Powered Mixers
EUROPOWER PMP6000/PMP4000 PMP1680S
1600-Watt 10/16/20-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System
Ultra-compact 2 x 800-Watt stereo powered mixers (1600 Watt bridged mode)
Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
Ultra-compact design at nearly half the weight of conventional powered mixers
PMP6000: 20-channel mixer section features 12 mono and 4 stereo channels plus separate CD/Tape input/output
PMP4000: 16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output
PMP1680S: 10-channel mixer section features 6 mono and 2 stereo channels plus separate CD/Tape input/output
PMP6000, PMP1680S: Dual studiograde 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
PMP4000: Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
12/8 high-quality Mic Preamps with switchable +48 V phantom power for condenser microphones
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12
built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors, stereo 7-band graphic EQ and our renowned
FBQ Feedback Detection System.
What is Class-D Technology?
Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second,
delivering power only when needed. In other words, the amplifier is either fully on or fully off, which significantly reduces power losses from the output
devices given off as heat. Less heat means our amps don’t need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.
When used in conjunction with switching-mode power supplies, which don’t require huge and heavy transformers, our Class-D amplifiers
provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.
Massive Mono or Stunning Stereo
Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version
Continued on next page
EUROPOWER PMP6000 PMP4000 PMP1680S
Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
PMP4000 and PMP6000: Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
PMP1680S: Stereo 7-band graphic EQ allows precise frequency correction of monitor and main outputs
Voice Canceller function removes singer’s voice from recordings for karaoke applications
Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
PMP6000 and PMP1680S: Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
PMP6000 and PMP1680S: Standby switch mutes all mic input channels during breaks while background music is provided via CD/Tape input
PMP6000: Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
Adjustable stereo 2-Track input for connecting external line sources
Multi-functional stereo Preamp outputs for added flexibility
Internal switch-mode power supply, noise-free audio, superior transient response and very low
power consumption
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by
BEHRINGER Germany
Page 2 of 8
of the main signal through one powered output plus a mono version of monitor send signals through the second powered output) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or
a synth-rock band with mind-boggling stereo patches, PMP mixers can
accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.
Classic Control, State-of-the-Art Sound
Leave the mic preamps at home, because the quality of sound that was
Continued on next page
GAIN knob adjusts sensitivity of MIC or LINE inputs
EQ adjusts high, mid and low frequencies
MON knobs adjust amount of channel signal sent to MON SEND jacks and/or OUTPUT A (MON 1 signals only) when driving passive monitors
FX 1 & 2 adjusts amount of channel’s signal sent to multi-FX processors (PMP6000 only)
CLIP LED lights when channel signal overloads and when PFL button is engaged
PAN positions channel in stereo field
MUTE button mutes channel
LEVEL fader adjusts channel volume
ON/OFF button
EUROPOWER
PMP6000
PMP4000
PMP1680S
once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs.
Built-in Digital Effects Processor
The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you’re pulling double duty as sound engineer and performer, the FX
processors features a footswitch jack for remote on/off. Of course, if you have treasured outboard gear you’ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.
Changing the Channels
The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars
and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and
7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for
eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.
A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.
Page 3 of 8
The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.
The Ins and Outs
Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from
pre-recorded music for instant karaoke applications.
CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right main outputs can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SEND output. Powered outputs on these mixers are available in
professional Speakon-compatible format for secure operation.
Continued on next page
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SPEAKER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PROCESSING |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
switch allows mixer |
|
PHANTOM Switch |
POWER AMP |
|
|
to compensate |
|
||||||||||
provides 48V to |
|
|
for speakers |
STANDBY |
|||||||||||
switch selects |
|
|
|||||||||||||
the XLR inputs |
|
|
with limited low |
button mutes |
|||||||||||
for use with |
operation mode of |
|
|
end frequency |
all mic channels |
||||||||||
condenser mics |
power amp |
|
|
response |
(PMP6000) |
||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
VU METERS |
|
GRAPHIC EQ |
display main and |
|
monitor output |
||
adjusts specific |
||
signal levels |
||
frequencies |
||
|
||
|
CD/TAPE adjusts |
|
|
volume of CD/TAPE |
|
MULTI-FX |
IN signal in main or |
|
PROCESSOR adds |
monitor mix |
|
selected sound |
MAIN 2 knob |
|
effect to any |
||
(PMP4000/6000) |
||
channel whose FX |
||
adjusts output of |
||
knob is turned up |
||
MAIN 2 jacks |
||
|
||
SURROUND |
PHONES/CTRL |
|
ROOM knob |
||
knob adjusts the |
||
adjusts headphone |
||
amount of stereo |
||
and control room |
||
enhancement on |
||
output volume |
||
the mix. Press the |
||
|
||
XPQ TO MAIN |
|
|
button to activate |
|
|
the effect |
FX TO MON and |
|
|
||
|
FX TO MAIN knobs |
|
|
adjust amount of |
|
|
signal from internal |
|
|
multi-FX processor |
|
FX (SEND) |
included in main or |
|
monitor mix |
||
fader(s) adjust |
|
|
signal sent to |
|
|
internal FX |
|
|
processor and FX |
|
|
SEND jack(s) |
|
MON (SEND) |
MAIN fader(s) |
MONO fader |
fader(s) adjust |
adjust the |
adjusts output |
output of MON |
output of |
of MONO OUT |
SEND jacks and |
main signal |
jack |
OUTPUT A when |
|
|
using MON 1/ |
|
|
MONO mode |
|
|
Loading...