Yamaha Q2031A User Manual [en, de, fr]

0 (0)

YAMAHA

Stereo 31 -Band Graphic Equalizer

Egaliseur Graphique Stereo A31 Gandes

Graphischer 31 -Band-Stereo-Equalizer

QS031A

Operating Manual

Mode d’emploi

Bedienungsanleitung

O

 

 

O

O YAMAHA

 

 

 

GRAPHICEQUALIZERfWNGE—

 

 

 

MODELQ2031A

,^r^=n

 

 

 

so 63 eo 100 126

260 3IS 400

s 3k Bk 10K 12 Sk 16k

oig O zl =

 

 

RANGE — I —

 

 

oB

zl Z

 

 

O

 

 

O

O

 

 

You have made the right choice. The YAMAHA Q2031A Graphic Equalizer offers truly superior price/performance and is fully backed by YAMAHA’s wealth of accumulated sound expertise. Congratulations and thank you.

The versatile Q2031A enables you to add up to 12dB of boost or cut at any of 31 bands centered around International Standards Organization (ISO) 1 j3 octave frequencies from 20 Hz to 20 kHz. This versatility opens a wide range of applications in sound reinforce­ ment and recording. You can, for example, optimize gain to provide adequate feedback margins at all frequencies. You can also creatively shape frequency characteristics to match the particular room, studio, or hall and thus provide the realism and fidelity that critical audiences demand.

This manual has been written to help you obtain optimum performance and trouble-free operation from new Q2031A. Please read it throughly.

FEATURES

This two-channel system offers completely independent channel control—from the input all the way to the output.

The narrow, 1/3-octave bandwidth and 31-band control over the entire 20Hz to 20 kHz range provides very precise equalization.

The Q2031A has been very carefully designed from both functional and operational perspectives. Each of the equalization sections, for example, has an independent EQ switch that bypasses the equalizer section, a High-Pass Filter with a slider-adjustable roll-off frequency, and a RANGE switch to select boost/cut ±6dB or ±12dB.

The highly versatile Q2031A can be used in a wide variety of applications and can be mounted in a standard 19” rack.

• U.S. & Canadian models

Transformerless balanced (XLR Type connectors) or

unbalanced (1/4” phone jacks)

inputs

and

outputs

are standard, with

provisions

for both input and

output transformer

balancing.

Two

octal

socket

(CHANNEL A and B ) are provided on the rear panel. They will accept optional bridging input transformer BRT15K if desired. The output trans­ former should be installed by a qualified service technicians.

CONTENTS

 

FEATURES ..................................................................................

1

SPECIFICATIONS...........................................................................

2

PRECAUTIONS................................................................................

3

FRONT PANEL................ ...............................................................

3

REAR PANEL..................................................................................

5

TYPICAL CONFIGURATIONS ........................................................

5

ACOUSTIC CONTROL.....................................................................

6

BLOCK DIAGRAM ........................................................................

19

DIMENSIONS..................................................................................

19

Yamaha Q2031A User Manual

SPECIFICATIONS

FREQUENCY RESPONSE

0±0.5dB,20Hz~ 20kHz

 

 

 

TOTAL HARMONIC DISTORTION

Less than 0.1% <a> +4dB, 20Hz

 

~20kHz

 

 

 

 

 

 

 

HUM & NOISE

-96dB (LEVEL Control at

 

maximum and all Equalizer-

 

Controls at flat)

 

 

 

 

 

 

 

 

 

 

 

MAXIMUM VOLTAGE GAIN

+24dB:

 

 

 

 

 

 

 

Input level sw at —20dB

 

Output level sw at -l-4dB

 

 

 

 

 

EQUALIZER CONTROLS

31 band (1/3 octave)

 

 

 

/^Center Frequencies

20, 25, 31.5, 40, 50, 63, 80,'^

 

100,

125,

160,

200,

250,

315,

 

400, 500, 630, 800, Ik, 1.25k,

 

1.6k,

2k,

2.5k,

3.15k,

4k,

5k,

 

6.3k,

8k,

10k,

12.5k,

16k,

 

20kHz

 

 

 

 

 

Variable Range

±12dB/±6dB

 

 

 

 

PEAK LED INDICATORS

Light up when the output level

 

reaches 3dB below clipping.

 

INPUT SPECIFICATIONS

I

HIGH PASS FILTER

12dB/octave

(Rolloff Frequency)

(20Hz ~ 200Hz)

 

 

POWER REQUIREMENTS

120V,AC60Hz

U.S. & Canadian models

General model

110/120/220/240V, AC50/60Hz

 

 

POWER CONSUMPTION

25W

U.S. & Canadian models

General model

25W

 

 

DIMENSIONS (W X H X D)

480 mm x 88 mm x 298 mm

 

(18-7/8" X 3-1/2" X 11-3/4")

 

 

WEIGHT

4.8 kg (10.6 lbs.)

 

 

INPUT

Input Source

 

(At Maximum Nniniiicil Coiim-i-fois' ■

 

connertcs

Impedance Impedance

 

 

 

 

Clipping

 

 

 

 

 

 

 

 

 

 

 

 

 

 

+4dB

 

 

+4dB (1.23V)

-l-4dB (1.23V)

-l-20dB (7.75V)

XLR-3-31 Type

IMPI IT

15k ohms

600 ohm

 

 

 

B) _20dB

LINES

-20dB (77.5mV)

-20dB (77.5mV)

-4dB (489mV)

Phone Jack

 

 

 

 

 

 

 

 

 

 

 

OUTPUT SPECIFICATIONS

OUTPUT

OUTPUT

Output

Load

Output Level

 

Connectors

LEVEL

Impedance

Impedance

Nominal Level

Maximum Before

Connectors* ‘

Switch

 

Clipping

 

 

 

 

600 ohm Lines

-f4dB (1.23V)

H-20dB (7.75V)

XLR-3-32 Type

 

-4dB

150 ohms

 

 

 

 

10k ohm Lines

H-ISdB (6.16V)

Phone Jack

 

 

 

 

OUTPUT (A, B)

 

 

 

 

 

 

 

 

600 ohm Lines

-20dB (77.5mV)

-4dB (489mV)

XLR-3-32 Type

 

 

 

 

-20dB

150 ohms

 

 

 

 

10k ohm Lines

-6dB (388mV)

Phone Jack

 

 

 

 

 

 

 

 

 

 

 

*The input level required to obtain the nominal output level.

** XL R-type connectors are balanced. Phone jacks are unbalanced.

OdB is referenced to 0.775V RMS. Specifications subject to change without notice.

PRECAUTIONS

LOCATION

Do not install the Q2031A in location where it might be subjected to the following;

o Direct sunlight or excessive heat o Extreme coid

o High humidity or dust o Strong vibrations

HANDLING

Do not apply undue force to the switches or controls.

POWER CORD

Pull the power cord from the wall outlet by the plug only. Never pull on the cord as this may lead to breaking or shorting.

CONNECTIONS

Turn off all equipment power switches before making any connections. Before moving the Q2031 A, disconnect cords to other equipment to avoid damaging connectors and cables.

CABINET CLEANING AND CARE

Wipe the Q2031A cabinet clean with a soft, dry cloth. Do not clean it with benzene or other solvents and avoid spraying insecticides near it.

LIGHTNING

If your area is prone to lightning strikes, unplug the Q2031A power cord during storms to prevent lightning induced transients on the power lines from damaging the equipment.

FRONT PANEL

O POWER switch

When this switch is pressed to turn power on, the POWER indicator LED will light. Pressing the switch again turns the power off.

Q RANGE switches

The RANGE switches select the filter boost or cut range for the respective channels. When the switches are off, the normal range of +/—12 dB is selected; when on, the +/—6 dB range is selected. This latter range is useful for very accurate equalization. When the Range switch is on, the LED indicator to its left lights to show that the +/—6dB range is in effect.

0HPF (High Pass Filter) switches

Each channel has an independent HPF switch to switch the HPF in or out of the audio path before the graphic equal­ izer section. With the HPF switch off, the input signal goes directly to the equalizer, bypassing the HPF.

When the HPF switch is on, the HPF is switched into the audio path and provides 12 dB per octave rolloff below the frequency set by the HPF frequency control © . LED in­ dicators associated with each switch light when the switch is on to show that the HPF is being used.

O EQ switch

When the EQ switch, provided for each channel, is off, the equalizer is bypassed. When the switch is on, its associated LED indicator lights, and the equalizer is switched into the audio path. The equalized signal can be compared with the un-equalized signal simply by alternately turning the EQ switch on and off.

O LEVEL controls

Individual LEVEL controls for both channels adjust the input sensitivity for optimum input level. When the LEVEL control is at the top of the scale, the input source signal level remains unchanged (+4 dB or —20 dB). As the LEVEL control is moved downward, the input level is reduced.

This control can be used restore the output level when the overall level has been changed during the equalization process. This, however, will also change the input level. Equalization methods which do not change the LEVEL control setting will yield a better signal-to noise ratio and wider dynamic range.

O HPF (High Pass Filter) controls

The HPF controls continuously adjust the rolloff frequency over the entire 20 Hz to 200 Hz range for their associated HPFs and channels. Below the selected frequency, there will be a 12 dB per octave rolloff.

The HPF can be adjusted to eliminate low-range standing waves that sometimes occur in indoor environments, control vocal “pops” and wind noise in microphones, and reduce AC hum.

O Equalizer Boost/Cut controls

The 20 Hz to 20 kHz spectrum is divided into thirty-one 1/3 octave bands, each of which has an equalizer boost/cut slider center (0) detected position. Moving the slider up boosts that band, moving it down cuts that band.

Convenient scales on either side of the sliders are calibrated in dB. The H-/—12 dB range is used when the RANGE switch is off. When the RANGE switch is on, the +/—6 dB range is used, and the true values are one-half of the calibrated values. Peak LED indicators on the right of the RANGE switches Q light when the output level reaches 3dB below clipping. If the PEAK indicators remain lit, you should reduce the over­ all settings of the equalizer sliders.

100 200 500 Ik

FREQUENCY (Hr)

To get the best performance from your 31-band Q2031A stereo graphic equalizer, it is important that you understand the frequency components that make up the sounds of each

musical instrument. The following graph is provided to

aid

this understanding. You should also bear in

mind

that

harmonics of fundemental frequencies, plotted

as dotted

lines in the graph, can have a significant impact on timbre.

REAR PANEL

O INPUT Connectors

Both balanced (3-pin female XLR type connectors) and un­ balanced (1/4” phone jacks) input connectors are available. A 600 ohm line should be used for both. Use the INPUT LEVEL switch to set the rated input level to either +4 dB or -20 dB.

©INPUT LEVEL Switch

Use this switch to set the rated nominal input level to corre­ spond to the rated output level of the equipment to be connected.

0 OUTPUT Connectors

Both balanced (3-pin male XLR type connectors) and un­ balanced (1/4” phone jacks) output connectors are available. A 600 ohm lines should be used for the balanced XLR’s and a 10k ohm line for the unbalanced 1 /4” phone jacks. Use the OUTPUT LEVEL switch to set the rated nominal output level to either +4 or —20 dB.

©OUTPUT LEVEL Switch

Use this switch to set the rated nominal output level to correspond to the rated input level of the equipment to be connected.

U.S. & Canadian models only

©TRANSFORMER In/Out Switch

This switch inserts the optional (See item ©) Input Transformers into the input stage, bypassing internal electronic balancing.

©Input Transformer Octal Sockets

Two Octal Sockets are provided to accept optional 15k to 15k ohm bridging Input Transformers. (BRT15K)

©Internal Output Transformer (Optionals)

The Output Transformer should be installed by a quali­ fied service technicians.

TYPICAL CONFIGURATIONS

Insertion between the channel (master) insert out/in

 

MIXING CONSOLE

 

 

 

02031A

 

INSERT OUT

 

CH A INPUT

 

OUTPUT

INSERT IN

 

CH A OUTPUT

 

 

 

 

 

 

L R

 

 

 

 

 

 

 

 

 

SPEAKERS

 

 

 

 

 

 

 

 

POWER AMPS

Insertion in the main line of the output system

 

 

 

SPEAKERS

 

 

 

 

 

POWER AMPS

MIXING CONSOLE

 

Q2031A

 

 

 

 

 

 

 

 

OUTPUT L

 

CH A

CH A

 

 

 

INPUT

OUTPUT

 

 

 

 

 

 

OUTPUT R

 

CH B

CH B

 

 

 

INPUT

OUTPUT

 

Loading...
+ 14 hidden pages