |
65 |
Phat Chorus 2 |
Pronounced chorus effect with different color |
66 |
Classic Flanger |
Standard flanger effect |
67 |
Warm Flanger |
More analog touch |
68 |
Deep Flanger |
Deep modulation impression |
69 |
Heavy Flanger |
Extremely pronounced effect |
Phase/Pitch 70-79 |
|
|
70 |
Classic Phaser |
Standard phaser effect |
71 |
Warm Phaser |
More analog touch |
72 |
Deep Phaser |
Deep modulation impression |
73 |
Heavy Phaser |
Extreme strong effect |
74 |
Pitch Shift Detune |
2-3 times detune for a wider solo voice sound |
75 |
Pitch Shift +3 |
Minor third added voice |
76 |
Pitch Shift +4 |
Major third added voice |
77 |
Pitch Shift +7 |
Quint above added voice |
78 |
Pitch Shift -5 |
Fourth down added voice |
79 |
Pitch Shift -12 |
1 octave down added voice |
Multi 1 80-89 |
|
|
80 |
Chorus + Reverb 1 |
Soft chorus + medium-short reverb |
81 |
Chorus + Reverb 2 |
Deep chorus + medium-long reverb |
82 |
Flanger + Reverb 1 |
Soft flanger + medium-short reverb |
83 |
Flanger + Reverb 2 |
Deep flanger + medium-long reverb |
84 |
Phaser + Reverb 1 |
Soft phaser + medium-short reverb |
85 |
Phaser + Reverb 2 |
Deep phaser + medium-long reverb |
86 |
Pitch + Reverb 1 |
Soft voice detuning + medium-short reverb |
87 |
Pitch + Reverb 2 |
Fourth above internal + medium-long reverb |
88 |
Delay + Reverb 1 |
Short delay + medium-short reverb |
89 |
Delay + Reverb 2 |
Medium-long delay + medium-long reverb |
Multi 2 90-99 |
|
|
90 |
Delay + Gated Rev |
Short delay + medium-long gated reverb |
91 |
Delay + Reverse |
Medium-short delay + medium-long reverse reverb |
92 |
Delay + Chorus 1 |
Short delay + soft chorus |
93 |
Delay + Chorus 2 |
Medium-long delay + deep chorus |
94 |
Delay + Flanger 1 |
Short delay + soft flanger |
95 |
Delay + Flanger 2 |
Medium-long delay + deep flanger |
96 |
Delay + Phaser 1 |
Short delay + soft phaser |
97 |
Delay + Phaser 2 |
Medium-long delay + deep phaser |
98 |
Delay + Pitch 1 |
Short delay + fourth down interval |
99 |
Delay + Pitch 2 |
Medium-long delay + minor third above interval |
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