Akai DR16 PRO User Manual

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HARD DISK RECORDER

Operator’ s Manual

WARNING

To prevent fire or shock hazard, do not expose this appliance to rain or moisture.

000218-4 Printed in Japan

Important Notice

The material in this document is copyright to AKAI professional M.I. Corp., and may not be quoted or reproduced in any form without written permission from the company.

LIMITED SOFTWARE WARRANTY POLICY All the software provided with, or purchased especially for, AKAI professional products has been tested for functionality. AKAI professional M.I. Corp. will make its best efforts to correct reported software defects for future releases subject to technical practicabilities. AKAI professional M.I. Corp., makes no warranty or representation either expressed or implied with respect to the system's performance or fitness for a particular purpose. In no event will AKAI professional M.I. Corp. be liable for direct or indirect damages arising from any defect in the software or its documentation. Further, AKAI professional M.I. Corp. will not accept any liability for any programs, sounds, audio recording or sequences stored in or used with AKAI professional products, including the cost of recovery of such data. The warranties, remedies and disclaimers above are exclusive and take precedence over all others, oral or written, express or implied, to the extent permitted by law in the geographical area of the product's use. No employee of AKAI professional M.I. Corp., agent, distributor or employee of an agent or distributor is authorised to offer any variation from this policy.

WARNING!!

To prevent fire or shock hazard, do not expose this appliance to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK

DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

THE SYMBOLS ARE RULED BY UL STANDARDS (U.S.A.)

The lightning flash with arrowhead symbol , within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure; that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intented to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

1-En

5A-En

Lithium battery

This product uses a lithium battery for memory backup. The lithium battery should only be replaced by qualified service personnel. Improper handling may cause risk of explosion.

Page i

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WARNING

The DR16pro is designed to be used in a standard household environment. Power requirements for electrical equipment vary from area to area. Please ensure that your DR16pro meets the power requirements in your area. If in doubt, consult a qualified electrician or AKAI professional dealer.

120VAC @ 60Hz for USA and Canada 220-230/240VAC @ 50Hz for Europe 240VAC @ 50Hz for Australia

PROTECTING YOURSELF AND THE DR16pro

Never touch the AC plug with wet hands.

•

Always disconnect the DR16pro from the power supply by pulling on the plug, not the cord.

•

Allow only an AKAI professional dealer or qualified professional engineer to repair or reas-

•

semble the DR16pro. Apart from voiding the warranty, unauthorized engineers might touch live internal parts and receive a serious electric shock.

Do not put, or allow anyone to put any object, especially metal objects, into the DR16pro.

•

Use only a household AC power supply. Never use a DC power supply.

•

If water or any other liquid is spilled into or onto the DR16pro, disconnect the power, and call

•

your dealer. Make sure that the unit is well-ventilated, and away from direct sunlight.

•

To avoid damage to internal circuitry, as well as the external finish, keep the DR16pro away

•

from sources of direct heat (stoves, radiators, etc.). Avoid using aerosol insecticides, etc. near the DR16pro. They may damage the surface, and

•

may ignite. Do not use denaturated alcohol, thinner or similar chemicals to clean the DR16pro. They will

•

damage the finish. Modification of this equipment is dangerous, and can result in the functions of the DR16pro

•

being impaired. Never attempt to modify the equipment in any way. In order to assure optimum performance of your DR16pro, select the setup location carefully,

•

and make sure the equipment is used properly. Avoid setting up the DR16pro in the following locations:

1. In a humid or dusty environment

2. In a room with poor ventilation

3. On a surface which is not horizontal

4. Inside a vehicle such as a car, where it will be subject to vibration

5. In an extremely hot or cold environment

Page ii

Precautions When Using the Installed Hard Disk Drive

1. The hard disk drive has extremely high precision and is vulnerable to shock and vibration. If transporting the DR16pro by either land or air, we recommend packing it in a shell-shaped case lined with urethane rubber which meets ATA specifications.

2. Make sure the DR16pro is used in the horizontal position. Do not set it on end or tilt it when using it.

3. If the DR16pro is moved from a cold location to a warm one, or if the temperature has been raised suddenly, condensation may form inside the DR16pro. If it is impossible to avoid conditions like these, let the DR16pro sit for at least an hour in the new location before using it.

4. When setting up the DR16pro, make sure the ventilation opening is not blocked. Also, if using the DR16pro in a rack that contains other equipment, make sure sufficient ventilation space is assured on all sides (approx. 44 mm of space between the DR16pro and any equipment mounted above or below it in the rack).

Page iii

WARNING

THIS APPARATUS MUST BE EARTHED

IMPORTANT

This equipment is fitted with an approved non-rewireable UK mains plug. To change the fuse in this type of plug proceed as follows:

1) Remove the fuse cover and old fuse.

2) Fit a new fuse which should be a BS1362 5 Amp A.S.T.A or BSI approved type.

3) Refit the fuse cover. If the AC mains plug fitted to the lead supplied with this equipment is not suitable for

your type of AC outlet sockets, it should be changed to an AC mains lead, complete with moulded plug, to the appropriate type. If this is not possible, the plug should be cut off and a correct one fitted to suit the AC outlet. This should be fused at 5 Amps.

If a plug without a fuse is used, the fuse at the distribution board should NOT BE GREATER than 5 Amp.

PLEASE NOTE: THE SEVERED PLUG MUST BE DESTROYED TO AVOID A

POSSIBLE SHOCK HAZARD SHOULD IT BE INSERTED INTO A 13 AMP SOCKET ELSEWHERE.

The wires in this mains lead are coloured in accordance with the following code:

GREEN and YELLOW — EARTH BLUE — NEUTRAL BROWN — LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, please proceed as follows:

The wire which is coloured GREEN and YELLOW must be connected to the terminal which is marked with the letter E or with the safety earth symbol or

coloured GREEN or coloured GREEN and YELLOW. The wire which is coloured BLUE must be connected to the terminal which is

marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is

marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED

Ensure that all the terminals are securely tightened and no loose strands of wire exist.

Before replacing the plug cover, make certain the cord grip is clamped over the outer sheath of the lead and not simply over the wires.

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Page iv

FCC WARNING

This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

- Reorient or relocate the receiving antenna.

- Increase the separation between the equipment and receiver.

- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

- Consult the dealer or an experienced radio/TV technician for help. 21B-En

CHANGES OR MODIFICATIONS NOT EXPRESSLY APPROVED BY THE MANUFACTURER FOR COMPLIANCE COULD VOID THE USER’S AUTHORITY TO OPERATE THE EQUIPMENT.

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AVIS POUR LES ACHETEURS CANADIENS DU DR16pro

Le présent appareil numérique n’ément pas des bruits radioélectriques dépassant les limites applicables aux appareils numériques de la Class B prescrites dans le Règlement sur le brouillage radioélectrique édicté par le ministère des Communications du Canada

27-F

This digital apparatus does not exceed the Class B limits for radio noise emissions from digital apparatus set out in the Radio Interference Regulations of the Canadian Department of Communications.

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VENTILATION

Do not prevent the unit's ventilation, especially by placing the unit on the soft carpet, in a narrow space, or by placing objects on the unit's chassis—top, side, or rear panels. Always keep the unit's chassis at least 10 centimeters from any other objects.

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The AKAI DR16pro is a computer-based device, and as such contains and uses software in ROMs. This software, and all related documentation, including this Owner’s Manual, contain proprietary information which is protected by copyright laws. All rights are reserved. No part of the software or its documentation may be copied, transferred or modified. You may not modify, adapt, translate, lease, distribute, resell for profit or create derivative works based on the software and its related documentation or any part there of without prior written consent from AKAI professional M.I. Corp., Yokohama, Japan.

Page v

WARRANTY AKAI professional M.I. Corp. warrants its products, when purchased from an authorized AKAI professional

dealer, to be free from defects in materials and workmanship for a period of 12 (twelve) months from the date of purchase. Warranty service is effective and available to the original purchaser only , and only on completion and return of the AKAI professional Warranty Registration Card within 14 days of purchase.

Warranty coverage is valid for factory-authorized updates to AKAI professional instruments and their software, when their installation is performed by an authorized AKAI professional Service Centre, and a properly completed Warranty Registration has been returned to your AKAI professional dealer.

To obtain service under this warranty, the product must, on discovery of the defect, be properly packed and shipped to the nearest AKAI professional Service Centre. The party requesting warranty service must provide proof of original ownership and date of purchase of the product.

If the warranty is valid, AKAI professional will, without charge for parts or labour, either repair or replace the defective part(s). Without a valid warranty, the entire cost of the repair (parts and labour) is the responsibility

of the product’s owner. AKAI professional warrants that it will make all necessary adjustments, repairs and replacements at no cost

to the original owner within 12 (twelve) months of the purchase date if: 1 The product fails to perform its specified functions due to failure of one or more of its components.

2 The product fails to perform its specified functions due to defects in workmanship. 3 The product has been maintained and operated by the owner in strict accordance with the written

instructions for proper maintenance and use as specified in this Operator’s Manual.

Before purchase and use, owners should determine the suitability of the product for their intended use, and the owner assumes all risk and liability whatsoever in connection therewith. AKAI professional shall not be liable for any injury, loss or damage, direct or consequential, arising out of the use, or inability to use the product.

The warranty provides only those benefits specified, and does not cover defects or repairs needed as a result of acts beyond the control of AKAI professional, including, but not limited to:

1 Damage caused by abuse, accident or negligence. AKAI professional will not cover under warranty any

original factory disk damaged or destroyed as a result of the owner’s mishandling.

2 Damage caused by any tampering, alteration or modification of the product: operating software,

mechanical or electronic components.

3 Damage caused by failure to maintain and operate the product in strict accordance with the written

instructions for proper maintenance and use as specified in this Operator’s Manual. 4 Damage caused by repairs or attempted repairs by unauthorized persons. 5 Damage caused by fire, smoke, falling objects, water or other liquids, or natural events such as rain,

floods, earthquakes, lightning, tornadoes, storms, etc. 6 Damage caused by operation on improper voltages.

IMPORTANT NOTE: This warranty becomes void if the product or its software is electronically modified, altered or tampered with in any way.

AKAI professional shall not be liable for costs involved in packing or preparing the product for shipping, with regard to time, labour or materials, shipping or freight costs, or time and expenses involved in transporting the product to and from an AKAI professional Authorized Service Centre or Authorized Dealer.

AKAI professional will not cover under warranty an apparent malfunction that is determined to be user error, or the owner’s inability to use the product.

THE DURATION OF ANY OTHER WARRANTIES, WHETHER IMPLIED OR EXPRESS, INCLUDING BUT NOT LIMITED TO THE IMPLIED CONDITION OF MERCHANTABILITY, IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY HEREIN.

AKAI professional hereby excludes incidental or consequential damages, including but not limited to: 1 Loss of time 2 Inconvenience 3 Delay in performance of the Warranty 4 The loss of use of the product 5 Commercial loss 6 Breach of any express or implied warranty, including the lmplied W arranty of Merchantability, applicable

to this product

Page vi

Contents

Introduction ....................................................................................................... 1

What is the DR16pro?........................................................................................................ 1

Signal Flow ........................................................................................................................ 3

Level Diagram.................................................................................................................... 5

Inside the DR16pro ............................................................................................................ 6

1 Front and Rear Panels ................................................................................................. 7

Front Panel ........................................................................................................................ 7

Rear Panel ....................................................................................................................... 18

2 Getting Around the DR16pro..................................................................... 23

Operating Modes ............................................................................................................. 23

Operation ......................................................................................................................... 24

Entering Time Values ....................................................................................................... 26

3 Setting Up the DR16pro............................................................................. 28

Typical DR16pro Setup.................................................................................................... 29

4 Recording ................................................................................................... 30

Sampling Frequency ........................................................................................................ 30

Input Source..................................................................................................................... 33

Selecting the Input Channels ........................................................................................... 35

Starting & Stopping Recording......................................................................................... 38

Punch-In Functions .......................................................................................................... 39

Recording Undo ............................................................................................................... 44

Setting the Recording Mode ............................................................................................ 45

5 Playback...................................................................................................... 47

Outputs ............................................................................................................................ 47

Starting & Stopping Playback .......................................................................................... 48

Starting & Stopping Playback by Footswitch ................................................................... 48

Special Play Keys ............................................................................................................ 49

Repeat ............................................................................................................................. 52

Varispeed ......................................................................................................................... 53

6 Projects ........................................................................................................ 54

Creating a New Project .................................................................................................... 54

Loading Project Files ....................................................................................................... 55

Deleting Project Files ....................................................................................................... 56

Creating a New Protools Session on a Macintosh disk ................................................... 58

7 Mixer............................................................................................................ 60

Output Assignment Mode................................................................................................. 60

Individual Channel Settings ............................................................................................. 61

System Settings ............................................................................................................... 65

Snapshot Settings............................................................................................................ 68

Mapping Snapshots ......................................................................................................... 69

Other Functions ............................................................................................................... 71

ADAT Digital Output......................................................................................................... 72

8 Take Functions ........................................................................................... 73

Other Take Applications ................................................................................................... 76

9 Locate Functions ....................................................................................... 77

Direct Locate Points (1 ~ 9 Keys) .................................................................................... 78

Page vii

Contents

Stack Locate Points ......................................................................................................... 79

Last Memory .................................................................................................................... 80

Preroll............................................................................................................................... 81

10 Time Display ............................................................................................. 82

Setting Relative Time to Zero........................................................................................... 83

Setting a Relative Time Offset ......................................................................................... 83

1 1 Editing ........................................................................................................ 84

Undoing an Edit ............................................................................................................... 85

Copy................................................................................................................................. 86

Copy+Insert .....................................................................................................................88

Move ................................................................................................................................ 89

Move+Insert .....................................................................................................................90

Insert ................................................................................................................................ 91

Erase................................................................................................................................ 92

Delete............................................................................................................................... 93

Slip ................................................................................................................................... 94

Slip Track ......................................................................................................................... 95

12 Hard Disks ................................................................................................. 96

SCSI................................................................................................................................. 97

Checking for Disks ......................................................................................................... 100

External Hard Disk Operating Precautions .................................................................... 101

Formatting Disks ............................................................................................................ 102

Erasing Disks ................................................................................................................. 104

Optimizing Your Hard Disks ........................................................................................... 105

Copying Disks and Projects ........................................................................................... 107

Data Compatibility with Akai 16 Bit DR8/DR16 Models ................................................. 109

13 Backup and Restore ................................................................................110

Backup ........................................................................................................................... 110

Restore .......................................................................................................................... 114

14 Synchronization ......................................................................................118

SMPTE/EBU Synchronization........................................................................................ 118

MIDI Synchronization..................................................................................................... 121

Master/Slave Operation Via RS422 ............................................................................... 123

15 Song Mode................................................................................................127

Creating a Song ............................................................................................................. 129

Creating a Tempo Map................................................................................................... 132

16 Other Functions .......................................................................................134

System Set up................................................................................................................ 134

Assigning AKAINET Machine ID .................................................................................... 134

Saving/Loading Settings to Flash ROM .................................................................. 135-136

Setting up for Using the MT8 Mixing Tab Unit................................................................ 140

SCMS............................................................................................................................. 141

Appendix.........................................................................................................142

Specifications................................................................................................................. 143

Options.................................................................................................................... 144-145

IB-808G Block Diagram ................................................................................................. 146

System Error Codes................................................................................................ 147-151

MIDI Implementation Chart ............................................................................................ 152

Index..........................................................................................................153-157

Page viii

Introduction

From all at Akai, thank you for purchasing an Akai DR16pro Hard Disk Recorder, and welcome to the exciting world of hard disk recording. Please take the time to read this manual. It will allow you to get the best out of your DR16pro.

What is the DR16pro?

Take a conventional sixteen-track recorder, replace all the analog circuitry with the latest digital audio processing technology, replace the tape transport with a hard disk for near-instant digital audio data access, and add a 16-channel programmable digital mixer — the result is the DR16pro. The DR16pro is a 16-track digital hard disk recorder and editor, with a built-in digital mixer. It contains many of the features and functions you would normally expect, such as CD quality audio, non-destructive editing, etc., but unlike computer-based systems, the DR16pro is as easy to use as an ordinary multi-track tape recorder.

Features

16-track hard disk recorder with familiar multi-track recorder (MTR) operation.

•

16-channel programmable digital mixer with snapshot and fade automation.

•

24-bit 128-times oversampling A/D converters.

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20-bit D/A 8-times oversampling on all outputs.

•

16-bit / 20-bit / 24-bit linear PCM recording.

•

Up to six SCSI hard disks can be connected.

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96kHz sample rate support for DVD mastering.

•

Instant playback start.

•

Near-instant data access, no time consuming rewinds, etc.

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Autolocator with 100 locate points.

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Absolute and relative time modes, with sync offset.

•

Beat/tempo map for MIDI Clock synchronize operation.

•

MMC, MTC supported.

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Adjustable preroll.

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V arispeed playback.

•

Punch in/out includes: manual, auto (with rehearsal), and footswitch.

•

Jog/shuttle control for locating edits.

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Take functions allow you to select from five different recordings.

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Non-destructive editing functions include: copy, copy+insert, move, move+insert, erase, de-

•

lete, slip, insert, and edit undo. Balanced 1/4 inch phone jack analog inputs and outputs.

•

Output mode is selectable for 16 individual channels or two stereo master and two send out-

•

puts. XLR and RCA/phono digital inputs and outputs (AES/EBU or S/PDIF).

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Backup to SCSI tape devices such as SCSI DAT or Exabyte.

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Optional MT8 Mixing Tab for easier mixer setting.

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Page 1

Introduction

Built in Ethernet (AKAINET) interface for connection to remote controllers.

•

Optional IB-802T SMPTE reader/generator board for time-code synchronization.

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Optional IB-803M MIDI interface board for MIDI sequencer synchronization.

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Optional IB-805R RS422 in terface board for master/slave operation via RS422.

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Optional IB-1616A (IB-804A) ADAT interface board for digital data transfer between Alesis™

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ADATs. Optional EQ 16 digital EQ board.

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Up to 4,000 audio files can be recorded on a disk. (DD-PLUS format)

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A recording crossfade setting of 0-80ms is available.

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An optional interface board IB-808G GPIO is available for track arming control.

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An optional Multi-channel AES/EBU digital interface board IB-D16MA24 is available.

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Flash ROM for system settings and OS updates.

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TRADEMARKS

Digidesign and Protools are registered tademarks of Digidesign and/or A vid Technology, Inc. Macintosh is a registered trademark of Apple Computer Inc. All other trademarks, product and company names are the property of their respective owners.

Page 2

Signal Flow

DAC

TRACK OUT

1,3,5,7,9,11

TRACK OUT

2,4,6,8,10,12

HIGH (0)

LOW (–10)

HIGH (0)

LOW (–10)

LEVEL SW

CHANNEL OUT

1,3,5,7,9,11

1/4" STEREO JACK

CHANNEL OUT

2,4,6,8,10,12

1/4" STEREO JACK

DAC

HIGH (0)

LOW (–10)

HIGH (0)

LOW (–10)

LEVEL SW

CHANNEL OUT 13

or SEND 1

1/4" STEREO JACK

CHANNEL OUT 14

or SEND2

1/4" STEREO JACK

DAC

HIGH (0)

LOW (–10)

HIGH (0)

LOW (–10)

LEVEL SW

CHANNEL OUT 15

or MASTER L

1/4" STEREO JACK

CHANNEL OUT 16

or MASTER R

1/4" STEREO JACK

PHONES

1/4" STEREO JACK

DIGITAL OUT

XLR

RCA

TRACK OUT 13

TRACK OUT 14

TRACK OUT 15

TRACK OUT 16

MX or MULT

PHONES LEVEL

(OPTION)

TRACK OUT

1–16

CH LEVEL

PAN

SOLO

BUS ON

MONO/STEREO

SENDS LEVEL

SEND PAN

SEND2 LEVEL

SEND1 LEVEL

PRE/POST

HARD DISK

REC

REC or PLAY

AUX IN

TRACK 16

TRACK 2

TRACK 1

INPUT SELECT

OFF

TRACK OUT 1

POST

PRE

MIXER VALUE

or LEVEL

METER

SEND BUS MASTER

12LRLR

11101 1213141516

MASTER L

MASTER R

SEND I/L

SEND 2/R

BUS L

BUS R

ADC

GAIN VR

(–10 to –22)

LOW (–10)

MID (+20)

HIGH (+40)

INPUT

1, 3, 5, 7

INPUT 1

1/4" STEREO

JACK

ADC

GAIN VR

(–10 to –22)

LOW (–10)

MID (–20)

HIGH (+40)

INPUT

2, 4, 6, 8

INPUTS 1 ... 8

INPUT 2

1/4" STEREO

JACK

INPUT 8 or DIGITAL 8

DIN L

DIN R

BUS L

BUS R

INPUT 1 or DIGITAL 1

INPUT 2 or DIGITAL 2

DIGITAL IN

XLR

DIN R

DIN L

RCA

GAIN SW

DAC

MAS-

TER

LEVEL

DIGITAL INPUT OPTION

(ADAT or TDIF or AES/EBU)

Introduction

Page 3

Introduction

Description of Signal Flow

Input

A signal input to the ANALOG INPUT channels 1 to 16 passes through the gain switches (HIGH, MID, LOW) and the GAIN controls. The signal is then converted to digital. Alternatively, pressing the DIGI key will select DIGIT AL INPUT for channels 1 to 8 from the optional Digital Audio Interface (eg. ADAT or AES/EBU).

After digital conversion, the signal goes to the INPUT SELECT switches and then to the hard disk for recording.

At the INPUT SELECT switches, input channels 1 to 8 usually correspond to hard disk tracks 1 to 8 and tracks 9 to 16. However, you can assign any input channel to any hard disk track. You can also select the BUS L and BUS R signals as inputs or the built-in stereo AES or S/PDIF inputs, DIN L and DIN R.

Press the appropriate TRACK REC keys to record data to the hard disk tracks. For Analog inputs, you need to set the recording levels with the GAIN controls. Then press the Play and REC keys to record.

Output

On playback, the signal from the hard disk tracks passes through the CHANNEL ON keys 1 to 16 and into the TRACK MIX section of the mixer. In addition, the signal is sent to the individual ANALOG OUTPUT channels 1 to 16. Unlike the inputs, these output channels are fixed to the corresponding hard disk tracks.

TRACK MIX

In the TRACK MIX section, the signal passes through the equalizer (if the optional digital EQ board is installed), channel level, pan, and effects send. It is then sent to the MASTER LEVEL where it is output in digital through the DIGITAL I/O - MASTER OUT or converted to analog and then to the MASTER L/R or PHONES outputs. The signal is also sent to the SEND and BUS channels. On the SEND channels, it is converted to analog and sent to the SEND 1/L-2/R outputs. It only appears on the BUS channels if the BUS ON switch is selected.

Using the BUS channels allows you to carry out a digital bounce-down recording (ping-pong) inside the DR16pro with very little deterioration in tonal quality.

Page 4

Level Diagram

–dB 50

METER

-10

+200+10

-50

-20

-40

-30

-70

-60

GAIN SW GAIN VR ADC

TRACK

ON/OFFREC/PLAY

(OPTION) LEVEL PAN

MASTER

LEVEL METERMETERMETER DAC OUT L/R

MASTER L/R

OUTPUT

SW L CLIP

SW L VR MIN

SW M CLIP

SW M VR MIN

SW L VR MAX

SW H CLIP

SW H VR MIN

SW M VR MAX

SW H VR MAX

SOLO

CLIP

VR 9 O'CLOCK

LEVEL-127

LEVEL-104

(DEFAULT)

PAN

L63,R63

PAN-MID

(DEFAULT)

LEVEL-104

(DEFAULT)

SEND 1,2 OUT

INDIVIDUAL

OUTS

H CLIP LEVEL

L CLIP LEVEL

(SAME H/L LEVEL

SEND 1,2

INDIVIDUAL OUTS)

LEVEL-127

Introduction

Page 5

Introduction

Inside the DR16pro

Multi-Channel Digital Input

Optional ADAT or AES/EBU

Multi-Channel Digital Output Optional ADAT or AES/EBU

IB-802T SMTPE READER/GENERATOR IB-805R RS422 INTERFACE IB-803M MIDI INTERFACE IB-808G GPIO PARALLEL INTERFACE IB-1616A Alesis™ ADA T INTERFACE IB-D16MA24 AES/EBU INTERFACE

RE32

MULTITRACK REMOTE CONTROLLER

INPSTOLOC

Page 6

HARD DISK RECORDER

IN OUT EDIT AUTO PUNCH REPEAT

9-16

REHEARSAL

TRACK REC/INPUT SELECT

CHANNEL ON

DIGI

D IN

FINE JOG ON

ESCAPE

STORE/ENT

PREROLL

TIME

:/STACK

SYNC VARI

SPEED

SYNC

SONG BEAT

TIME D TEMPO

RESET ABS/REL LOCATE

JOG SHUTTLE

UNDO

<<MEMO>>

TIME

OVER FROM

TIME

ZERO

RETURN

REC

IN ->

OUT

COPY

MOVE

FROM

METER

POWER

OFF

LEVEL

MIN MAX

PHONES

SNAPSHOT

MAP

SOLO

MIX

MIXER

SUB-MENU

TAKE5

COMMIT

TAKE4TAKE3

DISCARD

TAKE2TAKE1

RESERVED

12345678

GAIN

123

789

LAST

0/-

SET UPDIGIDISK

UTILITY

456

FOOT SW

123456789

MASTERL BUS R1 SEND 2

50 –dB

0614

–dB 50

1/9

ABS

REL

S-M

SONG

EDIT MIX

BUSY

1 2 3 4 5 6 7 8 9

OFFSET

2/10 3/11 4/12 5/13 6/14 7/15

8/16

1/9

2/10 3/11 4/12

10 11 12 13 14 15

10 11 12 13 14 15 16

5/13 6/14 7/15

8/16

Front and Rear Panels

Front Panel

1: Front and Rear Panels

Page 7

1: Front and Rear Panels

1



2



ABS REL

S-M

SONG

EDIT MIX

BUSY

HARD D

1 2 3

OFFSET

POWER

OFF

34

METER



–dB 50

123456789

1/9

DIGI

D IN

MASTERL BUS R1 SEND 2

10 11 12 13 14 15

TRACK REC/INPUT SELECT

2/10 3/11 4/12

2/10 3/11 4/12 5/13 6/14 7/15

5/13 6/14 7/15

CHANNEL ON

5



50 –dB

8/16

6

COPY MOVE

FROM



RESET ABS/REL

ZERO

RETURN

1) POWER switch

The rocker part of the power switch is recessed in the ON position to prevent accidental

power off.

2) Peak Level meters

These 20-segment FLD (Fluorescent Light Display) bargraphs with peak hold indicate the

playback and source levels. There are sixteen track level indicators that also indicate the

send, bus routing, and stereo master levels. The bargraphs are used to display channel pa-

rameter settings when the DR16pro is in Mix Mode.

Note: These meters are after the A/D converters in the signal path. Therefore when the amber 0 dB (Peak) FLD segment lights, it indicates digital distortion. You should adjust the levels so this never occurs.

3) METER key

This key toggles the level meter indicator between channel and master. Normally, the level

meter shows the level of each track. Pressing the METER key changes tracks 11-16 indica-

tors to send, bus, and master level indicators.

4) DIGI(D IN) key

This key selects digital inputs for input channels 1 – 8 from the optional ADAT or AES/EBU

digital audio interface. (Select the XLR or the RCA/phono connectors with the DIGI(D IN) sub-

menu function.) See “Digital Inputs” on page 33.

This key is also used for selecting either the XLR or RCA connector (DIN-L / DIN-R).

5) CHANNEL ON keys 1/9 ~ 8/16

These keys allow you to select channels for monitoring. See “Track Number Limitations” on

page 42. When you are using the Mix Mode, these keys select the channel you want to edit.

Also see “Selecting Mix Mode” on page 61.

6) TRACK REC(INPUT SELECT) keys 1/9 ~ 8/16

These keys are used to arm tracks for recording (“Arming Tracks” on page 38) or to select

auxiliary inputs (“Setting an Auxiliary Input” on page 64.) A flashing key indicates that a track

is armed for recording, and a lit key indicates recording in progress. Assign the input channel

for each track using the TRACK REC (INPUT SELECT) sub-menu function (“Selecting the

Input Channels” on page 35).

Page 8

1: Front and Rear Panels

10 11 12 13 14 15 16

OVER FROM

TIME

UNDO

IN -> OUT

<<MEMO>>

REC

JOG SHUTTLE

FINE JOG ON

789

456

UTILITY

123

SET UPDIGIDISK

ESCAPE

STORE/ENT

LAST

0/-

PREROLL

TIME

:/STACK

50 –dB

8/16

789

HARD DISK RECORDER

ABS REL

S-M

SONG

EDIT MIX

BUSY

1 2 3 4 5 6 7 8 9

RESET ABS/REL LOCATE

OFFSET

COPY MOVE

FROM

ZERO

RETURN

TIME



7) RESET key

This key is used to reset the relative time to zero. If it is pressed while an absolute time is

displayed, relative time will be selected automatically, just like pressing the ABS/REL key.

8) ABS/REL(OFFSET) key

This key switches the display between absolute time and relative time. Absolute time starts at

zero, cannot be changed, and works as the base time for relative time. When synchronizing

using SMPTE timecode, the relative mode can be used to set synchronization offsets.

Set the offset for relative time with the ABS/REL(OFFSET) sub-menu function.

9) Time and Status display

This custom FLD (Fluorescent Light Display) shows recording time information and mes-

sages indicating the system status.

The top row of nine 7-segment digits display time, either absolute or relative. It may also be

switched to show bars, beats, and clocks.

The bottom row of 14-segment digits display status, sub-menu, and error messages. Also in

this display, the current mode is displayed.

The “BUSY” indicator at the bottom of the display shows hard disk activity . Beside it, a row of

small dots show activity for each of the 16 tracks and indicate that data exists on the track at

the current position.

10) LOCATE key

This key is used to enter locate time values. See “Locate Functions” on page 77 and “Speci-

fying the “in” Point and “out” Point” on page 26.

Page 9

1: Front and Rear Panels

11 12 13 14 15 16

JOG SHUTTLE

FINE JOG ON

789

456

UTILITY

123

SET UPDIGIDISK

ESCAPE

STORE/ENT

LAST

0/-

PREROLL

TIME

:/STACK

50 –dB

8/16

HARD DISK RECORDER

ABS REL

S-M

SONG

EDIT MIX

BUSY

1 2 3 4 5 6 7 8 9

RESET ABS/REL LOCATE

OFFSET

COPY MOVE

FROM

ZERO

RETURN

TIME

10 11 12 13 14 15 16

OVER FROM

TIME

UNDO

IN -> OUT

<<MEMO>>

REC

11) UNDO key

This key allows you to undo the last recording or edit. This is useful if you make a mistake

while recording and want to return to the previous recording. Likewise, when editing you can

compare the material before and after an edit. See “Recording Undo” on page 44 and “Undo-

ing an Edit” on page 85.

12) JOG/SHUTTLE control

The inner JOG wheel allows you to locate while listening to a recording. Playback speed is

determined by how fast you turn the wheel. Turn it counterclockwise to review and clockwise

to preview. The ef fect is similar to reel-rocking on an analog tape recorder — you can use it to

identify edit points precisely. In certain modes such as MIX, SONG and SUB-MENU, this

wheel is also used for data entry. Turn it counterclockwise to decrease values and clockwise

to increase them.

Like the JOG wheel, the outer SHUTTLE control also allows you to locate while listening to a

recording. The playback speed is determined by the angle at which you hold the control. Turn

it counterclockwise to review and clockwise to preview. The SHUTTLE control is also used to

move the cursor (input point) when setting certain parameter values. See “Cursor” on page

25.

13) FINE key

This key allows you to increase the resolution of the jog wheel for more precise selection of

time location points.

14) JOG ON key

This key allows you to switch the JOG/SHUTTLE control on and off. When the LED is lit, the

JOG/SHUTTLE control can be used to locate while listening to a recording. Otherwise, the

JOG/SHUTTLE control cannot be used to locate.

15) ESCAPE key

This key can be used to escape from the current edit or sub-menu function.

16) STORE/ENT key

This key is used when entering and storing time values, executing edit functions, etc.

Page 10

1: Front and Rear Panels

JOG SHUTTLE

FINE JOG ON

789

456

UTILITY

123

SET UPDIGIDISK

ESCAPE

STORE/ENT

LAST

0/-

PREROLL

TIME

:/STACK

50 –dB

8/16

HARD DISK RECORDER

ABS REL

S-M

SONG

EDIT MIX

BUSY

1 2 3 4 5 6 7 8 9

RESET ABS/REL LOCATE

OFFSET

COPY

MOVE

FROM

ZERO

RETURN

TIME

10 11 12 13 14 15 16

OVER FROM

TIME

UNDO

IN -> OUT

<<MEMO>>

REC

17 18 19 20

17) Numeric keypad - 1(DISK), 2(DIGI), 3(SET UP), 4(UTILITY), 5, 6, 7, 8, 9

These keys are used to store and recall direct locate points, enter time values, and set param-

eter values.

You can perform a variety of operations on the hard disk with the 1(DISK) sub-menu func-

tions.

Set the sampling frequency and other related functions with the 2(DIGI) sub-menu functions.

Adjust the display brightness, drop the sub-frame notation, and assign MIDI controller num-

bers with the 3(SET UP) sub-menu functions. See “System Set up” on page 134.

The 4(UTILITY) sub-menu functions are used for loading, saving or creating projects.

18) :/ST ACK key

This key is used to enter and recall the 100 stack locate points (00-99). It is also used as a

shortcut during locate data entry. See “Stack Locate Points” on page 79.

19) PREROLL(TIME) key

This key is used to switch on the preroll function. Preroll allows you to locate to a point a few

seconds before a specified point, for example, to provide a count-in to an overdub. See “Preroll”

on page 81.

The preroll value is set using the PREROLL(TIME) sub menu function.

20) LAST 0/– key

This key is used to locate to the last two points at which the stop key was pressed. Press the

key once to locate to the last point at which the stop key was pressed. Press again to locate to

the previous point. See “Last Memory” on page 80.

This key is also used for entering time and parameter values, and entering negative values.

Page 11

1: Front and Rear Panels

JOG SHUTTLE

FINE JOG ON

789

456

UTILITY

123

SET UPDIGIDISK

ESCAPE

STORE/ENT

LAST

0/-

PREROLL

TIME

:/STACK

50 –dB

8/16

HARD DISK RECORDER

ABS REL

S-M

SONG

EDIT MIX

BUSY

1 2 3 4 5 6 7 8 9

RESET ABS/REL LOCATE

OFFSET

COPY

MOVE

FROM

ZERO

RETURN

TIME

10 11 12 13 14 15 16

OVER FROM

TIME

UNDO

IN -> OUT

<<MEMO>>

REC

21 22 23 24 25 26

21) Rewind key

This key is like the rewind key found on most conventional tape recorders. In stop mode, it

activates time display fast rewind.

22) Fast Forward key

This key is like the fast forward key found on most conventional tape recorders. In stop mode,

it activates time display fast forward.

23) TO(TIME) key

This key will start playback at a specified number of seconds before the current position, i.e.,

the currently displayed time. The default is one second. Playback will stop when the current

position is reached. The number of seconds can be specified in the TO(TIME) sub-menu

function.

24) OVER key

This key will start playback at a specified number of seconds before the current position.

Playback will stop the same number of seconds beyond the current point. The default is one

second before and one second after the current point. The number of seconds are specified

with the TO(TIME) and FROM(TIME) sub-menu functions.

25) FROM(TIME) key

This key will start playback at the current position. Playback will stop a specified number of

seconds beyond the current point. The default is one second. The number of seconds can be

specified in the FROM(TIME) sub-menu function.

26) IN->OUT(<<MEMO>>) key

This key will start playback from the current “in” point to the current “out” point. You set these

points with “IN key”“OUT key” on page 16. After playback, the DR16pro returns to the original

time. You can save up to nine specific “in” and “out” points with the IN->OUT(<<MEMO>>)

sub-menu function. See “Using the <<MEMO>> function” on page 27.

Page 12

1: Front and Rear Panels

JOG SHUTTLE

FINE JOG ON

789

456

UTILITY

123

SET UPDIGIDISK

ESCAPE

STORE/ENT

LAST

0/-

PREROLL

TIME

:/STACK

50 –dB

8/16

HARD DISK RECORDER

ABS REL

S-M

SONG

EDIT MIX

BUSY

1 2 3 4 5 6 7 8 9

RESET ABS/REL LOCATE

OFFSET

COPY MOVE

FROM

ZERO

RETURN

TIME

10 11 12 13 14 15 16

OVER FROM

TIME

UNDO

IN -> OUT

<<MEMO>>

REC

27 28 29 30

27) ZERO RETURN key

In absolute mode, this key will locate to the absolute 00:00:00:00:0 point.

In relative mode, it will locate to the relative 00:00:00:00:0 point.

28) Stop key

This key is used to stop playback, recording, fast forward, and rewind.

When Stop is pressed, the last two stop points are stored in memory . You can use the LAST

0/- key to switch between the last two stop points.

29) Play key

This key is used to start playback. Pressing this key while holding down the REC key will start

recording.

30) REC key

This key (in combination with the Play key) is used to start recording. It flashes when the

DR16pro is in record-ready mode (TRACK REC keys have been selected) and lights up while

recording is in progress.

Page 13

1: Front and Rear Panels

31 33 34 35 36 37

8/16

COPY MOVE

FROM

ZERO

RETURN

IN OUT

RESERVED

TAKE2TAKE1

LEVEL

MIN MAX

PHONES

CHANNEL ON

DIGI

1/9

2/10 3/11 4/12 5/13 6/14 7/15

D IN

9-16

REHEARSAL

12345678

MIX

MIXER

SOLO

GAIN

SNAPSHOT

MAP

SUB-MENU

31) Phones LEVEL

This control adjusts the headphone volume level.

32) PHONES connection

A stereo pair of headphones can be connected to this 1/4 inch stereo phone jack.

33) 9 ~ 16 key

This key toggles the TRACK REC keys and the CHANNEL ON keys between selecting tracks

or channels 1~8 and 9~16.

34) REHEARSAL key

This key turns the rehearsal function on and off. Rehearsal allows you to practice punch-ins

and -outs. During a rehearsal, the monitor will switch to source at the punch-in point, but

nothing will be recorded. See “Rehearsal” on page 43.

35) MIX(MIXER) key

This key allows you to configure the mixer — set the level, pan and auxiliary send levels for

each channel. See “Mixer” on page 60.

Set global mixer parameters such as the master level, auxiliary send types, and metering

parameters with the MIX(MIXER) sub-menu function. See “System Settings” on page 65.

36) SOLO key

This key allows you to isolate individual channels. Pressing one of the CHANNEL ON keys

will switch off all other tracks, so that you may listen to the selected track in isolation. You can

select more than one track at a time. See “Solo Function” on page 71.

37) SNAPSHOT(MAP) key

This key allows you to store a mix as a ‘snapshot’. Once stored, this key is used to recall

snapshot mixes. See “Snapshot Settings” on page 68.

Page 14

1: Front and Rear Panels

8/16

COPY MOVE

FROM

ZERO

RETURN

IN OUT

RESERVED

TAKE2TAKE1

LEVEL

MIN MAX

PHONES

CHANNEL ON

DIGI

1/9

2/10 3/11 4/12 5/13 6/14 7/15

D IN

9-16

REHEARSAL

12345678

MIX

MIXER

SOLO

GAIN

SNAPSHOT

MAP

SUB-MENU

38) SUB-MENU key

This key is used to select sub-menu functions. Many of the keys have sub-menu functions

(indicated in amber, usually beneath the key).

To select a sub-menu function, press the SUB-MENU key (the indicator in the key will flash

and the text “SUB-MENU” will appear on the display), then press the desired key. While the

DR16pro is in Sub-Menu mode, the amber “S-M” indicator will be lit on the display.

39) GAIN controls

These controls allow you to set the level of the eight analog inputs on the rear panel.

Note: The settings of these controls are not stored as part of a mixer snapshot. See “Storing a Snapshot” on page 68.

Page 15

1: Front and Rear Panels

40 41 42 43 44

COPY MOVE

8/16

7/15

FROM

ZERO

RETURN

TIME

OVER FROM

TIME

IN -> OUT

<<MEMO>>

REC

456

UTILITY

123

SET UPDIGIDISK

PREROLL

TIME

:/STACK

SUB-MENU

IN OUT EDIT AUTO PUNCH REPEAT

TAKE4TAKE3

RESERVED

TAKE2TAKE1

DISCARD

TAKE5

COMMIT

SYNC VARI

SYNC

SONG BEAT

TIME D TEMPO

SPEED

FOOT SW

45 46 47 48

40) IN key

This key sets the DR16pro to the “in” point. To store an “in” point, first press the STORE/ENT

key (this marks the time) and then press the IN key.

41) OUT key

This key sets the DR16pro to the “out” point. To store an “out” point, first press the STORE/

ENT key and then press the OUT key.

42) EDIT key

This key is used to select the edit functions. See “Editing” on page 84.

43) AUTO PUNCH key

This key is used to automatically control recording punch-in and punch-out. See “Auto Punch-

In/Out” on page 41.

44) REPEAT key

This key is used to repeat playback. When this key is on, the part between the “in” point and

the “out” point will be played back repeatedly. See “Repeat” on page 52.

45) RESERVED key

This key assigns a recording or edit to one of the TAKE keys.

46) TAKE1 to TAKE5 keys

These keys are used to keep the last 5 recordings. See “Take Functions” on page 73.

47) DISCARD key

This key allows you to delete the contents of one of the TAKE keys.

48) COMMIT key

This key saves the “perfect” take to the hard disk tracks.

Page 16

1: Front and Rear Panels

COPY

MOVE

8/16

7/15

SUB-MENU

FROM

OVER FROM

TIME

ZERO

RETURN

IN OUT EDIT AUTO PUNCH REPEAT

TAKE2TAKE1

RESERVED

DISCARD

TIME

TAKE4TAKE3

IN -> OUT

<<MEMO>>

REC

TAKE5

COMMIT

456

UTILITY

123

SYNC VARI

SYNC

SONG BEAT

TIME D TEMPO

SPEED

PREROLL

TIME

:/STACK

SET UPDIGIDISK

FOOT SW

51 52 53 5554

49) SYNC(SYNC) key

This key is used to activate synchronization with an external device. The optional IB-802T

SMPTE reader/generator board is required for SMPTE synchronized operation; the optional

IB-803M MIDI interface board is required for MIDI operation; the optional IB-805R RS422

interface board is required for RS422 operation.

Select the type of external device to sync to with the SYNC(SYNC) sub-menu function. See

“SMPTE/EBU Synchronization” on page 118 and “MIDI Synchronization” on page 121.

50) VARI(SPEED) key

This key switches on the varispeed function for playback. See “Varispeed” on page 53.

The amount of varispeed is set using the VARI(SPEED) sub-menu function.

51) SONG key

This key switches the display to BBC mode: Bar, Beat, Clock. This mode is mainly used when

the DR16pro is synchronized to a MIDI Clock (MTC) signal with the optional IB-803M MIDI

interface board. See “Song Mode” on page 127.

52) TIME D key

This key is used to switch to normal time display (hours, minutes, seconds, frames) when the

DR16pro is in BBC mode.

53) TEMPO key

This key is used to set the tempo when the DR16pro is in BBC mode.

You may also use this key to input tempo changes. When an external sequencer is slaved to

the DR16pro, it will be able to follow tempo changes.

54) BEAT key

This key is used to set the time signature when the DR16pro is in BBC mode.

55) FOOT SW connection

A normally closed type footswitch can be connected here for punch-in and punch-out opera-

tion.

Page 17

1: Front and Rear Panels

LOW HIGH

MASTER

HIGH LOW

GAIN MID

HIGH LOW

GAIN MID

HIGH LOW

GAIN MID

HIGH LOW

GAIN MID

LOW HIGH

MASTER

SEND

LOW HIGH

OFF

SCSI-B ID

NC T 4 2 1

O/OFF

I/ON

MASTER

SLAVE

SCSI-A

SIGNAL

GND

LOW HIGH

MASTER

DIGITAL I/O L/R

MODEL NUMBER DR16

pro

AKAI ELECTRIC CO., LTD.

MADE IN JAPAN

LOW HIGH

MASTER

ANALOG INPUT

MASTER OUT

PUSH

AKAI NET

SYNC

IN/OUT

TERM

EXPANSION

OFF

TERM

LOW HIGH

ANALOG OUTPUT

910

LOW HIGH

11 12

LOW HIGH

AKAI ELECTRIC CO., LTD.AKAI ELECTRIC CO., LTD. MADE IN JAPAN

SERIAL NUMBER

79504-00005

13 14

15 16

Rear Panel

Page 18

1: Front and Rear Panels

1 2 3 4

SCSI-A

DIGITAL I/O L/R

PUSH

MASTER OUT

1) Option slots

These slots are for installing the following optional interface cards:

• IB-802T SMPTE reader/generator board

• IB-803M MIDI (IN/OUT/THRU) interface board

• IB-805R RS422 interface board

• IB-808G GPIO parallel interface board

• IB-1616A Alesis ADAT interface board / IB-D16MA 8-in/16-out AES/EBU interface board

2) SCSI-A connection

For increased recording time, up to six external SCSI hard disks can be connected to this

connection (up to seven if the DR16pro contains no internal hard disk). See “Hard Disks” on

page 96.

3) DIGITAL I/O - IN connectors

These XLR and RCA/phono connectors are used to input AES/EBU and S/PDIF format digital

signals respectively. The active input connector is selected using the DIGI(D IN) key sub-

menu function. See “Digital Inputs” on page 33.

The stereo digital input signals from these connectors, DINL and DINR, can be selected from

SUB-MENU/INPUT SELECT as record sources for any track.

4) DIGITAL I/O - MASTER OUT connectors

These XLR and RCA/phono connectors are used to output AES/EBU and S/PDIF format

digital signals. The format of the digital output signal is set to Type I or Type II digital audio

outputs using the 2(DIGI) sub-menu function. See “Digital Outputs” on page 47.

The digital outputs are a digital duplication of the analog signal appearing at the OUTPUT -

MASTER OUT jacks. These may be connected to any stereo digital audio recorder , such as a

DAT machine, to perform a completely digital mixdown.

Page 19

1: Front and Rear Panels

MASTER OUT

AKAI NET

TERM

OFF

EXPANSION

TERM

OFF

SYNC

IN/OUT

MASTER

SLAVE

SCSI-B ID

NC T 4 2 1

O/OFF I/ON

5 76 8 9

5) AKAINET connection and TERMINATOR switch

This BNC connector is used to connect the DR16pro to other DR16pros or to remote control-

lers such as the RE32. Multiple units can be connected together by chaining the AKAINET

BNC connectors using standard Ethernet BNC cables and ‘T’ pieces. It is essential that the

first and last units in the chain are terminated either by switching the TERM switch to the ON

position or by using an external 50 ohm terminator.

Note:

The AKAINET interface used in the DR16pro is 10-Base-2 Ethernet. There are certain rules that must be adhered to when setting up the system to ensure reliable operation:

• All cables must be 50 ohm impedance

• There should be a maximum of 185m of cable in the system between the first and last nodes.

• There should be at least 0.5m of cable between each node

6) EXPANSION socket

For connection to the Akai MT8 Mix Tab or RC15 remote control.

7) TERM switch

This switch selects 75Ω termination for the SYNC connection. When a video signal is connected, this switch must be set to ON.

8) SYNC connection

This BNC connector is used to connect the DR16pro to an external digital clock source, a composite color video signal, or a black burst signal. Use the 2(DIGI) sub-menu function to select wordclock or a variety of video sync options.

9) SCSI-B ID switches

This has no function with this version of software.

Page 20

10 11

1: Front and Rear Panels

GAIN MID

HIGH LOW

LOW HIGH

910

LOW HIGH

HIGH LOW

LOW HIGH

11 12

LOW HIGH

GAIN MID

ANALOG INPUT

ANALOG OUTPUT

HIGH LOW

LOW HIGH

13 14

LOW HIGH

GAIN MID

SEND

GAIN MID

HIGH LOW

LOW HIGH

MASTER

15 16

LOW HIGH

12 13 13 14 15 13

10) ANALOG INPUT (1 ~ 8) connectors

These 1/4 inch stereo phone jacks are used to input analog signals to the DR16pro. They accept balanced and unbalanced signals: Tip = hot, ring = cold, sleeve = ground. Unlike conventional multi-track recorders, the eight inputs are not ‘hardwired’ to their corresponding tracks but can be assigned to any track you like.

11) Input gain switches

These switches allow you to set the DR16pro input gain. They can be set to LOW (0 dB), MID (+20 dB), or HIGH (+40 dB). Input gain switches are provided for each pair of channels: channels 1/2, channels 3/4, channels 5/6, and channels 7/8.

12) ANALOG OUTPUT (1 ~ 12) connectors

These 1/4 inch stereo phone jacks are used to output analog signals from the DR16pro. They can be used balanced or unbalanced: Tip = hot, ring = cold, sleeve = ground.You set the output gain for these connectors with the level switch (13). They can be set to LOW (-10 dBu) or HIGH (+4 dBu).

13) Output level switches

These switches allow you to set the DR16pro output level. They can be set to LOW (-10 dBu) or HIGH (+4 dBu). Output level switches are provided for each pair of channels: channels 1/ 2, channels 3/4, channels 5/6, channels 7/8, channels 9/10, channels 1 1/12, channels 13/14, and channels 15/16.

14) ANALOG OUTPUT 13, 14 - SEND 1/2 connectors

These 1/4 inch stereo phone jacks carry the individual analog tracks 13 and 14 or the two effects or auxiliary sends in MIX mode. They can be used balanced or unbalanced: T ip = hot, ring = cold, sleeve = ground. Y ou set the output gain for these connectors with the level switch (13). They can be set to LOW (-10 dBu) or HIGH (+4 dBu).

15) ANALOG OUTPUT 15, 16 - MASTER L/R connectors

These 1/4 inch stereo phone jacks are used to output the individual analog tracks 15 and 16 or an analog stereo mix of the 16 tracks in MIX mode. This is an analog duplication of the digital signal appearing at the DIGITAL I/O - MASTER OUT output jacks. They can be used balanced or unbalanced: Tip = hot, ring = cold, sleeve = ground. You set the output level for these connectors with the level switch (13). They can be set to LOW (-10 dBu) or HIGH (+4 dBu).

Page 21

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