Yamaha 007POTO-G0, WH39070 User Manual

LS9-16/LS9-32

Owner’s Manual

EN

	FCC INFORMATION (U.S.A.)
	1. IMPORTANT NOTICE: DO NOT MODIFY THIS	regulations does not guarantee that interference will not
	UNIT!	occur in all installations. If this product is found to be the
	This product, when installed as indicated in the instructions	source of interference, which can be determined by turning
	contained in this manual, meets FCC requirements. Modifi-	the unit “OFF” and “ON”, please try to eliminate the problem
	cations not expressly approved by Yamaha may void your	by using one of the following measures:
	authority, granted by the FCC, to use the product.	Relocate either this product or the device that is being
	2. IMPORTANT: When connecting this product to accesso-	affected by the interference.
	ries and/or another product use only high quality shielded	Utilize power outlets that are on different branch (circuit
	cables. Cable/s supplied with this product MUST be used.	breaker or fuse) circuits or install AC line filter/s.
	Follow all installation instructions. Failure to follow instruc-	In the case of radio or TV interference, relocate/reorient the
	tions could void your FCC authorization to use this product	antenna. If the antenna lead-in is 300 ohm ribbon lead,
	in the USA.	change the lead-in to co-axial type cable.
	3. NOTE: This product has been tested and found to comply	If these corrective measures do not produce satisfactory
	with the requirements listed in FCC Regulations, Part 15 for	results, please contact the local retailer authorized to dis-
	Class “B” digital devices. Compliance with these require-	tribute this type of product. If you can not locate the appro-
	ments provides a reasonable level of assurance that your	priate retailer, please contact Yamaha Corporation of
	use of this product in a residential environment will not	America, Electronic Service Division, 6600 Orangethorpe
	result in harmful interference with other electronic devices.	Ave, Buena Park, CA90620
	This equipment generates/uses radio frequencies and, if	The above statements apply ONLY to those products dis-
	not installed and used according to the instructions found in
		tributed by Yamaha Corporation of America or its subsidiar-
	the users manual, may cause interference harmful to the
		ies.
	operation of other electronic devices. Compliance with FCC
	* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.	(class B)

COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park,

Calif. 90620

Telephone : [phone]

Type of Equipment : DIGITAL MIXING CONSOLE

Model Name : LS9-16, LS9-32

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

1)this device may not cause harmful interference, and

2)this device must accept any interference received including interference that may cause undesired operation.

See user manual instructions if interference to radio reception is suspected.

* This applies only to products distributed by	(FCC DoC)
YAMAHA CORPORATION OF AMERICA.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

GREEN-AND-YELLOW : EARTH

BLUE	: NEUTRAL
BROWN	: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN-and-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

• This applies only to products distributed by	(3 wires)
Yamaha-Kemble Music (U.K.) Ltd.

This product contains a battery that contains perchlorate material. Perchlorate Material—special handling may apply,

See www.dtsc.ca.gov/hazardouswaste/perchlorate.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(Perchlorate)

This product contains a high intensity lamp that contains a small amount of mercury. Disposal of this material may be regulated due to environmental considerations. For disposal information in the United States, refer to the Electronic Industries Alliance web site: www.eiae.org

* This applies only to products distributed by	(mercury)
YAMAHA CORPORATION OF AMERICA.

2 LS9-16/32 Owner’s Manual

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The above warning is located on the rear or side of the unit.

Explanation of Graphical Symbols

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1Read these instructions.

2Keep these instructions.

3Heed all warnings.

4Follow all instructions.

5Do not use this apparatus near water.

6Clean only with dry cloth.

7Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11Only use attachments/accessories specified by the manufacturer.

12Use only with the cart, stand, tripod, bracket, or table

specified by the manufacturer, or sold with the apparatus.When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13Unplug this apparatus during lightning storms or when unused for long periods of time.

14Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

(98-6500)

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.

NEDERLAND / THE NETHERLANDS

•Dit apparaat bevat een lithium batterij voor geheugen back-up.

•This apparatus contains a lithium battery for memory back-up.

•Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur of gelieve dan contact op te nemen met de vertegenwoordiging van Yamaha in uw land.

•For the removal of the battery at the moment of the disposal at the end of life please consult your retailer or Yamaha representative office in your country.

•Gooi de batterij niet weg, maar lever hem in als KCA.

•Do not throw away the battery. Instead, hand it in as small chemical waste.

(lithium caution)

(lithium disposal)

LS9-16/32 Owner’s Manual 3

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

Power supply/Power cord

•Only use the voltage specified as correct for the device. The required voltage is printed on the name plate of the device.

•Use only the included power cord.

If you intend to use the device in an area other than in the one you purchased, the included power cord may not be compatible. Please check with your Yamaha dealer.

•Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

•Be sure to connect to an appropriate outlet with a protective grounding connection. Improper grounding can result in electrical shock.

Do not open

•Do not open the device or attempt to disassemble the internal parts or modify them in any way. The device contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.

Water warning

•Do not expose the device to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.

•Never insert or remove an electric plug with wet hands.

If you notice any abnormality

•If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the device, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel.

•If this device should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following:

Power supply/Power cord

•Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms.

•When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.

Location

•When transporting or moving the device, do not hold the display. Improper transportation can result in injury or damage to the device itself.

•Before moving the device, remove all connected cables.

•When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.

•Avoid setting all equalizer controls and faders to their maximum. Depending on the condition of the connected devices, doing so may cause feedback and may damage the speakers.

•Do not expose the device to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.

•Do not place the device in an unstable position where it might accidentally fall over.

•Do not block the vents. This device has ventilation holes at the top and rear to prevent the internal temperature from becoming too high. In particular, do not place the device on its side or upside down. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire.

•Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Doing so may result in noise, both in the device itself and in the TV or radio next to it.

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4 LS9-16/32 Owner’s Manual

Connections

•Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum.

•Be sure to connect to a properly grounded power source. A ground screw is provided on the rear panel of this device for maximum safety and shock prevention. If the mains outlet is not grounded, be sure to connect the ground screw to a confirmed ground point before plugging the device into the mains. Improper grounding can result in electrical shock.

Backup battery

•This device has a built-in backup battery. When you unplug the power cord from the AC outlet, the current scene data and library data is retained. However, if the backup battery fully discharges, this data will be lost. When the backup battery is running low, the LCD display indicates “Low Battery!” when you starting up the system (the Battery field also indicates “LOW” or “NO” in the MISC SETUP screen.) In this case, immediately save the data to a USB memory, then have qualified Yamaha service personnel replace the backup battery.

Handling caution

•When turning on the AC power in your audio system, always turn on the power amplifier LAST, to avoid speaker damage. When turning the power off, the power amplifier should be turned off FIRST for the same reason.

•Do not insert your fingers or hands in any gaps or openings on the device (vents, etc.).

•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device (vents, etc.) If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel.

•Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause problems with electrical contact or fader motion.

•Do not use the device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

•Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors.

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).

Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.

Always turn the power off when the device is not in use.

The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualifi ed Yamaha service personnel about replacing defective components.

(5)-4 2/2

LS9-16/32 Owner’s Manual 5

Contents

1.	Introduction	9
Thank you ...................................................................		9
An overview of the LS9 ..............................................		9
Differences between the LS9-16 and LS9-32 .........		11
	Number of INPUT channels.................................	11
	Rear panel ...........................................................	11
	Top panel.............................................................	12
	Other....................................................................	13
The LS9’s channel structure ...................................		13
About the MIX bus types (VARI / FIXED) ................		14
About word clock .....................................................		14
Conventions in this manual.....................................		14
About the firmware version .....................................		14
2. Parts and their function		15
Top panel...................................................................		15
Rear panel .................................................................		23
Front panel ................................................................		26
3. Basic operations on the LS9		27
Basic operations in the top panel ...........................		27
	About the [HOME] key .........................................	27
	Selecting the fader layer ......................................	27
	Using the SELECTED CHANNEL section ...........	29
	Selecting functions ..............................................	29
Viewing the display ..................................................		30
	Constant display area ..........................................	30
	Main area.............................................................	31
	The on-screen user interface...............................	32
Assigning a name.....................................................		34
Using the tool buttons .............................................		35
	About the tool buttons..........................................	35
	Using libraries ......................................................	35
	Initializing settings ...............................................	38
	Copying and pasting settings ..............................	39
	Comparing two sets of settings ...........................	39
4.	Connections and setup	41
Connections..............................................................		41
Installing an option card ..........................................		44
Setup required when starting up ............................		45
	Returning the current scene to the initial state ....	45
	Word clock connection and settings ....................	46
	HA (head amp) settings .......................................	47
	Sending an input channel signal
	to the STEREO bus..........................................	50

5. Input channel operations	53
Signal flow for input channels.................................	53
Specifying the channel name / icon ........................	55
HA (head amp) settings............................................	57
Sending the signal from
an input channel to the STEREO/MONO bus......	58
Sending the signal from
an input channel to a MIX bus..............................	62
Using the SELECTED CHANNEL section ...........	62
Using a popup window .........................................	64
Using the faders (SENDS ON FADER mode) .....	65
6. Output channel operations	67
Signal flow for output channels ..............................	67
Specifying the channel name / icon ........................	69
Sending signals from MIX channels
to the STEREO/MONO bus ...................................	71
Sending signals from MIX channels
and STEREO/MONO channels
to MATRIX buses...................................................	75
Using the SELECTED CHANNEL section ...........	75
Using a popup window .........................................	77
Using the faders (SENDS ON FADER mode) .....	78
7. Operations in
the SELECTED CHANNEL section	81
About the SELECTED CHANNEL section...............	81
About the SELECTED CH VIEW screen ..................	82
Operations in the SELECTED CHANNEL section ..83
8. Custom fader layer	91
About the custom fader layer ..................................	91
Assigning channels to the custom fader layer ......	92
9. Input/output patching	95
Changing the output patching.................................	95
Changing the input patching ...................................	99
Inserting an external device into a channel .........	101
Directly outputting an INPUT channel ..................	103
10. USB memory recorder	105
About the USB memory recorder ..........................	105
Assigning channels to
the input/output of the recorder.........................	106
Recording to USB memory ....................................	108
Playing back audio files from USB memory ........	110
Editing the title list..................................................	112
Linking scene recall with audio file playback ......	113

6 LS9-16/32 Owner’s Manual

11. EQ and Dynamics	115
About EQ and dynamics ........................................	115
Using EQ .................................................................	115
Using dynamics ......................................................	117
Using the EQ/Dynamics libraries ..........................	120
EQ library...........................................................	120
Dynamics library ................................................	120
12. Grouping and linking	121
About mute groups ................................................	121
Using mute groups.................................................	121
Using the MUTE GROUP screen
to operate mute groups ..................................	121
Using the SELECTED CH VIEW screen
to specify mute groups ...................................	122
Using the Mute Safe function ............................	123
The Channel Link function ....................................	124
Linking the desired input channels ....................	124
Copying, moving, or initializing a channel...........	126
Copying the parameters of a channel................	126
Moving the parameters of a channel .................	127
Initializing the parameters of a channel .............	128
13. Scene memory	129
About scene memories ..........................................	129
Using scene memories ..........................................	129
Storing a scene..................................................	129
Recalling a scene ..............................................	131
Using user-defined keys to recall ......................	132
Editing scene memories ........................................	134
Sorting and renaming scene memories .............	134
Scene memory editing .......................................	136
Copying/pasting a scene ...................................	136
Clearing a scene................................................	137
Cutting a scene..................................................	138
Inserting a scene ...............................................	138
Using the Focus function ......................................	139
Using the Recall Safe function..............................	140
Using the Fade function.........................................	143
14. Monitor/Cue	145
About the monitor/cue functions ..........................	145
Using the Monitor function....................................	146
Using the Cue function ..........................................	148
About cue groups ..............................................	148
Operating the Cue function................................	149

Contents
15. Talkback / Oscillator	151
About talkback and oscillator................................	151
Using talkback ........................................................	151
Using the oscillator ................................................	153
16. Meters	155
Using the METER screen .......................................	155
17. Graphic EQ and effects	157
About the virtual rack.............................................	157
Mounting a GEQ or effect in the virtual rack ......	158
Graphic EQ operations...........................................	161
About the graphic EQ.........................................	161
Inserting a GEQ in a channel.............................	161
Using the 31 Band GEQ ....................................	163
Using the Flex15GEQ ........................................	164
About the internal effects ......................................	166
Using an internal effect via send/return .............	167
Inserting an internal effect into a channel ..........	168
Editing the internal effect parameters ................	170
Using the Tap Tempo function...........................	172
Using the Freeze effect......................................	173
Using the graphic EQ and effect libraries ............	174
GEQ library ........................................................	174
Effect library .......................................................	174
Using an external head amp ..................................	175
Remotely controlling an external head amp.......	175
18. MIDI	177
MIDI functionality on the LS9 ................................	177
Basic MIDI settings.................................................	178
Using program changes
to recall scenes and library items......................	180
Using control changes to control parameters .....	183
Using parameter changes
to control parameters .........................................	185
Using MMC (MIDI Machine Control)
to operate the USB memory recorder ...............	186
19. User settings (Security)	187
User Level settings.................................................	187
User types and user authentication keys ...........	187
Setting the Administrator password ...................	188
Creating a user authentication key ....................	188
Logging-in ..........................................................	189
Changing the password .....................................	191
Editing a user authentication key .......................	192
Changing the user level .....................................	192

LS9-16/32 Owner’s Manual 7

Contents
Preferences.............................................................	194
User-defined keys ..................................................	196
Console lock ...........................................................	197
Locking the console...........................................	197
Unlocking the console .......................................	198
Specifying the CONSOLE LOCK
screen image..................................................	198
Using USB memory to save/load data..................	199
Saving the LS9’s internal data
on USB memory.............................................	199
Loading a file from USB memory.......................	200
Editing the files saved on USB memory ............	201
Formatting USB memory media ........................	204
20. Other functions	205
About the SETUP screen .......................................	205
Word clock settings ...............................................	206
Switching a digital I/O card’s SRC on/off .............	208
Using cascade connections ..................................	209
Operations on the cascade slave LS9...............	210
Operations on the cascade master LS9 ............	212
Basic settings for MIX buses and
MATRIX buses.....................................................	213
Setting the date and time of the internal clock....	215
Setting the network address .................................	216
Specifying the brightness or
contrast of the display, LEDs, and lamps.........	217
Using the Help function .........................................	218
Loading a Help file from a USB memory ...........	218
Loading a text file from a USB memory .............	219
Assigning the Help function to
a user-defined key..........................................	219
Viewing Help......................................................	220
Initializing the LS9’s internal memory..................	222
Adjusting the faders (Calibration function) .........	223
Adjusting the input/output gain
(Calibration function)..........................................	224

Appendices		225
EQ Library List ........................................................		225
DYNAMICS Library List ..........................................		227
Dynamics Parameters ............................................		229
Effect Type List .......................................................		232
Effects Parameters .................................................		233
Effects and tempo synchronization ......................		244
Scene Memory/Effect Library
to Program Change Table...................................		245
Parameters that can be assigned
to control changes ..............................................		249
Control change parameter assignments ..............		251
NRPN parameter assignments ..............................		253
Mixing parameter operation applicability.............		256
Functions that can be assigned
to user-defined keys ...........................................		257
MIDI Data Format ....................................................		260
Warning/Error Messages .......................................		268
Troubleshooting .....................................................		270
General Specifications ...........................................		272
Input/output characteristics ..................................		273
Electrical characteristics .......................................		275
Mixer Basic Parameters .........................................		277
Pin Assignment.......................................................		278
Dimensions .............................................................		279
Attaching the RK1 rackmount kit
(sold separately)..................................................		280
MIDI Implementation Chart ....................................		281
Index ........................................................................		282
Block Diagram......................................	End of Manual
Level Diagram ......................................	End of Manual

•The illustrations and screen displays as shown in this Owner’s manual are for instructional purposes only, and may be different from the ones on your device.

•The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.

•MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.

8 LS9-16/32 Owner’s Manual

Chapter 1

Introduction

1

Introduction

Thank you

Thank you for purchasing the Yamaha LS9 digital mixing console. In order to take full advantage of the LS9’s superior functionality and enjoy years of trouble-free use, please read this manual before you begin using the product. After you have read the manual, keep it in a safe place.

An overview of the LS9

The LS9 is a digital mixing console with the following features.

■ Mixing system that packs top-class functionality into a compact size• • • • •

The LS9 is a full-digital mixing console designed for installed systems or SR applications, and in spite of its compact size, provides functionality and a channel count comparable to large-format consoles. 24-bit linear AD/DA converters are used to deliver up to 108 dB of dynamic range and amazing sound quality.

As input channels, it provides 32 (LS9-16 model) or 64 (LS9-32 model) monaural INPUT channels, and four stereo ST IN channels.

As output channels, it provides 16 MIX channels, eight MATRIX channels, a STEREO channel, and a MONO channel. L/C/R three-channel output using the STEREO/ MONO channels is also supported.

■ Analog-feeling operability• • • • • • • • • •

Simply by pressing a key, you can select the combination of channels (“fader layer”) to be operated from the top panel faders. You can operate the console while quickly switching between input channels and output channels. In addition, you can also use a custom fader layer that lets you specify any desired combination of channels. Since fader/cue operations and on/off switching for all channels can be performed from the panel, even customers using digital consoles for the first time will find operation familiar and comfortable.

The SELECTED CHANNEL section located at the right of the display lets you use the knobs to control the main parameters (gain, EQ, dynamics threshold, bus send levels, etc.) for the particular channel on which you’re focusing. This section can be operated just like a module on an analog mixer.

Mix parameter settings, including head amp gain and phantom power for input channels, can be stored and recalled as “scenes.”

All faders on the panel are motorized moving faders, so that when you recall a scene, the previous fader locations are reproduced immediately.

LS9-16/32 Owner’s Manual 9

• • • •

• • • • • • •

An overview of the LS9

■ Effects and graphic EQ that can be patched into a desired signal path • • • •

There are eight virtual racks, in which you can mount effects or graphic EQ and then patch them into the desired signal route. Graphic EQ can be mounted in racks 1–4, and effects or graphic EQ can be mounted in racks 5–8. You can simultaneously use up to four high-quality multieffects, which include reverb, delay, multi-band compressor, and various modulation-type effects. These can be used via an internal bus, or inserted into a desired channel. For the graphic EQ you can select either 31-band graphic EQ or Flex 15 GEQ. These can be inserted into the desired channel or output. The Flex 15 GEQ allows you to adjust the gain for any fifteen of the thirty-one bands. Since two Flex 15 GEQ units can be mounted in a single virtual rack, a total of up to sixteen graphic EQ units can be used simultaneously.

■ A recorder function that’s useful for sound checks or recording mixes

A recorder function is provided, allowing you to use USB memory to record the output of the STEREO bus or a MIX bus, or assign an audio file in USB memory to a desired input channel or monitor output and play it back. Supported file formats are MP3 (MPEG-1 Audio Layer-3) for recording, and MP3, WMA (Windows Media Audio), and MPEG-4 AAC (Advanced Audio Coding) for playback. However, DRM (Digital Rights Management) is not supported. This function is convenient when you want to record the mix output of a specific bus, or if you want to play back a song from the speakers during the sound check.

■ Cascade connections in the digital

domain • • • • • • • • • • • • • • • • • • • • • • •

A second LS9 console or a digital mixer such as the Yamaha M7CL or PM5D connected via a digital I/O card installed in a slot can be cascade-connected in the digital domain.

Of the MIX buses, MATRIX buses, STEREO (L/R) bus, MONO buses, and CUE (L/R) bus, the desired buses can be merged, and all mixed bus signals can be cascaded individually.

■ Security functions that can be specified at user-level or system-level

User levels can be distinguished into three levels (administrator, guest, user), and the functionality available to each non-administrator user can be restricted. Passwords can be specified for the administrator and users, preventing important settings from being changed accidentally. Information specific to each user (user level, system settings, and user-defined key settings) can be stored on USB memory as a “user authentication key.” By loading your own user authentication key from USB memory, you can instantly set up the ideal operating environment for yourself.

■ I/O card expansion • • • • • • • • • • • • • •

The rear panel provides one slot (LS9-16) or two slots (LS9-32) in which separately sold mini-YGDAI cards can be installed. AD cards, DA cards, or digital I/O cards can be installed in these slots to add inputs and outputs port.

10 LS9-16/32 Owner’s Manual

Differences between the LS9-16 and LS9-32

Differences between the LS9-16 and LS9-32

The LS9 is available in two models; the LS9-16 and the LS9-32. These models differ as follows.

Number of INPUT channels

The LS9-16 has up to 32 operable INPUT channels, while the LS9-32 has up to 64. The number and structure of other channels (ST IN channels, MIX channels, MATRIX channels, STEREO/MONO channels) are identical.

1

Introduction

Rear panel

The LS9-16 and LS9-32 differ in the number of rear panel INPUT jacks, OMNI OUT jacks, and slots they provide. The rear panel of the LS9-16 provides sixteen INPUT jacks, eight OMNI OUT jacks, and one slot.

OMNI OUT jacks

INPUT jacks

Slot

In contrast, the rear panel of the LS9-32 provides thirty-two INPUT jacks, sixteen OMNI OUT jacks, two slots, and one LAMP connector.

OMNI OUT jacks

LAMP connector

INPUT jacks

Slots

LS9-16/32 Owner’s Manual 11

Differences between the LS9-16 and LS9-32

Top panel

The LS9-16 and LS9-32 differ in the number of top panel channel modules and ST IN channels they provide.

The LS9-16 provides sixteen channel modules and two ST IN channels, and by switching fader layers you can operate up to 32 INPUT channels (monaural) and four ST IN channels (stereo).

Channel modules

ST IN channels

The LS9-16 provides thirty-two channel modules and four ST IN channels. By switching fader layers you can operate up to sixty-four INPUT channels (monaural).

The four ST IN channels (stereo) can be operated from either layer (1-32 or 33-64).

Channel modules

ST IN channels

12 LS9-16/32 Owner’s Manual

Differences between the LS9-16 and LS9-32 • The LS9’s channel structure

Other

The names of the LAYER section keys differ between the LS9-16 and LS9-32.

● LS9-16		● LS9-32
LAYER [1-16] key	LAYER [17-32] key	LAYER [1-32] key	LAYER [33-64] key
LAYER [MASTER] key	LAYER [CUSTOM	LAYER [MASTER] key	LAYER [CUSTOM
	FADER] key		FADER] key

In conjunction with this difference, there are also differences in the numbering of the channel modules on the panel and the channels that are assigned to each fader layer.

HINT

•In this owner’s manual, whenever there is a difference between the LS9-16 model and the LS9-32 model, specifications that apply only to the LS9-32 model are enclosed in curly brackets { } (e.g., INPUT jacks 1–16 {1–32}).

•When the specifications are common to both models, the manual refers simply to the LS9.

1

Introduction

The LS9’s channel structure

The LS9 provides the following input channels and output channels.

■ Input channels • • • • • • • • • • • • • • • • •

This section processes input signals and sends them to various buses (STEREO, MONO, MIX). The LS9 has the following two types of input channel.

● INPUT channels 1–32 {1–64}

These channels process monaural signals. In the initial state, the input signals from the rear panel INPUT jacks and the input channels of the slot(s) are assigned to these channels.

● ST IN channels 1–4

These channels process stereo signals. In the initial state, the outputs of virtual racks 5–8 are assigned to these channels.

Signal assignments to the input channels (input patching) can be changed as desired.

■ Output channels • • • • • • • • • • • • • • • •

This section mixes the signals sent from input channels etc., and sends them to the corresponding output ports or output buses.

There are three types of output channel, as follows.

● MIX channels 1–16

These channels process the signals sent from input channels to the MIX buses, and send them from the output ports. These are used mainly to send signals to the monitor system or to external effects.

The signals of MIX channels 1–16 can also be sent to the STEREO bus, MONO bus, or MATRIX buses.

When the LS9 is in the initial state, these are assigned to the OMNI OUT jacks or the output channels of the slot(s).

● MATRIX channels 1–8

These channels process the signals that are sent from MIX channels, STEREO channels, and MONO channel to the MATRIX buses, and send them from the output ports.

Using the STEREO and MONO buses, different combinations of signals and mix balances can be sent out from the console.

● STEREO channel / MONO channel

These channels process the signals that are sent from the input channels or MIX channels, and send them to the corresponding output port. These channels are used as the main stereo output and monaural output.

The STEREO channel and MONO channel can be used either to output independent signals, or for three-channel L/ C/R playback.

When the LS9 is in the initial state, the STEREO channel is assigned to OMNI OUT jacks 15/16 {31/32} and to the 2TR OUT DIGITAL jack.

Signal assignments to the output channels (output patching) can be changed as desired.

LS9-16/32 Owner’s Manual 13

About the MIX bus types (VARI / FIXED) • About word clock • Conventions in this manual • About the firmware version

About the MIX bus types (VARI / FIXED)

The sixteen MIX buses provided on the LS9 can be assigned either as VARI or FIXED types in pairs of adjacent odd-numbered/even-numbered buses (→ p. 213). They can also be switched between monaural/stereo for the same pairs of buses. VARI type and FIXED type buses differ as follows.

● VARI

This type allows the send level of the signal sent from the input channels to the MIX bus to be varied. The point at which the signal is sent from the input channel to a VARI type MIX bus can be chosen from before the EQ (attenuator), before the fader, or after the [ON] key.

This type is used mainly for sending the signal to a monitor system or external effect.

● FIXED

With this type, the send level of the signal sent from the input channels to the MIX bus is fixed. The signal from an input channel is sent to a FIXED type MIX bus from before Pan (if the MIX bus is monaural) or after Pan (if the MIX bus is stereo). This type is used mainly when you want to distribute signals to an external device with the same mix as the STEREO/MONO buses.

About word clock

“Word clock” refers to the clock that provides the basis of timing for digital audio signal processing.

Normally, one device transmits a reference word clock signal, and the other devices receive this word clock signal and synchronize to it.

In order to transmit or receive digital audio signals to or from an external device via the LS9’s 2TR IN DIGITAL/2TR OUT DIGITAL jacks or via a digital I/O card installed in a slot, the word clock must be synchronized between the devices. Be aware that if the word clock is not synchronized, the signal will not be sent correctly, or there may be unpleasant noise. (For details on synchronizing the LS9’s word clock with an external device → p. 46)

Conventions in this manual

In this manual, switch-type controllers on the panel are called “keys.” Of the control knobs on the panel, those that turn from a minimum value to a maximum value are called “controls,” while those that turn endlessly are called “encoders.”

Controllers located on the panel are enclosed in square brackets [ ] (e.g., [CUE] key) in order to distinguish them from the virtual buttons and knobs displayed in the screen. For some controllers, the name of the section is given before the [ ] (e.g., LAYER [MASTER] key).

Whenever there is a difference between the LS9-16 model and the LS9-32 model, specifications that apply only to the LS9-32 model are enclosed in curly brackets { } (e.g., INPUT jacks 1–16 {1–32}).

About the firmware version

You can view the firmware version number in the MISC SETUP screen (→ p. 206). You can also download the most recent firmware version from the website.

http://www.yamahaproaudio.com/

14 LS9-16/32 Owner’s Manual

Chapter 2

Parts and their function

This chapter explains the LS9’s parts and their functions.

Top panel

The LS9’s top panel is organized into the following sections.

LS9-16

m MIX/MATRIX SELECT section (p. 20)

b DISPLAY ACCESS section (p. 19)

. Stereo meter / Cue section (p. 20)

n LAYER section (p. 19)

, Display (p. 20)

⁄0SELECTED CHANNEL section (p. 21)

⁄2USB connector (side

panel, to the right of the

display) (p. 22)

⁄1Data entry section

(p. 22)

x ST IN (stereo input)

section (p. 17)

2

Parts and their function

z Channel module section (p. 17)

c STEREO MASTER section (p. 18)

v USER DEFINED KEYS section (p. 18)

LS9-16/32 Owner’s Manual 15

Top panel

LS9-32

m MIX/MATRIX SELECT section (p. 20)

⁄0SELECTED CHANNEL section (p. 21)

. Stereo meter / Cue section (p. 20)

b DISPLAY ACCESS section (p. 19)

n LAYER section (p. 19)

, Display (p. 20)

⁄1Data entry section (p. 22)

⁄2USB connector (side panel, to the right of the display) (p. 22)

z Channel module section (p. 17)

c STEREO MASTER section (p. 18)

v USER DEFINED KEYS section (p. 18)

x ST IN (stereo input) section (p. 17)

16 LS9-16/32 Owner’s Manual

Top panel

z Channel module section • • • • • • • • • • •

In this section you can operate the main parameters of the input channels and output channels, as well as the monitor output. Use the LAYER section (→ p. 19) to select the channels that are mapped to this section.

1

2

3

4

5

1 [SEL] key

This key selects the channel to be operated. When you press this key to make the LED light, the corresponding channel will be selected for operations in the SELECTED CHANNEL section or in the display. In the ST IN section, the L-channel and R-channel will be alternately selected as the target of operations each time you press the [SEL] key.

B [CUE] key

This key selects the channel to be cue-monitored. When cue is on, the LED will be lit.

C Meter LEDs

These LEDs indicate the audio signal level of the input channel or output channel.

x ST IN (stereo input) section • • • • • • • •

In this section you can operate the main parameters of the stereo ST IN channels 1–4. The function of each controller is the same as in the Channel Module section, with the exception that the L-channel or R-channel will be alternately selected as the target of operations each time you press the [SEL] key, and the fact that the encoder rather than the fader is used to adjust the level.

1	1
2	2
3	3
4	4
5	5
LS9-16	LS9-32

D [ON] key

This switches the channel on/off. The key LED will light for channels that are on. In SENDS ON FADER mode, this key is an on/off switch for the signal that is sent from that channel to the currently selected MIX bus (or from a MIX channel, to the MATRIX bus).

E Fader/Encoder

This adjusts the signal level or monitor level of the input channel or output channel. In SENDS ON FADER mode, this adjusts the send level from that channel to the currently selected MIX bus (or from a MIX channel, to the MATRIX bus).

2

Parts and their function

LS9-16/32 Owner’s Manual 17

Top panel

c STEREO MASTER section • • • • • • • • • • •

In this section you can operate the main parameters of the STEREO channel.

1

2

3

4

1 [SEL] key

This key selects the STEREO channel as the target of operations. The L-channel and R-channel will be alternately selected as the target of operations each time you press the [SEL] key.

B [CUE] key

This key cue-monitors the STEREO channel. When cue is on, the LED will be lit.

C [ON] key

This switches the STEREO channel on/off. When on, the key LED will light. In SENDS ON FADER mode, you can use this as an on/off switch for MIX/MATRIX channels or as an on/off switch for the signal sent from the STEREO channel to the MATRIX buses, depending on the LAYER.

D Fader

This adjusts the output level of the STEREO channel. In SENDS ON FADER mode, this adjusts the level of the MIX/MATRIX channels or the send level from the STEREO channel to the MATRIX buses, depending on the LAYER.

HINT

•If you turn on MONITOR ON MASTER FADER in the USER DEFINED KEY SETUP screen, the [ON] key and fader will respectively turn MONITOR on/off and control its level.

v USER DEFINED KEYS section• • • • • • • • •

Here you can execute the functions that are programmed for the user-defined keys.

1

1 User-defined keys [1]–[12]

These keys execute the functions that have been programmed for each key (e.g., switching scenes, turning talkback or the internal oscillator on/off).

18 LS9-16/32 Owner’s Manual

Top panel

b DISPLAY ACCESS section • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

										D [CHANNEL JOB] key
										This key accesses a screen where you can make settings
	1								2	for Channel Link, Mute Group, and Recall Safe functions,
										and copy or move settings between channels.
	3								4	E [RECORDER] key
										This key accesses a screen where you can operate and
										make settings for the Recorder function which records and
	5								6	plays audio files.
										F [METER] key
	7								8	This key accesses a meter screen where you can view the
										input/output levels of all channels in a single view.
										G [RACK 1-4] key
										This key accesses a screen where you can edit the graphic
	1 [SCENE MEMORY] key									EQ assigned to virtual racks 1–4. By pressing the [RACK
	This key accesses a screen where you can store, recall, and									1-4] key and [RACK 5-8] key simultaneously you can
	edit scene memories, and make settings for the Focus									access the VIRTUAL RACK screen, where you can assign
	function and Fade Time function.									a graphic EQ (31 Band GEQ or Flex 15 GEQ) to each vir-
	B [MONITOR] key									tual rack.
										H [RACK 5-8] key
	This key accesses a screen where you can make settings
	for cue, monitor, oscillator, and talkback.									This key accesses a screen where you can edit the graphic
	C [SETUP] key									EQ or internal effect that is assigned to virtual racks 5–8,
										and make settings for external head amps. By pressing the
	This key accesses a screen where you can set and verify
										[RACK 1-4] key and [RACK 5-8] key simultaneously you
	the user level, and make basic system settings.
										can access the VIRTUAL RACK screen, where you can
										assign a graphic EQ (31 Band GEQ or Flex 15 GEQ) or
										internal effect to each virtual rack.

n LAYER section • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Here you can select the type of channels that will be operated from the channel module section (→ p. 17) and ST IN section (→ p. 17).

1	2	1	2
3	4	3	4
	LS9-16		LS9-32

1 LAYER [1-16] {LAYER [1-32]} key

BLAYER [17-32] {LAYER [33-64]} key

CLAYER [MASTER] key

These keys assign fixed preset combinations of channels to the channel module section and the ST IN section. The combination of channels corresponding to each key is as follows.

For the LS9-16

LAYER key / module	1–16	ST IN 1–2
LAYER [1-16] key	CH 1–16	ST IN 1–2
LAYER [17-32] key	CH 17–32	ST IN 3–4
LAYER [MASTER] key	MIX 1–16	—

For the LS9-32

LAYER key / module	1–16	17–24	25–31	32	ST IN 1–4
LAYER [1-32] key	CH 1–16	CH 17–24	CH 25–31	CH 32	ST IN 1–4
LAYER [33-64] key	CH 33–48	CH 49–56	CH 57–63	CH 64	ST IN 1–4
LAYER [MASTER] key	MIX 1–16	MATRIX 1–8	—	MONO	—

D LAYER [CUSTOM FADER] key

This key assigns the channels selected by you (the user) to the channel module section and the ST IN section. (For the channel assignment procedure → p. 91)

2

Parts and their function

LS9-16/32 Owner’s Manual 19

Top panel

m MIX/MATRIX SELECT section • • • • • • • • •

In this section you can select the MIX channel or MATRIX channel that will be the object of operations.

1

1 MIX/MATRIX [1]–[16] keys

These keys select the MIX channel (or if the selected channel is a MIX/STEREO/MONO channel, the MATRIX channel) whose send level will be adjusted by the SELECTED CHANNEL section. The LED of the key corresponding to the currently selected channel will light (or blink, in the case of a MATRIX channel).

In SENDS ON FADER mode, these keys select a MIX bus or MATRIX button as the send-destination. In this case, the LED of the key corresponding to the currently selected bus will blink, and the LED of keys corresponding to selectable buses will light. For MATRIX buses, the [9]– [16] keys will be dark and cannot be selected.

, Display • • • • • • • • • • • • • • • • • • • • • •

In this display you can view and edit all mix parameters, as well as various settings.

Use the DISPLAY ACCESS section (→ p. 19) to select the screen that you want to view. Then use the cursor keys of the data entry section (→ p. 22) to move the cursor to the desired parameter, and use the dial or the [INC][DEC] keys to edit the value.

. Stereo meter / Cue section • • • • • • • •

In this section you can view the level of the STEREO channel or cue monitor.

1

2

3

1 Stereo meter

This is a 32-segment LED meter that indicates the L/R channel levels of the STEREO channel.

While the [CUE] key of any channel is on, this meter will indicate the cue monitor level.

B CUE LED

This LED will blink while the [CUE] key of any channel is on.

C [CUE CLEAR] key

This key clears all cue monitoring that is currently active.

20 LS9-16/32 Owner’s Manual

Top panel

⁄0SELECTED CHANNEL section• • • • • • • • •

In this section you can operate the most important mix parameters for the currently selected input channel or output channel.

The function of the controllers in this section will depend on the type of channel that is selected.

1

4

2

35

	6	9
		J
	7
	8	K
M		L

1[HA GAIN] encoder

● When an INPUT/ST IN channel is selected

The encoder will adjust the gain of the internal head amp or an external head amp device (AD8HR) connected to a rear panel slot.

NOTE

•The PAD will be internally switched on or off when the HA gain is adjusted between -14 dB and -13 dB. Keep in mind that noise may be generated if there is a difference between the Hot and Cold output impedance of the external device connected to the INPUT connector when using phantom power.

●When any other channel is selected

The encoder will not do anything.

B[PAN] encoder

●When an INPUT/ST IN channel is selected

●When a MIX channel is selected

The encoder will adjust the panning of the signal sent to the L/R channels (or the L/C/R channels in the case of LCR mode) of the STEREO bus. If a MIX channel set to stereo is selected, the encoder will adjust the output balance of the left and right channels.

● When a MATRIX channel is selected

If a monaural MATRIX channel is selected, the encoder will not do anything. If a stereo MATRIX channel is selected, the encoder will adjust the output balance of the left and right channels.

●When a STEREO/MONO (C) channel is selected

The encoder will not do anything for MONO (C) channel. For a STEREO channel, the encoder will adjust the output balance of the left and right channels.

C[SELECTED SEND] encoder

●When an INPUT/ST IN channel is selected

The encoder will adjust the send level from that channel to the currently selected bus. (For a FIXED type bus, the encoder will switch the send on/off.)

If the send-destination bus is stereo, this encoder will specify the panning of the signal sent to the two buses if an odd-numbered bus is selected, or will specify the send level if an even-numbered bus is selected.

●When a MIX channel is selected

The encoder will adjust the send level from that MIX channel to the currently selected MATRIX bus.

● When a MATRIX channel is selected

The encoder will adjust the send level from the MIX channels to the currently selected MATRIX bus.

NOTE

•In SENDS ON FADER mode, this encoder will not do anything regardless of which channel is selected.

D[DYNAMICS 1] encoder

●When an INPUT/ST IN channel is selected

The encoder will adjust the threshold of Dynamics 1 (e.g., gate).

●When any other channel is selected

The encoder will adjust the threshold of the compressor, etc.

E[DYNAMICS 2] encoder

●When an INPUT/ST IN channel is selected

The encoder will adjust the threshold of Dynamics 2 (e.g., compressor).

●When any other channel is selected

The encoder will not do anything.

FEQ [Q] encoder

GEQ [FREQUENCY] encoder

HEQ [GAIN] encoder

These encoders adjust the Q, frequency, and gain of the band selected by keys 9–L.

HINT

•By simultaneously pressing the EQ [Q] encoder and the EQ [GAIN] encoder, you can reset the gain to 0 dB for the band selected by the keys below (9–L).

•If you have selected a LOW band or HIGH band whose type can be changed, you can switch the type by turning the EQ [Q] encoder while pressing it when Q is set to the maximum or minimum value.

LOW band :

•Switches to LOW shelving if you turn the encoder toward the right while pressing it when Q is at the minimum value

•Switches to high pass filter if you turn the encoder toward the left while pressing it when Q is at the maximum value (MIX, MATRIX, STEREO, and MONO channels only)

HIGH band :

•Switches to HIGH shelving if you turn the encoder toward the right while pressing it when Q is at the minimum value

•Switches to low pass filter if you turn the encoder toward the left while pressing it when Q is at the maximum value

For shelving, high pass filter, and low pass filter as well, you can switch the type by turning the encoder while pressing it.

2

Parts and their function

LS9-16/32 Owner’s Manual 21

• • • • • • • • • • • • • • • • •

Top panel

IEQ [HIGH] key

JEQ [HIGH MID] key

KEQ [LOW MID] key

LEQ [LOW] key

These keys select the band controlled by encoders 6–8. By simultaneously pressing the EQ [HIGH] key and EQ [LOW] key, you can reset the gain of all four bands to 0 dB.

M [HOME] key

This key returns the state of the LS9’s panel to home position. When you press this key, the panel will change as follows.

•The display will show the SELECTED CH VIEW screen for the currently selected channel.

•The channel level function will be assigned to the faders (SENDS ON FADER mode will be defeated).

⁄1Data entry section • • • • • • • • • • • • • • •

This section lets you edit specific parameters in the screen.

1

2

3

4

1 [DEC]/[INC] keys

These keys increment or decrement the value of the parameter at which the cursor is located in the screen, in steps of -1/+1.

B Cursor keys

These keys move the cursor up/down/left/right in the screen.

C Dial

This dial continuously increments or decrements the value of the parameter at which the cursor is located in the screen.

D [ENTER] key

This key is used to switch a button in the screen on/off, or to confirm a change you make.

⁄2USB connector (side panel, to the right of the display)

This connector lets you connect USB memory.

1

1 USB connector

USB memory can be connected here, and used to save or load internal data. User authentication key data to define the user level can also be saved on USB memory and used to restrict the functionality that is available to each user.

NOTE

• Operation is guaranteed only for USB flash memory.

■ USB memory format

Only USB memory that is 2 GB or less in capacity and is formatted in FAT12, FAT16, or FAT32 is supported. If the USB memory is formatted in any other way, you must reformat it in the USER SETUP screen.

■ Write protection

Some USB memory has write protection that prevents data from being erased inadvertently. If your USB memory contains important data, we suggest that you use its write protect feature to prevent accidental erasure. Conversely, you must make sure that your USB memory’s write protect feature is disabled before you attempt to save data to it.

CAUTION

•The ACCESS indicator will appear in the upper part of the screen while data is being accessed, such as during saving, loading, or deleting. During this time, you must not disconnect the USB memory from the USB connector or power-off the LS9. Doing so may damage your USB memory, or damage the data in the LS9 or in the USB memory.

22 LS9-16/32 Owner’s Manual

Rear panel

LS9-16

2		4					5 67					8			1			3

L M K J

LS9-32

K J

4 5 67 8 9

1

Rear panel

2

Parts and their function

L M

2

3

LS9-16/32 Owner’s Manual 23

Rear panel

1 INPUT jacks 1–16 {1–32}

LS9-16

									LS9-32
These are balanced XLR-3-31 female input jacks for inputting analog	Male XLR plug							1 (ground)
audio signals from line level devices or microphones. The nominal
									3 (cold)
input level is -62 dBu – +10 dBu. Resettable head amps are provided
on all jacks, and head amp settings can be stored in scene memory.

B OMNI OUT jacks 1–8 {1–16}

LS9-16

LS9-32

These are XLR-3-32 male output jacks for outputting analog audio signals. These are used mainly to output MIX/ MATRIX channel signals. The nominal output level is +4 dBu.

Female XLR plug 2 (hot)

3 (cold)

1 (ground)

NOTE

•The nominal output level of OMNI OUT jacks 1–8 {1–16} is +4 dBu (maximum level is +24 dBu), but if necessary this can be changed by an internal switch to -2 dBu (maximum level is +18 dBu). (A fee will be charged for this change.) For details, contact to your Yamaha dealer listed at the end of this manual.

2 (hot)

C Slots {1–2}

LS9-16

LS9-32

Separately sold mini-YGDAI I/O cards can be installed in these slots to provide additional input/output ports. The LS9-16 has one slot, and the LS9-32 has two slots. Each slot can input/output a maximum of 16 channels of signals.

24 LS9-16/32 Owner’s Manual

Rear panel

4 5 6 7 8

LS9-16

4

5

6

7

8

9

LS9-32

D NETWORK connector

This connector allows the LS9 to be connected to a Windows computer via a CAT3 (transfer rate: maximum 10 Mbps) or CAT5 (transfer rate: maximum 100 Mbps) compatible Ethernet cable. This is used mainly for controlling mix parameters or editing scene memories and libraries from the dedicated “LS9 Editor” application program.

NOTE

•The DME-N Network Driver required for connection to the NETWORK connector, the Studio Manager required for running LS9 Editor, and the LS9 Editor itself can downloaded from the Yamaha website listed below.

http://www.yamahaproaudio.com/

E WORD CLOCK IN/OUT connectors

These are BNC connectors used to transmit and receive word clock signals to and from an external device. The WORD CLOCK IN connector is internally terminated by a 75 ohm resistor.

F 2TR OUT DIGITAL jack

This is a coaxial jack that outputs the digital audio signal of a specified channel in consumer format (IEC-60958). This is used mainly to output STEREO/MONO channel signals.

G 2TR IN DIGITAL jack

This is a coaxial jack that inputs a stereo digital audio signal in consumer format (IEC-60958). The signal input from this jack can be patched to any input channel.

H MIDI IN/OUT connectors

These connectors are used to transmit and receive MIDI messages to and from external MIDI devices. The MIDI IN connector receives messages from an external device, and the MIDI OUT connector transmits messages from the LS9. These are used mainly for recording LS9 parameter operations or scene/library changes on an external device, or for remotely operating LS9 parameters.

I LAMP connector (LS9-32 only)

This is an XLR-4-31 connector that supplies power to a separately sold gooseneck lamp (e.g.,Yamaha LA1L). The brightness of the lamp can be adjusted in the screen.

L M K J

		2
	LS9-16	function
		and their
	J	Parts
K
M
L
	LS9-32

J AC IN connector

Connect the included power cable to this connector to supply power to the unit.

K POWER switch

This switch turns the power on/off.

L Grounding screw

To ensure safe operation, be sure to ground the LS9 securely. The included power cable has a three-conductor plug, so if the AC outlet is grounded the LS9 will be grounded appropriately. If the AC outlet is not grounded, establish a secure ground connection from this screw. Correctly grounding the unit is an effective way to eliminate hum and interference noise.

M Cooling fan vent

This is the vent for the cooling fan inside the console. When placing the console, be careful not to block this vent.

LS9-16/32 Owner’s Manual 25

Front panel

Front panel

	1	2	1 PHONES LEVEL control
			This adjusts the level of the signal that is output from the
			PHONES OUT jack 2.
			B PHONES OUT (headphone output) jack
			This is a headphone jack for monitoring the MONITOR
			OUT or CUE signal.

26 LS9-16/32 Owner’s Manual

Chapter 3

Basic operations on the LS9

This chapter explains the various user interfaces you’ll use to operate the LS9, and basic operations.

Basic operations in the top panel

Here we explain basic operations you’ll perform in the LS9’s top panel.

About the [HOME] key

The [HOME] key in the SELECTED CHANNEL section restores the LS9’s panel to its basic state (home position).

When you press the [HOME] key, the panel will change as follows.

•The display will show the SELECTED CH VIEW screen, where you can view all parameters of the selected channel.

•The channel level function will be assigned to the faders (SENDS ON FADER mode will be defeated).

The [HOME] key will blink if the display is showing any screen other than the SELECTED CH VIEW screen, or if SENDS ON FADER mode is active. In such cases, you will find it convenient to press the [HOME] key to restore the panel to home position (the [HOME] key will change to steadily lit), and then proceed with operations.

Selecting the fader layer

The channel module section of the top panel lets you switch between combinations of channels to be controlled (“fader layers”) so that you can control input channels, output channels, or monitor levels.

Press the keys of the LAYER section to switch the combination of channels you want to control.

LS9-16

LS9-32

3

Basic operations on the LS9

LS9-16/32 Owner’s Manual 27

Basic operations in the top panel

The combination of channels corresponding to each key is as follows.

LS9-16

LAYER section key

LAYER [1-16]

INPUT CH 1–16

STEREO

ST IN 1–2

LAYER [17-32]

INPUT CH 17–32

STEREO

ST IN 3–4

LAYER [MASTER]

MIX 1–16

STEREO

—

LAYER [CUSTOM FADER]

Any desired channels

STEREO

Any desired channels

LS9-32

LAYER section key
LAYER [1-32]	INPUT CH 1–16	INPUT CH 17–32			STEREO	ST IN 1–4
LAYER [33-64]	INPUT CH 33–48	INPUT CH 49–64			STEREO	ST IN 1–4
LAYER [MASTER]	MIX 1–16	MATRIX 1–8	—	MONO	STEREO	—
LAYER [CUSTOM FADER]		Any desired channels			STEREO	Any desired channels

HINT

•On the LS9-16, MATRIX channels and MONO channels are not assigned to the fader layers that are preset. If you want to use the top panel faders and [ON] keys to control the MATRIX channels or MONO channel, you can assign them to the custom fader layer (→ p. 91).

28 LS9-16/32 Owner’s Manual

Basic operations in the top panel

Using the SELECTED CHANNEL section

You can use the encoders and keys of the SELECTED CHANNEL section to directly operate the mix parameters (EQ, pan, dynamics, etc.) of the currently selected channel from the top panel.

1 Make sure that the desired fader layer is selected in the LAYER section.

2 Use the [SEL] keys of the channel module section, STEREO section, and ST IN section to select the channel that you want to operate.

The currently selected channel is indicated in the upper left of the screen.

For stereo channels (STEREO channels, ST IN channels), you will alternate between the L-channel and R- channel each time you press the [SEL] key.

HINT

•If AUTO CHANNEL SELECT is turned on in the PREFERENCE popup window (→ p. 194), you can select a channel simply by operating its [ON] key or fader, without having to press its [SEL] key.

3 Turn the encoders of the SELECTED CHANNEL section to edit the desired parameters.

The parameter assigned to each encoder will change. Before operating the EQ encoders, you’ll need to use the EQ [HIGH], EQ [HIGH MID], EQ [LOW MID], and EQ [LOW] keys to select the band you want to control.

HINT

•By pressing one of the SELECTED CHANNEL section’s encoders inward, you can also access a popup window where you can edit detailed settings for the parameter (→ p. 194).

Selecting functions

Use the keys of the DISPLAY ACCESS section when you want to use functions other than mix parameters, or when you want to change various settings.

3

Basic operations on the LS9

When you press one of the keys in the DISPLAY ACCESS section, the corresponding screen will appear in the display. If the screen consists of more than one page, you can switch between pages by pressing the same key repeatedly. For example if you press the [SCENE MEMORY] key, the SCENE MEMORY screen will appear, where you can store or recall scene memories.

HINT

•If you press the lit DISPLAY ACCESS key while a popup screen is displayed, the popup screen will close.

•If you press and hold down the DISPLAY ACCESS section key, the previously displayed screen will appear.

LS9-16/32 Owner’s Manual 29

Viewing the display

Viewing the display

Here we explain the various types of information shown in the display.

Constant display area

1

2

5

3

4

1 Selected channel

This shows the number, name, and icon of the channel currently selected by its [SEL] key for operations. (For details on assigning a name → p. 34, For details on selecting an icon → p. 55, 69) You can also move the cursor to this area and use the dial or the [DEC]/[INC] keys to change the selected channel.

B Scene memory

This shows the number and name of the scene that is currently selected for store/recall operations.

An “R” (Read Only) indication is shown for read-only scenes or write-protected scenes. If you have modified the parameters from their most recently stored or recalled state, an “E” (Edited) indication is shown. Move the cursor to the scene number, use the dial or the [DEC]/[INC] keys to change the scene number, and press the [ENTER] key to recall the scene.

NOTE

•Simply changing the scene that is shown here will not execute a store/recall operation.

•To execute a store or recall operation, access the SCENE MEMORY screen and use the STORE/RECALL buttons in the screen (→ p. 129), or press a user-defined key to which you’ve assigned the scene store/recall operation (→ p. 132).

•You can also move the cursor to the scene number in the constant display area and use the dial or the [DEC]/[INC] keys to change the scene number. This scene number will blink if the most recently stored or recalled scene is different than the currently selected scene.

C MIDI

The MIDI indicator will appear when MIDI messages are received.

D User name / status

This shows the name of the user who is currently loggedin (authenticated and permitted to operate the console). Other indicators are shown here if oscillator or talkback is on, or if internal memory or USB memory is being accessed.

When oscillator is on

When talkback is on

While recording to USB memory

While playing from USB memory

While accessing internal memory when storing USB memory or a scene

E ST IN level

This indicates the on/off status and input level of ST IN channels 1–4. This shows a gray knob and black index when on, or a dark gray knob and black index when off.

In SENDS ON FADER mode, this shows the on/off status and send level of the signal sent from ST IN channels 1–4 to the MIX bus. When on, the knob will be a color corresponding to the send-destination (the same type of color as the keys of the MIX/MATRIX SELECT section), and the indices will be white. When off, the knob will be gray and the indices will be black.

HINT

•In SENDS ON FADER mode, the send-destination bus is shown blinking at the right of the scene number.

30 LS9-16/32 Owner’s Manual