Behringer UB1002FX, UB1202FX User Manual

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Behringer UB1002FX, UB1202FX User Manual

EURORACK UB1002FX/UB1202FX

User’s Manual

Version 1.0 February 2005

ENGLISH

EURORACK UB1002FX/UB1202FX

IMPORTANT SAFETY INSTRUCTIONS

CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside; refer servicing to qualified personnel.

WARNING: To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus.

This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure—voltage that may be sufficient to constitute a risk of shock.

This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read the manual.

DETAILED SAFETY INSTRUCTIONS:

1)Read these instructions.

2)Keep these instructions.

3)Heed all warnings.

4)Follow all instructions.

5)Do not use this apparatus near water.

6)Clean only with dry cloth.

7)Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8)Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9)Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10)Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11)Only use attachments/accessories specified by the manufacturer.

12)Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13)Unplug this apparatus during lightning storms or when unused for long periods of time.

14)Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

15)CAUTION - These service instructions are for use by qualified service personnel only. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions unless you are qualified to do so.

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EURORACK UB1002FX/UB1202FX

FOREWORD

Dear Customer,

I’m sure you’re one of those people who have devoted themselves body and soul to your chosen area and no doubt this has transformed you into an expert in your field!

Well, for over 30 years, my passion has been music and electronics. This not only led me to establish BEHRINGER, but also enabled me to convey and share my enthusiasm with my employees.

During all the years that I’ve been involved with studio technology and end users, I have developed a feel for the

things that really count, such as sound quality, reliability and ease of use. What’s more, I have always had the desire to push the boundaries of technical possibilities to the extreme.

It was precisely this motivation that prompted me to start work on a new series of mixing consoles. Since our EURORACKs had already set new standards world-wide, I knew the development objectives behind the products bearing my initials had to be especially ambitious.

Thus, the concept and design of the new UB mixing consoles bear my signature. The design work, the entire circuit diagram and PCB development, and even the mechanical concepts are my own work. I carefully selected each individual component— with the aim of pushing the mixing consoles’ analog and digital technologies to their limits.

My vision was to enable you, the user, to give free rein to your true potential and creativity. The result is incredibly powerful mixing consoles that offer intuitive operation. They cannot fail to impress with their extremely flexible routing possibilities plus fantastic wealth of functions. Innovative technologies, such as the completely new IMP “Invisible” Mic Preamps, guarantee optimum sound quality and extraordinarily high-quality components provide unrivalled reliability, even under extreme loads.

Your new UB mixing console is of high quality yet is simple to use; you’ll soon appreciate that I, both personally and in my capacity as musician and sound engineer, put you, the end user, first and that these products were only possible because of the passion and the attention to detail that went into them.

Thank you for the confidence you have placed in us by purchasing the UB mixing console. I would also like to thank all those who, with their personal commitment and passion, have helped me realize this impressive series of mixing consoles.

Kindest regards,

Uli Behringer

TABLE OF CONTENTS

1. INTRODUCTION .........................................................

3

1.1

General mixing console functions ..................................

4

1.2

The user’s manual ..........................................................

4

1.3

Before you get started ...................................................

4

 

1.3.1

Shipment ...............................................................

4

 

1.3.2

Initial operation ......................................................

4

 

1.3.3

Online registration ................................................

5

2. CONTROL ELEMENTS AND CONNECTORS ..............

5

2.1

Mono channels ...............................................................

5

2.2

Stereo channels .............................................................

6

2.3

Connector array of the main section .............................

6

2.4

Main section ....................................................................

7

2.5

Digital effects processor ................................................

8

3. APPLICATIONS ..........................................................

8

3.1

Recording studio ............................................................

8

3.2

Live sound ......................................................................

9

4. INSTALLATION .........................................................

10

4.1

Mains connection .........................................................

10

4.2

Audio connections .......................................................

10

5. SPECIFICATIONS .....................................................

11

6. WARRANTY ..............................................................

12

1. INTRODUCTION

Congratulations! In purchasing our EURORACK UB1002FX/ UB1202FX you have acquired a mixing console whose small size belies its incredible versatility and audio performance.

The BEHRINGER EURORACK mixing console offers you premium-quality microphone preamplifiers with optional phantom power supply, balanced line inputs and the ability to connect external effects processors. Because of its extensive and carefully thought-out routing possibilities, your EURORACK lends itself equally to both live and studio use.

IMP “INVISIBLE” MIC PREAMP

The microphone channels are fitted with BEHRINGER’s premium quality IMP INVISIBLE MIC PREAMPs that boast the following features:

s130 dB dynamic range for an incredible amount of headroom

sA bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear reproduction of even the finest nuances

sThe extremely low-noise and distortion-free circuitry guarantees absolutely natural and transparent signal reproduction

sThey are perfectly matched to every conceivable microphone with up to 60 dB gain and +48 volt phantom power supply

sThey enable full utilization of the greatly extended dynamic range of your 24-bit/192 kHz HD recorder, thereby maintaining optimal audio quality.

MULTI-EFFECTS PROCESSOR

In addition, the UB1002FX/UB1202FX offers an effects processor equipped with 24-bit A/D and D/A converters. The FX processor puts at your disposal 100 presets with first-class room simulations, delay and modulation effects, and many multieffects in outstanding audio quality.

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EURORACK UB1002FX/UB1202FX

CAUTION!

+We should like to draw your attention to the fact that extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAIN MIX control and PHONES control in the main section fully counterclockwise before you switch on the unit. Always be careful to set appropriate volume levels.

1.1 General mixing console functions

A mixing console fulfils three main functions:

sSignal processing:

Preamplification

Microphones convert sound waves into voltage that has to be amplified several-fold; then, this voltage is turned into sound that is reproduced in a loudspeaker. Because microphone capsules are very delicate in their construction, output voltage is very low and therefore susceptible to interference. Therefore, mic signal voltage is amplified directly at the mixer input to a higher signal level that is less prone to interference. This higher, interference-safe signal level has to be achieved through amplification using an amplifier of the highest quality in order to amplify the signal and add as little noise to it as possible. The IMP “Invisible” Mic Preamp performs this role beautifully, leaving no traces of noise or sound coloration. Interference that could take place at the preamplification level could affect signal quality and purity, and would then be passed on to all other devices, resulting in inaccurate sounding program during recording or playback.

Level-setting

Signals fed into the mixer using a DI-box (Direct Injection) or the output of a sound card or a keyboard, often have to be adjusted to the operating level of your mixing console.

Frequency response correction

Using the equalizers found in each channel strip, you can simply, quickly and effectively adjust the way a signal sounds.

sSignal distribution:

Individual, processed signals from the channel strips are compiled on busses and are fed into the main section for further processing. Connections for recording equipment, power amplifiers, headphones as well as CD/tape connectors are available here. The mix is sent to the internal FX processors or external effects processors via aux sends and returns. Similarly, a mix can be created for the musicians on the stage (monitor mix).

sMix:

All other mixing console functions fall under this vital category. Creating a mix means primarily adjusting the volume levels of individual instruments and voices to one another as well as giving them the appropriate weight within the overall frequency spectrum. Likewise, you’ll have to sensibly spread individual voices across the stereo image of a signal. At the end of this process, adjusting the level of the entire mix to other equipment in the signal path is required (e. g. recorder/crossover/amplifier).

The interface of BEHRINGER mixing consoles is optimized for these tasks, enabling you to easily keep track of the signal path.

1.2 The user’s manual

The user’s manual is designed to give you both an overview of the controls, as well as detailed information on how to use them. In order to help you understand the links between the controls, we have arranged them in groups according to their function. If you need to know more about specific issues, please visit our website at http://www.behringer.com. Additional information and explanations about various music industry/audio technology terminology can be found on individual product pages as well as in the glossary area of www.behringer.com.

+The block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs, as well as the associated switches and controls.

For the moment, just try and trace the signal path from the microphone input to the FX SEND connector. Don’t be put off by the huge range of possibilities; it’s easier than you think! If you look at the overview of the controls at the same time, you’ll be able to quickly familiarize yourself with your mixing console and you’ll soon be making the most of all its many possibilities.

1.3 Before you get started

1.3.1 Shipment

Your mixing console was carefully packed in the factory to guarantee safe transport. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage that may have occurred during transit.

+If the unit is damaged, please do NOT return it to us, but notify your dealer and the shipping company immediately, otherwise claims for damage or replacement may not be granted.

+To assure optimal protection of your EURORACK during use or transport, we recommend utilizing a carrying case.

+Please always use the original packaging to avoid damage due to storage or shipping.

+Never let unsupervised children play with the EURORACK or with its packaging.

+Please dispose of all packaging materials in an environmentally-friendly fashion.

1.3.2 Initial operation

Be sure that there is enough space around the unit for cooling purposes and to avoid overheating please do not place your mixing console on high-temperature equipment such as radiators or power amps.

+Never connect the EURORACK to the power supply unit when the latter is connected to the mains! First connect the power supply unit to the console, then connect the power supply unit to the mains.

+Please make sure that all units have a proper ground connection. For your own safety, never remove or disable the ground conductor from the unit or on the AC power cord. The unit should always be connected to a mains socket outlet with a protective earthing connection.

+When installing the product, ensure the appliance coupler or power cord is easily accessible for disconnecting the unit from mains.

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1. INTRODUCTION

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